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The Night We Called It a Day
Synopsis
Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.
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Full Credits
  • Director:
    Paul Goldman, Paul Goldman,
  • Writer:
    Peter Clifton, Michael Thomas,
  • Producer:
    Nik Powell, Peter Clifton, Emile Sherman,
  • Cinematographer:
    Danny Ruhlmann,
  • Editor:
    Stephen Evans,
  • Executive Producer:
    Gary Smith, Emma Hayter, Jonathan Shteinman, Bill Allan,
  • Cast:
    Portia de Rossi, Joel Edgerton, Dennis Hopper, Melanie Griffith, Rose Byrne,
  • First Assistant Director:
    Phil Jones,
  • Second Assistant Director:
    Clair Parker,
  • Second Second Assistant Director:
    Scott Lovelock,
  • Third Assistant Director:
    Hamish Roxburgh,
  • Line Producer:
    Barbara Gibbs,
  • Script Supervisor:
    Kristin Voumard,
  • Art Department Coordinator:
    Anthea Hodge,
  • Production Coordinator:
    Sally Clarke,
  • Sound Effects Editor:
    Terry Brown,
  • Focus Puller:
    Derry Field, Robert Foster,
  • Costume Supervisor:
    Cappi Ireland, Nina Edwards,
  • Casting:
    Anousha Zarkesh, Nikki Barrett,
  • Unit Manager:
    Brad Roberts, Simon Lucas,
  • Underwater Camera:
    Roger Buckingham,
  • Makeup Artist:
    Simone Wajon,
  • Sound Recordist:
    Guntis Sics,
  • A Camera Operator:
    Darrin Keough,
  • B Camera Operator:
    David Knight,
  • Music Editor:
    Matthew Skelding, Tim Ryan, Simon Leadley,
  • Other:
    Guy Fletcher,
  • Hair Supervisor:
    Wendy De Waal,
  • Hairstylist:
    Adele Durno, Jason Gardner, Warren Hanneman,
  • Visual Effects Producer:
    Jason Bath,
  • Second Unit Director of Photography:
    Leilani Hannah,
  • Sound Re-Recording Mixer:
    Howard Bargroff, David Turner,
  • Second Unit Director:
    David Richardson,
  • Prosthetic Makeup Artist:
    Wendy Sainsbury,
  • Clapper Loader:
    Damian Church,
  • Production Design:
    Michael Philips,
  • Art Direction:
    Michael Iacono,
  • Script Editor:
    Mark Lazarus,
  • Music:
    Rupert Gregson-Williams,
  • Assistant Grip:
    David Griffiths,
  • Stunt Coordinator:
    Richard Boué,
  • Still Photographer:
    Lisa Tomasetti,
  • First Assistant Editor:
    Sara-Jane van Gyen,
  • Scenic Artist:
    Martin Bruveris,
  • Set Decoration:
    Tracy Dunn,
  • Visual Effects Supervisor:
    Paul Butterworth,
  • Assistant Director:
    Eddie Thorne,
  • Costume Design:
    Emily Seresin,
  • Makeup Supervisor:
    Deborah Lanser,
  • Dialogue Editor:
    Stewart Henderson,

Technical specifications

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