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The Ring
Synopsis
It sounded like just another urban legend--videotape filled with nightmarish images, leading to a phone call foretelling the viewer's death in exactly seven days. As a newspaper reporter, Rachel Keller was naturally skeptical of the story, until four teenagers all met with mysterious deaths exactly one week after watching just such a tape. Allowing her investigative curiosity to get the better of her, Rachel tracks down the video... and watches it. Now she has just seven days to unravel the mystery of the "Ring."
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Full Credits
  • Director:
    Gore Verbinski,
  • Writer:
    Ehren Kruger, Scott Frank, Hiroshi Takahashi,
  • Producer:
    Laurie MacDonald, Walter F. Parkes, JC Spink,
  • Cinematographer:
    Bojan Bazelli,
  • Editor:
    Craig Wood,
  • Executive Producer:
    Michele Weisler, Roy Lee, Mike Macari,
  • Cast:
    Daveigh Chase, Naomi Watts, Jane Alexander, Martin Henderson, Brian Cox, David Dorfman, Rachael Bella,
  • Associate Producer:
    Benita Allen,
  • Assistant Editor:
    Zach Justman,
  • First Assistant Director:
    Benita Allen,
  • Second Assistant Director:
    Frederic Roth,
  • Second Second Assistant Director:
    Giselle Gurza,
  • Co-Producer:
    Christine Iso,
  • Co-Executive Producer:
    Neal Edelstein, J.C. Spink,
  • Supervising Sound Editor:
    Tim Holland,
  • Art Department Coordinator:
    Ashley Sibille,
  • Assistant Production Coordinator:
    Orlando R. Gonzales,
  • Boom Operator:
    Knox White,
  • Construction Coordinator:
    Michael Diersing,
  • Construction Foreman:
    Jerry Brooks,
  • First Assistant Camera:
    Craig Cockerill,
  • Location Manager:
    Murray Miller,
  • Production Coordinator:
    Whitney Kitchen,
  • Property Master:
    David M. Bowen,
  • Set Dresser:
    Erik Berentsen,
  • Sound Editor:
    David C. Eichhorn,
  • Sound Effects Editor:
    J.R. Grubbs,
  • Screenplay:
    Ehren Kruger, Hiroshi Takahashi,
  • Dialect Coach:
    Elizabeth Himelstein,
  • Craft Service:
    Ted Yonenaka,
  • Assistant Property Master:
    Michael Hansen,
  • Set Designer:
    Maya Shimoguchi,
  • Production Design:
    Tom Duffield,
  • Foley Recordist:
    Travis Crenshaw,
  • Senior Visual Effects Supervisor:
    Nathan McGuinness,
  • Production Secretary:
    Afnahn Khan,
  • Unit Publicist:
    Alex L. Worman,
  • Carpenter:
    Stephen Sturm,
  • Electrician:
    Carlos Baker,
  • Editorial Services:
    David Hunter,
  • Costume Supervisor:
    Nancy McArdle,
  • Storyboard:
    Richard K. Buoen,
  • Color Timer:
    Dale E. Grahn,
  • Makeup Artist:
    Amy Schmiederer, Rick Baker,
  • Casting:
    Denise Chamian,
  • Assistant Costume Designer:
    Kimberly Adams,
  • Administration:
    Scott Brines,
  • ADR Recordist:
    Tami Treadwell,
  • Transportation Captain:
    Mike Shannon,
  • Rigging Gaffer:
    Gary Dahlquist,
  • Pilot:
    Robert 'Bobby Z' Zajonc,
  • Special Effects Technician:
    William Aldridge,
  • Still Photographer:
    Merrick Morton,
  • Conductor:
    Fiachra Trench,
  • CG Animator:
    Steve Baker, Brian Dowrick,
  • Orchestrator:
    Bruce Fowler,
  • Data Wrangler:
    Deborah Thomas,
  • ADR Editor:
    Michael Axinn,
  • Production Executive:
    Joel Román Mendías,
  • Sound Re-Recording Mixer:
    Lora Hirschberg,
  • Foley Mixer:
    Frank 'Pepe' Merel,
  • Assistant Accountant:
    Chris Romberg,
  • Software Engineer:
    Michael Root,
  • Set Production Assistant:
    Elizabeth Jurado,
  • Editorial Production Assistant:
    Jason Summers,
  • Researcher:
    Jesse Cook,
  • Utility Stunts:
    Nick Brett,
  • Driver:
    Michael Allegro,
  • Production Accountant:
    Kathryn Mindala,
