Wag the Dog thumbnail
Wag the Dog
Synopsis
In a 29-day shoot, Barry Levinson filmed this $15 million political and media satire, adapted by Hilary Henkin and David Mamet from Larry Beinhart's novel, American Hero. Two weeks prior to re-election, the President (Michael Belson) is accused of cornering an underage girl in the Oval Office. To keep the media from learning of this, Presidential adviser Winifred Ames (Anne Heche) brings in political consultant and spin doctor Conrad Brean (Robert De Niro), a specialist in such salvage operations. Brean suggests fabricating denials of non-existent emergencies -- such as denials about the B-3 bomber. The denial, of course, is true, since no B-3 bomber exists. Brean visits the mansion of Hollywood producer Stanley Motss (Dustin Hoffman) and gives him the assignment to create a patriotic campaign centered around a war in Albania. Motss assembles a creative team -- Liz Butsky (Andrea Martin), the trend-setter Fad King (Denis Leary), and songwriter Johnny Green (Willie Nelson). Treated like an ad campaign, the songs and symbols are transmitted directly from a Hollywood soundstage to CNN. The star of their campaign is a rescued pilot -- in reality, a psychotic military prisoner (Woody Harrelson), who's a ticking time bomb. The flag-waving song, The American Dream was written for the film by Tom Bahler (who co-wrote We Are the World). Beinhart's original novel involved a real President (Bush), a real war (the Gulf War), and the premise that George Bush and Saddam Hussein staged it.~ Bhob Stewart, All Movie Guide
In cinemas
Watch at home
Full Credits
  • Director:
    Barry Levinson,
  • Writer:
    Hilary Henkin, Larry Beinhart, David Mamet,
  • Producer:
    Robert De Niro, Jane Rosenthal, Barry Levinson,
  • Cinematographer:
  • Editor:
    Stu Linder,
  • Executive Producer:
    Claire Rudnick Polstein, Ezra Swerdlow, Michael De Luca,
  • Cast:
    Dustin Hoffman, Woody Harrelson, Kirsten Dunst, Robert De Niro, Willie Nelson, James Belushi, Anne Heche, Denis Leary,
  • Assistant Editor:
    John F. Lyons, Mark W. Smith, Bob Shugrue Jr.,
  • First Assistant Director:
    Amy Sayres,
  • Second Assistant Director:
    Christopher Swartout,
  • Second Second Assistant Director:
    Amy Schmidt,
  • Co-Producer:
    Eric McLeod,
  • Supervising Sound Editor:
    Tim Holland,
  • Sound:
    David Abrahamsen,
  • Camera Operator:
    David Norris, Martin Schaer,
  • Script Supervisor:
    Julie Pitkanen,
  • ADR Mixer:
    Doc Kane, Greg Steele, Charleen Richards,
  • Art Department Coordinator:
    Steve Joyal,
  • Assistant Production Coordinator:
    Kait Pickering,
  • Boom Operator:
    Lawrence L. Commans, Gary Thomas,
  • Construction Coordinator:
    Duke Tomasick,
  • First Assistant Camera:
    Ilya Lyudmirsky,
  • Location Manager:
    Rhonda Baer, Tim Hillman,
  • Production Coordinator:
    Georgette Hayden, Emily Glatter, Holly Hagy,
  • Production Sound Mixer:
    Mark Burton,
  • Property Master:
    Peter Bankins,
  • Set Dresser:
    Scott W. Leslie, Brent Smith, Jim McDermott, John Slatsky, Mark W. Pallatt, James R. Shumaker,
  • Sound Effects Editor:
    J.R. Grubbs,
  • Best Boy Grip:
    Scott Patten,
  • Transportation Captain:
    Jerry F. Johnson,
  • Special Effects Assistant:
    Edward T. Reiff Jr., Ray L. Wilkerson, Dale Riggs, Greg Dennison,
  • Music Producer:
    Dana Sano, Mark Knopfler, Chuck Ainlay, Paul Broucek,
  • Costume Supervisor:
    Nancy McArdle,
  • Production Manager:
    Laurie Kaye,
  • Chief Lighting Technician:
    Reinhart Peschke,
  • Camera Loader:
    Kelly Uchimura, Scot A. Nederman-Paul,
  • Foley Artist:
    John Roesch, Dennie Thorpe, Jana Vance,
  • Set Production Assistant:
    Romano Paoletti, Terry Ham,
  • Music Editor:
    Mark Jan Wlodarkiewicz,
  • Art Department Assistant:
    Diane Kramer,
  • Grip:
    Jamie Franta, Shawn Ensign, Rick Colosimo, Robert J. Studenny, Nick Arnds, Barry Clint,
  • Book:
    Larry Beinhart,
  • Supervising Dialogue Editor:
    Michael Silvers,
  • On Set Dresser:
    Stephen J. Readmond, Carl Catanese,
  • Makeup Artist:
    Daniel C. Striepeke, Ilona Herman, Mark Landon, Elaine L. Offers,
  • Music Arranger:
    Roger Blanc,
  • Leadman:
    Tim Donelan,
  • Paint Coordinator:
    Doug Wuitschick, John French,
  • Location Assistant:
    Lee J. Bognar, Geoff Harding, Kimberly Lynn, Barron Miller, Mauni P. Caves,
  • Post Production Coordinator:
    Jay Vinitsky,
