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The Sting
Synopsis
Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a sting -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of the greatest con artist of them all, Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music.~ Hal Erickson, All Movie Guide
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Full Credits
  • Director:
    George Roy Hill,
  • Writer:
    David S. Ward,
  • Producer:
    Michael S Phillips, Tony Bill, Michael Phillips, Julia Phillips,
  • Cinematographer:
    Robert Surtees,
  • Editor:
    William Reynolds,
  • Executive Producer:
    Richard D. Zanuck, David Brown,
  • Cast:
    Robert Shaw, Ray Walston, Robert Redford, Charles Durning, Paul Newman,
  • Associate Producer:
    Robert Crawford Jr.,
  • First Assistant Director:
    Ray Gosnell Jr.,
  • Second Assistant Director:
    Charles Dismukes,
  • Sound:
    Dennis C. Salcedo, Ronald Pierce, Robert Bertrand,
  • Camera Operator:
    Charles W. Short,
  • Script Supervisor:
    Charlsie Bryant,
  • Property Master:
    Julius Rosenkrantz,
  • Stunts:
    Dean Smith, John Moio, Mickey Gilbert, Steven Burnett,
  • Makeup Artist:
    Mark Reedall, Rick Sharp, Gary Liddiard, Jim Gillespie,
  • Set Costumer:
    Peter V. Saldutti, Andrea E. Weaver, Bernie Pollack,
  • Music:
    Marvin Hamlisch, Scott Joplin, Billy Byers,
  • Costume Design:
    Edith Head,
  • Visual Effects:
    Albert Whitlock,
  • Hairstylist:
    Connie Nichols,
  • Unit Publicist:
    Eileen Peterson,
  • Art Direction:
    Henry Bumstead,
  • Casting:
    William Batliner, Robert J. LaSanka,
  • Music Arranger:
    Marvin Hamlisch,
  • Set Decoration:
    James W. Payne,
  • Technical Advisor:
    John Scarne,
  • Production Manager:
    Ernest B. Wehmeyer,
  • Title Illustration:
    Jaroslav Gebr,
  • Special Effects:
    Bob Warner,

Technical specifications

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