  • Systems Administrators & Support:
    Kevin Tengan,
  • Stunts:
    Lisa Hoyle, Daniel W. Barringer, Art Hickman, Debbie Evans, Audrey Marie Crouse, Ritchie Copenhaver,
  • Assistant Camera:
    Matthew A. Del Ruth,
  • Second Assistant Camera:
    Matthew C. Blea,
  • Negative Cutter:
    Gary Burritt,
  • Standby Painter:
    Anthony 'AJ' Leonardi Jr.,
  • 3D Modeller:
    Ben Barron,
  • CG Artist:
    David Santiago,
  • Set Medic:
    Ed Gorre,
  • Costumer:
    Jiřina Eisenhamerová,
  • Title Designer:
    John Brian King,
  • Unit Production Manager:
    Bill Johnson,
  • Second Unit Director:
    Charles Gibson,
  • Projection:
    Landis Hartman,
  • Casting Associate:
    Dena Berman,
  • Digital Effects Supervisor:
    Mark Rodahl,
  • Painter:
    Curtis Coyote,
  • Production Supervisor:
    Kimberly Rach,
  • Hairstylist:
    Fríða Aradóttir,
  • Rigging Grip:
    Jason Andrew,
  • Matchmove Supervisor:
    Chris Paizis,
  • Payroll Accountant:
    Teresa Jaime Drapkin,
  • Wigmaker:
    Sylvia Nava,
  • Set Costumer:
    Linda S. Cormany,
  • Set Decoration:
    Rosemary Brandenburg,
  • Assistant Location Manager:
    David Diamond,
  • Visual Effects:
    Cedric Nicolas-Troyan,
  • Visual Effects Producer:
    Alessandra Cave,
  • Production Assistant:
    Chandra Irving,
  • Dialogue Editor:
    Lindakay Brown,
  • Location Scout:
    Robin F. Samson,
  • Production Controller:
    Jim Turner,
  • Best Boy Grip:
    Craig Doobie,
  • Novel:
    Koji Suzuki,
  • Propmaker:
    Alan Feffer,
  • Storyboard Artist:
    Trevor Goring,
  • Sculptor:
    Kazuhiro Tsuji,
  • Digital Compositors:
    Dan Cayer,
  • Sound Designer:
    Peter Miller,
  • Greensman:
    Tom Acosta,
  • Art Department Production Assistant:
    Zachary Fannin,
  • Grip:
    Robert Beaumont,
  • Costume Design:
    Julie Weiss,
  • Technical Supervisor:
    Andreas Wacker,
  • Music Editor:
    Trevor Morris,
  • Steadicam Operator:
    Harry K. Garvin,
  • Visual Effects Supervisor:
    Craig Barron,
  • Music Coordinator:
    Becky Bentham,
  • Lighting Technician:
    Marek Bojsza,
  • Musician:
    Anthony Pleeth,
  • 3D Artist:
    Glenn Cotter,
  • Video Assist Operator:
    Alex M. Cacciarelli,
  • Additional Music:
    Jim Dooley,
  • Assistant Chief Lighting Technician:
    Glenn Corbett,
  • Gaffer:
    Brian Tilden,
  • Dolly Grip:
    Nico Bally, Michael Brennan,
  • Key Hair Stylist:
    Medusah,
  • Studio Teachers:
    Marcia Craig,
  • Key Grip:
    Michael J. Coo,
  • Original Music Composer:
    Hans Zimmer,
  • Aerial Director of Photography:
    David B. Nowell,
  • Sound Mix Technician:
    Juan Peralta,
  • Foley Editor:
    Sue Fox,
  • Dolby Consultant:
    Gene Radzik,
  • Makeup Effects:
    Rick Baker,
  • Marine Coordinator:
    Troy Waters,
  • Second Assistant Accountant:
    Jennifer Koenig,
  • Transportation Coordinator:
    Denny Caira,
  • First Assistant Editor:
    Simon Morgan,
  • Key Rigging Grip:
    Larry J. Aube,
  • Travel Coordinator:
    Kurt Zelnak,
  • Post Production Coordinator:
    Sven E. Fahlgren,
  • Art Direction:
    Patrick M. Sullivan,
  • Visual Effects Editor:
    Kristopher Kasper,
  • Assistant Art Director:
    Marco Rubeo,
  • Stunt Double:
    Keli Murphy,
  • Foley Artist:
    Dennie Thorpe,
  • Stunt Coordinator:
    Keith Campbell,
  • Stand In:
    Benjamin Lehmann, Candace Moon,
  • Chief Lighting Technician:
    Robert Ferrara,
  • Post Production Supervisor:
    Erica Frauman,
  • Loader:
    Mark Connelly,
  • Key Makeup Artist:
    Jean Ann Black,
  • Special Effects Supervisor:
    Burt Dalton,
  • Visual Effects Coordinator:
    Chris Anderson,
  • I/O Supervisor:
    Brian Cuscino,

Technical specifications

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