  • Assistant Sound Editor:
    Mary Works, Ben Gold, Susan Popovic,
  • Additional Director of Photography:
    Daryl Studebaker,
  • Rigging Gaffer:
    Roger Meilink,
  • Foley Editor:
    Mary Helen Leasman,
  • Animal Wrangler:
    Harland Williams,
  • First Assistant Editor:
    Mark Daily,
  • Dialogue Editor:
    Claire Sanfilippo, Lindakay Brown,
  • Set Decoration:
    Robert Greenfield,
  • Additional Second Assistant Camera:
    Laela Kilbourn,
  • ADR Recordist:
    Diane Linn, David Lucarelli, Tami Treadwell, Mike Boudry,
  • Second Assistant 'A' Camera:
    Jeanne Vienne,
  • Post Production Supervisor:
    Blair Daily,
  • Special Effects:
    Ronald W. Mathews,
  • Musician:
    Guy Fletcher, Mark Knopfler, Richard Bennett, Glenn Worf, Jim Cox, Chad Cromwell,
  • Production Illustrator:
    Mary Locatell,
  • Set Costumer:
    Romeo Pompa, Marcie Olivi,
  • Screenplay:
    David Mamet, Hilary Henkin,
  • Second Unit Director:
    Ken Arlidge,
  • Casting:
    Debra Zane, Ellen Chenoweth,
  • Unit Production Manager:
    Eric McLeod,
  • Dolly Grip:
    Stephen B. Abrams, William Leslie, David Terry, Michael Brennan,
  • Production Supervisor:
    Bonnie Weis,
  • Key Makeup Artist:
    Peter Montagna,
  • Hairstylist:
    Ilona Herman, Kathrine Gordon, Melissa Yonkey, Michael White,
  • Key Grip:
    Joseph Dianda, Todd Higgins,
  • Tailor:
    Jose Morales,
  • Gaffer:
    Russell Steen,
  • Other:
    Thomas M. Harrigan,
  • Extras Casting:
    David Anthony, Kimberly Rodgers,
  • Sound Re-Recording Mixer:
    Lora Hirschberg, Tom Johnson,
  • Editorial Production Assistant:
    Jason Joseph,
  • Sound Mix Technician:
    Kent Sparling,
  • Sound Mixer:
    Steve Cantamessa, Mark Weingarten,
  • Key Hair Stylist:
    Hazel Catmull,
  • Construction Grip:
    Joe Louis Garcia,
  • Costume Design:
    Rita Ryack,
  • Still Photographer:
    Phillip V. Caruso,
  • Executive In Charge Of Production:
    Carla Fry,
  • Electrician:
    Kevin A. Barnes, Peter Shultz,
  • Assistant Costume Designer:
    Maggie Morgan, Marjorie McCown, Ellen Ryba,
  • Second Unit Director of Photography:
    Ken Arlidge,
  • ADR Editor:
    Marilyn McCoppen,
  • Props:
    Byron K. Lovelace,
  • Assistant Set Propsman:
    Kirk Essiambre,
  • Casting Assistant:
    Brennan Dufresne, Terri Taylor,
  • Unit Publicist:
    Gabriela Gutentag,
  • Other:
    Steve Romanko,
  • Cableman:
    Scott La Rue,
  • Other:
    Phil Gries,
  • Greensman:
    Ildefonso Goris,
  • Standby Painter:
    Bill 'Kauhane' Hoyt,
  • VFX Artist:
    Mike Sabga,
  • Sound Recordist:
    Al Nelson,
  • Production Executive:
    Erik Holmberg,
  • Video Assist Operator:
    Mark Polischeck, Dan Moore,
  • Propmaker:
    Jose M. Arreguin, Robert McKelvey,
  • Digital Color Timer:
    Mike Sowa,
  • Art Direction:
    Mark Worthington,
  • Assistant Property Master:
    Alberto Christiano Lombardo,
  • Foley Mixer:
    Tony Eckert,
  • Executive In Charge Of Post Production:
    Joe Fineman,
  • Visual Effects Producer:
    Krystyna Demkowicz,
  • Foley Recordist:
    Frank 'Pepe' Merel, Sean England,
  • Costumer:
    Kelly Porter (costumer),
  • Rigging Grip:
    Jim Leidholdt,
  • Special Effects Manager:
    Jim Hanson,
  • Production Controller:
    Paul Prokop,
  • Additional Editor:
    Blair Daily,
  • Special Effects Coordinator:
    Dennis King,
  • Original Music Composer:
    Mark Knopfler,
  • Music Consultant:
    Joel Sill,
  • Music Coordinator:
    Bob Bowen,
  • Lighting Technician:
    Fredrick W. Marx III, Renan Galindo, Roger Awad, Halo Amrani, Alexandre Naufel,
  • Assistant Chief Lighting Technician:
    David Gamerman,
  • Transportation Coordinator:
    Steve Boyd,
  • First Assistant 'B' Camera:
    John T. Connor,
  • Assistant Set Decoration:
    Shana Sigmond,
  • Post-Production Manager:
    Ric Keeley,
  • Color Timer:
    Gilbert Carreras,
  • Production Design:
    Wynn Thomas,
  • Best Boy Electric:
    Jay Holben,
  • Key Costumer:
    Hugo Peña,
  • ADR Voice Casting:
    Leigh French,
  • Assistant Location Manager:
    Kate Beall,
  • Camera Production Assistant:
    Sean Mennie,
  • Key Rigging Grip:
    Chris Leidholdt,
  • Assistant Art Director:
    Christopher Tandon,
  • First Assistant 'A' Camera:
    Gregor Tavenner,
  • Set Designer:
    Jeff Markwith,
  • Second Assistant 'B' Camera:
    Amy DeMarte,
  • Driver:
    Greg Bronner, Burton L. Warner,

Technical specifications

Wag the Dog logo