Director:
Lee Tamahori,
Producer:
Arne Schmidt, Neal H. Moritz, Arne L. Schmidt,
Production Design:
Gavin Bocquet,
Writer:
Simon Kinberg,
Editor:
Todd E. Miller, Mark Goldblatt, Steven Rosenblum,
Cinematographer:
David Tattersall,
Second Second Assistant Director:
Kristina M. Peterson,
Stunt Driver:
Kevin L. Jackson,
Location Assistant:
Yovel Schwartz,
Location Manager:
James Lin,
Cast:
Samuel L. Jackson, Peter Stauss, Ice Cube, Willem Dafoe, Peter Strauss, Scott Speedman,
Costume Supervisor:
Charmaine Nash Simmons,
Sequence Supervisor:
Tom Martinek,
Wigmaker:
Victoria Wood,
Transportation Coordinator:
Chief Lighting Technician:
Andy Ryan,
Location Production Assistant:
Matthew Dillon Noonan,
Video Assist Operator:
Bradford Ralston,
Special Effects Coordinator:
Jim Schwalm,
Supervising Music Editor:
Alex Gibson,
Music Arranger:
Darian Pollard,
ADR Mixer:
Greg Steele,
Foley Mixer:
Nerses Gezalyan,
Travel Coordinator:
Mimi N. McGreal,
Production Sound Mixer:
Willie D. Burton,
Digital Color Timer:
Michael Eaves,
Greensman:
Bennett Andrews,
Lighting Technician:
Austin Cross,
Dolly Grip:
Ralph Del Castillo,
Makeup Artist:
Allan A. Apone,
Costume Illustrator:
Rosi Gabl,
Stand In:
Second Company Grip:
Thomas Crawford,
Carpenter:
Bryan Badman,
Stunts:
Laura Albert,
Sound Engineer:
Dave Lopez,
Visual Effects Coordinator:
Christopher Cram,
Key Set Costumer:
Toby Bronson,
Assistant Camera:
Phil Bowen,
Camera Operator:
Patrick B. O'Brien,
Leadman:
Daril Alder,
Stunt Double:
Robin Lynn Bonaccorsi,
Still Photographer:
Zade Rosenthal,
Visual Effects Producer:
Stephanie Hornish,
ADR Recordist:
Robert Deschaine,
Storyboard Artist:
Darrin Denlinger,
ADR Editor:
Chris Jargo,
Compositing Supervisor:
Greg Maloney,
Set Decoration:
Hilton Rosemarin,
First Assistant Accountant:
Anne Scott,
Additional Second Assistant Director:
Eugene Davis,
Grip:
Matthew J. Barden,
Gaffer:
H. Mark Vuille,
Makeup Department Head:
Hallie D'Amore,
Assistant Accountant:
Sandra Constantine,
Production Illustrator:
Jim Martin,
Second Assistant Director:
Steve Battaglia,
Property Master:
C.J. Maguire,
Assistant Production Coordinator:
Jenny Sandell,
Assistant Sound Editor:
Andre Fenley,
Visual Effects Supervisor:
David Dozoretz,
Conductor:
Pete Anthony,
Rigging Gaffer:
Frank Dorowsky,
Second Unit Director:
Geoff Murphy,
Assistant Property Master:
Tom Miller,
Screenplay:
Simon Kinberg,
Aerial Director of Photography:
Phil Pastuhov,
Original Music Composer:
Marco Beltrami,
Hair Department Head:
Beth Miller,
Technical Advisor:
David M. Kennedy,
Key Hair Stylist:
Catherine Childers,
Construction Coordinator:
Sebastian Milito,
Assistant Art Director:
Luke Freeborn,
Executive Producer:
Derek Dauchy, Todd Garner, Rob Cohen,
Casting Assistant:
Susan Paley Abramson,
Painter:
Peter Oktavec,
Matte Painter:
Jamie Baxter,
Key Rigging Grip:
Gary Kangrga,
Digital Intermediate Producer:
