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The Thomas Crown Affair
Synopsis
Thomas Crown is a self-made billionaire who can buy anything he wants and is irresistible to women. But there are some things that money can't buy. Thomas Crown has run out of challenges. When an alarm sounds at a world class museum and someone walks out with a priceless Monet, Crown is the last person the New York police suspect. But one person suspects him: Catherine Banning, the brilliant female investigator hired to retrieve the painting no matter what it takes. Catherine loves the chase as much as he does and she's on to his game. Crown has found his challenge. Two can play, but only one can win.
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Full Credits
  • Director:
    John McTiernan,
  • Writer:
    Kurt Wimmer, Leslie Dixon,
  • Producer:
    Pierce Brosnan, Roger Paradiso, Bruce Moriarty, Beau St. Clair,
  • Cinematographer:
    Tom Priestley Jr.,
  • Editor:
    John Wright,
  • Executive Producer:
    Michael Tadross,
  • Cast:
    Esther Cañadas, Ben Gazzara, Rene Russo, Denis Leary, Frankie Faison, Pierce Brosnan,
  • Associate Producer:
    Bruce Moriarty,
  • Assistant Editor:
    Melissa J.T. Carter, Kyle Ann Stokes, Mark Livolsi, Todd Zongker,
  • First Assistant Director:
    Bruce Moriarty,
  • Second Assistant Director:
    Peter Soldo,
  • Second Second Assistant Director:
    Michael Pitt,
  • Co-Producer:
    Roger Paradiso,
  • Supervising Sound Editor:
    George Watters II,
  • Camera Operator:
    Ron Goodman, John Sosenko, Phil Oetiker,
  • Script Supervisor:
    Mikayla Abromowitz, Cornelia 'Nini' Rogan,
  • ADR Mixer:
    Thomas J. O'Connell,
  • Art Department Coordinator:
    Julia G. Hickman,
  • Assistant Production Coordinator:
    M.J. Magbanua,
  • Boom Operator:
    Daniel Rosenblum,
  • Construction Coordinator:
    Ken Nelson,
  • Construction Foreman:
    Steven E. Lawler,
  • First Assistant Camera:
    Alan R. Disler,
  • Production Sound Mixer:
    Tom Nelson,
  • Property Master:
    Michael Saccio,
  • Set Dresser:
    Ray Fisher, Eric Lewin,
  • Sound Editor:
    Gary Wright, F. Hudson Miller, Suhail Kafity, R.J. Palmer,
  • Supervising ADR Editor:
    Juno J. Ellis,
  • Musician:
    Gloria Cheng, Louise Di Tullio, Sebastian Toettcher, Norman Ludwin,
  • ADR Editor:
    Denise Horta, Stephen Janisz,
  • Foley Editor:
    Jim Likowski, Matthew Harrison,
  • Construction Grip:
    Edward R. Geller, Ron Engler,
  • Editorial Production Assistant:
    Eric M. Eskenazi,
  • Grip:
    Matt Chubet, David Larue, Peter Letzelter-Smith,
  • Electrician:
    Assia Fratz, Brian Stocklin, Steve Comesky, John Milcetic, Jon Delgado, Charlie Grubbs,
  • Jimmy Jib Operator:
    Victor Mathews,
  • Visual Effects:
    John E. Sullivan, Juan Carlos Vargas,
  • Carpenter:
    Daniel Geary, Peter Wilcox, John F. McHugh, Steve A. Stephenson,
  • Art Direction:
    Dennis Bradford,
  • Additional Second Assistant Director:
    Neil Lewis,
  • VFX Artist:
    Reid Paul, Tyler Foell,
  • Costume Design:
    Mark Zunino, Kate Harrington,
  • Shop Electric:
    Phil Devonshire,
  • Hairstylist:
    Romaine Greene, Enzo Angileri,
  • Assistant Sound Editor:
    Marc Deschaine, Chris Ingram, Melissa Lytle, Del Spiva, Marva Fucci,
  • Digital Compositor:
    Jamie Clay, Jim Gorman,
  • Production Assistant:
    Paul Cabbad, Mohamed Khan, Jesse Nye,
  • Pilot:
    Al Cerullo, Cliff Fleming,
  • Location Scout:
    Jonathan Roumie,
  • Music Consultant:
    Randall Poster,
  • Scoring Mixer:
    Dan Wallin,
  • Second Assistant Camera:
    Stanley Fernandez Jr., Zsolt Kadar, Deborah Brozina,
  • ADR Voice Casting:
    Barbara Harris,
  • Conductor:
    Bill Conti,
  • Stunts:
