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True Crime
Synopsis
Steve Everett is an investigative reporter with a lot of problems. An alcoholic, he's only been sober for two months. An unrelenting womanizer, he's on the verge of being thrown out by his wife, Barbara. Thanks to his messy personal life, he was fired from the New York Times. He has since relocated to the West Coast and The Oakland Tribune. The move to the West Coast and the last-chance job haven't really influenced Everett's style much, which is infuriating to the Tribune's stiff-necked city editor, Bob Findley. Furthermore, Everett's unorthodox conduct has personal consequences for Findley. In fact, when Findley wants to send Everett on a particular assignment, the editor calls home and asks his own wife, who is in bed with Everett at the time, to please put Everett on the phone. Findley has made the call because another reporter, covering the impending San Quentin execution of convicted murderer Frank Beachum, has been killed in an automobile accident. The final interview with the condemned man has, therefore, been handed to Everett, who reluctantly begins to do a little research on the case, anticipating a routine story....Steve Everett, harried, hassled and trying not to self-destruct, has less than 12 hours to save the life of a man he knows is innocent.
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Full Credits
  • Director:
    Clint Eastwood,
  • Writer:
    Paul Brickman, Stephen Schiff, Larry Gross,
  • Producer:
    Richard D. Zanuck, Lili Fini Zanuck, Clint Eastwood, Richard Zanuck, Tom Rooker,
  • Cinematographer:
    Jack Green,
  • Editor:
    Joel Cox,
  • Executive Producer:
    Tom Rooker,
  • Cast:
    Denis Leary, James Woods, Sidney Poitier, LisaGay Hamilton, Diane Venora, Isaiah Washington, Clint Eastwood,
  • Supervising Sound Editor:
    Alan Robert Murray, Bub Asman,
  • Script Supervisor:
    Kerry Lyn McKissick,
  • Boom Operator:
    Flash Deros,
  • Construction Coordinator:
    Clarence Lynn Price,
  • Location Manager:
    Kokayi Ampah,
  • Property Master:
    Michael Sexton,
  • Sound Effects Editor:
    David M. Horton, Donald Flick, Jason King, Jason King, Adam Johnston, Mike Dobie, Gary Krivacek, Doug Jackson,
  • Steadicam Operator:
    Stephen S. Campanelli,
  • Key Grip:
    Charles Saldana,
  • Foley Editor:
    David L. Horton Jr., Scott D. Jackson, Matthew Harrison, Matthew Harrison,
  • Still Photographer:
    Sam Emerson, Sam Young Emerson,
  • Casting:
    Phyllis Huffman,
  • Key Hair Stylist:
    Patricia DeHaney, Carol A. O'Connell,
  • Unit Production Manager:
    Art Levinson,
  • Set Designer:
    Joseph G. Pacelli Jr.,
  • Additional Camera:
    Michael Santy, Maurice Freeman, Stewart Barbee,
  • Chief Lighting Technician:
    Kevin Thompson, Kevin A. Thompson,
  • Novel:
    Andrew Klavan,
  • Costume Supervisor:
    Deborah Hopper,
  • Foley:
    Victoria Martin,
  • ADR Editor:
    Stephen Janisz, Denise Horta,
  • Supervising Dialogue Editor:
    Karen Spangenberg,
  • Stunt Coordinator:
    Buddy Van Horn,
  • Screenplay:
    Stephen Schiff, Paul Brickman, Larry Gross,
  • Set Decoration:
    Richard C. Goddard,
  • Key Makeup Artist:
    Tania McComas,
  • Makeup Artist:
    James Lee McCoy,
  • Stunt Driver:
    Debbie Evans, Andy Gill,
  • Sound Re-Recording Mixer:
    David E. Campbell, Gregg Rudloff, John T. Reitz,
  • Stunts:
    LaFaye Baker, Steve Kelso, Jack Gill, Larry Holt,
  • Dialogue Editor:
    James Matheny, Lucy Coldsnow-Smith, Karen G. Wilson,
  • Casting Associate:
    Olivia Harris,
  • Set Costumer:
    Sybil Gray, Ann Culotta,
  • Dolly Grip:
    Charles W. Wayt,
  • Production Design:
    Henry Bumstead,
  • Key Costumer:
    Lynda Foote,
  • Unit Publicist:
    Marco Barla,
  • Pilot:
    Craig Hosking,
  • Original Music Composer:
    Lennie Niehaus,
  • Supervising ADR Editor:
    Juno J. Ellis,
  • Negative Cutter:
    Mo Henry,
  • Music Editor:
    Donald Harris,
  • Art Direction:
    Jack G. Taylor Jr.,
  • Special Effects Coordinator:
    John Frazier,
  • Cableman:
    Mitchell B. Boyce,

Technical specifications

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