Lorene Simpson,
Costumer:
Javier Arrieta,
Boom Operator:
Marvin E. Lewis,
CG Supervisor:
Didier Levy,
Music Supervisor:
Laura Ziffren, Darren Higman,
Set Dressing Artist:
Bart Barbuscia,
Production Supervisor:
Debbie Schwab,
Colorist:
Mark Sachen,
Characters:
Visual Effects Editor:
Steve Ansell,
Music Consultant:
Art Ford,
Payroll Accountant:
Lora Umphress,
Production Assistant:
Clyde Broom Jr.,
Armorer:
Vincent Joseph Flaherty,
Production Accountant:
Alison Harstedt,
Assistant Editor:
Cynthia E. Thornton,
Sound Effects Editor:
J.R. Grubbs,
Script Supervisor:
Luca Kouimelis,
Picture Car Coordinator:
Steve Mann,
Unit Production Manager:
Debra James,
Orchestrator:
Pete Anthony,
Set Decoration Buyer:
Emily Crupper,
Location Scout:
Liz Matthews,
Rigging Grip:
Gregory Collis,
Unit Publicist:
David Linck,
Digital Compositors:
Corinne Bogdanowicz,
Dialogue Editor:
Daniel S. Irwin,
Special Effects Technician:
Ryan Amborn,
Set Medic:
Jason Inman,
Casting:
Margery Simkin,
Visual Effects Production Assistant:
Erin D. O'Connor,
Key Grip:
Richard Mall,
Construction Foreman:
Ted Lubonovich II,
Art Direction:
Stella Vaccaro,
Utility Stunts:
Mickey Giacomazzi,
Digital Colorist:
Chris Jensen,
Scenic Artist:
Billy 'Jilly Bones' Jones,
Production Controller:
Alison Cannon,
Music Coordinator:
Justin Reeve,
Key Set Production Assistant:
Ahmed Kirdar,
Assistant Makeup Artist:
Carol S. Federman,
Hairstylist:
Jeri Baker,
Additional Production Assistant:
Matthew I. Goldberg,
Mix Technician:
Eddie Bydalek,
Sculptor:
Jeff Frost,
Additional Casting:
Chris Bustard,
Electrician:
Shane Buttle,
Transportation Co-Captain:
Duane Kelly,
Supervising Sound Editor:
Tom Bellfort,
Assistant Location Manager:
Lisa Fozzati,
Costume Design:
Sanja Milkovic Hays,
Set Designer:
Kristen Davis,
Special Effects Supervisor:
John Frazier,
Standby Painter:
James Diggs,
Stunt Coordinator:
R. A. Rondell,
Set Costumer:
Yaa Boaa Aning,
Color Timer:
Jim Passon,
Title Designer:
Bruce Schluter,
Foley Artist:
James Moriana,
Art Department Assistant:
Lindsay Good,
Construction Buyer:
Peter Roderick,
3D Artist:
Aaron Haye,
Post Production Assistant:
R. Ben Adams,
Key Costumer:
Lorenzo Hearns Jr.,
Casting Associate:
Justine Hempe,
Art Department Coordinator:
Charlie Campbell,
Production Coordinator:
Robert Mazaraki,
Graphic Designer:
Martin Charles,
First Assistant Camera:
Tony Olivieri,
Sound Recordist:
Brian Magerkurth,
Production Secretary:
Jonathan Deiner,
Visual Effects:
George Stevens,
Music Editor:
Bill Abbott,
Second Assistant Accountant:
Jennifer Lobban,
Set Production Assistant:
Kevin Berlandi,
Libra Head Technician:
John Bonnin,
Driver:
Thomas Garris,
Sound Designer:
Christopher Boyes,
First Assistant Director:
J. Michael Haynie,
Post Production Supervisor:
Isabel Henderson,
Second Assistant Camera:
Steven Cueva,
Digital Intermediate Editor:
Amy Pawlowski,
Propmaker:
Steve Burnes,