    Ralph Ferrara, John Copeman, Peter Bucossi, Keith Siglinger, Doris F. Grove, Tomás F. Gonzalez, Frank Ferrara Jr., Tony Guida, Adam Vignola, Andrew Phillips, Chris Cenatiempo, John Cenatiempo,
  • Sound Re-Recording Mixer:
    Michael Minkler, Frank A. Montaño,
  • Special Effects Technician:
    Harold McConnell Jr., Allen Stillman,
  • Driver:
    David Conelli, Mark Dolce,
  • Scenic Artist:
    Victor Morales, Joseph Garzero, John Ralbovsky, Mick Rossman,
  • Second Unit Director of Photography:
    John E. Sullivan,
  • Choreographer:
    John Carrafa,
  • Assistant Art Director:
    Paul D. Kelly, Jay Durrwachter,
  • Second Unit Director:
    John E. Sullivan, Mischa Hausserman,
  • Standby Art Director:
    Teresa Carriker-Thayer,
  • Music Editor:
    Chris McGeary, Tommy Lockett,
  • Original Music Composer:
    Bill Conti,
  • Makeup Artist:
    Bron Roylance, Shane Paish, Michele Paris, Jane Choi, Lynn Campbell, Rosanne Puchal,
  • Second Unit First Assistant Director:
    Jonathan Watson,
  • Stunt Double:
    John Copeman, Cheryl Wheeler Duncan, Jonathon Prandi,
  • Best Boy Grip:
    Christopher Donohue, William M. Weberg,
  • Assistant Accountant:
    Tomoko Yamamoto,
  • Casting Assistant:
    Sarah Spearing, John Mabry,
  • Cableman:
    Tommy Louie,
  • Casting:
    Patricia McCorkle,
  • Best Boy Electric:
    Joel Tishcoff, William Hines,
  • Leadman:
    Ray Fisher,
  • Production Supervisor:
    Eddy Collyns,
  • Location Assistant:
    Damian Martin, Marce Sterner,
  • Assistant Set Decoration:
    Christine Moosher,
  • Location Coordinator:
    Jeff Stolow,
  • Gaffer:
    Gene Engels, Lowell Schulman,
  • Video Assist Operator:
    Darren Ryan,
  • Stunt Driver:
    Steve Bilich,
  • Set Production Assistant:
    Les McDonough, Deanna Leslie,
  • Rigging Grip:
    Patrick Shelby,
  • Production Design:
    Bruno Rubeo,
  • Graphic Designer:
    Joan Winters,
  • Dailies Operator:
    Joe Violante,
  • Propmaker:
    Randal R. Groves,
  • ADR Recordist:
    Rick Canelli,
  • Assistant Costume Designer:
    Susan Carrano,
  • Stand In:
    Stefan Gesek,
  • Publicist:
    Eric Kops,
  • Assistant Makeup Artist:
    Scott Hersh,
  • Sound Recordist:
    Sean England, Matt Colleran,
  • Foley Artist:
    John T. Cucci, Dan O'Connell,
  • Wardrobe Supervisor:
    Hartsell Taylor,
  • Technical Advisor:
    Eva Norvind,
  • Key Rigging Grip:
    Ronald Plant,
  • Key Costumer:
    Marta Font,
  • Executive Visual Effects Producer:
    Ray Scalice,
  • Epk Camera Operator:
    Paul Gavin,
  • Costumer:
    Monica Russell,
  • Supervising Dialogue Editor:
    Teri E. Dorman,
  • Dolly Grip:
    William Jones,
  • 24 Frame Playback:
    Igor Srubshchik,
  • Color Timer:
    Phil Hetos,
  • Orchestrator:
    Jack Eskew,
  • Post Production Assistant:
    Jon Patrick Ruff,
  • Music Producer:
    Ashley Irwin, Jim Dunbar,
  • Screenplay:
    Kurt Wimmer, Leslie Dixon,
  • B Camera Operator:
    Phillip Todd,
  • Still Photographer:
    Barry Wetcher,
  • Foley Supervisor:
    Victoria Martin,
  • Key Grip:
    James W. Finnerty, Tom Kerwick,
  • Costume Assistant:
    Chris Ann Pappas,
  • Assistant Camera:
    Robert Paone,
  • Additional Music:
    Jamshied Sharifi,
  • Dialogue Editor:
    Karen Spangenberg, David A. Arnold,
  • Title Designer:
    Garson Yu,
  • First Assistant Editor:
    Barbara Dunning,
  • Assistant Location Manager:
    Paul Kramer,
  • Painter:
    Cheryl Stewart,
  • Steadicam Operator:
    Kyle Rudolph,
  • Original Story:
    Alan Trustman,
  • Stunt Coordinator:
    Frank Ferrara,
  • Foley Recordist:
    Linda Lew,
  • Set Decoration:
    Leslie E. Rollins,
  • Foley Mixer:
    James Ashwill,
  • Dolby Consultant:
    James Wright,

Technical specifications

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