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The New World
Synopsis
This epic adventure is set amid the encounter of European and Native American cultures during the founding of the Jamestown Settlement in 1607. Inspired by the legend of John Smith and Pocahontas, this story is a sweeping exploration of love, loss and discovery -- both a celebration and an elegy of the America that was… and the America that was yet to come. Against a historically accurate Virginia backdrop, two strong-willed characters -- a passionate and noble young native woman and an ambitious soldier of fortune - are torn between the undeniable requirements of their civic duty and the inescapable demands of the human heart.
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Full Credits
  • Director:
    Terrence Malick,
  • Writer:
    Terrence Malick,
  • Producer:
    Sarah Green,
  • Cinematographer:
    Emmanuel Lubezki,
  • Editor:
    Saar Klein, Hank Corwin, Mark Yoshikawa, Richard Chew,
  • Executive Producer:
    Mark Ordesky, Trish Hofmann, Rolf Mittweg, Toby Emmerich, Bill Mechanic,
  • Cast:
    Q'orianka Kilcher, Christian Bale, Christopher Plummer, Colin Farrell, Michael Greyeyes, August Schellenberg, Wes Studi,
  • Associate Producer:
    Ivan Bess, Billy Weber, Sandhya Shardanand, Billy Weber,
  • Assistant Editor:
    Patrick Thornhill,
  • First Assistant Director:
    Richard Hewitt, Liv Torgerson, Richard Hewitt,
  • Second Assistant Director:
    Alyson Latz,
  • Second Second Assistant Director:
    Rudy Persico,
  • Third Assistant Director:
    Lucy Egerton,
  • Co-Producer:
    Peter La Terriere,
  • Supervising Sound Editor:
    Skip Lievsay,
  • Script Supervisor:
    Eva Z. Cabrera,
  • ADR Mixer:
    Eric Thompson, Eric Thompson,
  • Art Department Coordinator:
    Beth Morris,
  • Assistant Production Coordinator:
    Courtney Hale,
  • Boom Operator:
    Jonathan Fuh,
  • Colorist:
    Donald Freeman,
  • Construction Coordinator:
    Richard Blankenship,
  • First Assistant Camera:
    Robert Binnall,
  • Location Manager:
    Charles Thomas Baxter,
  • Production Coordinator:
    Heather Neeld,
  • Production Sound Mixer:
    José Antonio García,
  • Property Master:
    David Balfour,
  • Sound Editor:
    Derek Vanderhorst, Ed Callahan, Jeremy Peirson,
  • Sound Effects Editor:
    Erik Aadahl,
  • Leadman:
    Kenneth Bryant,
  • Casting Consultant:
    Loveleen Tandan,
  • Dialogue Editor:
    Susan Dudeck,
  • Special Effects Supervisor:
    Steve Lucas, Steve Lucas,
  • Camera Trainee:
    Jonathan Tubb,
  • Key Production Assistant:
    Trish Stanard,
  • Assistant Makeup Artist:
    Carol S. Federman,
  • Location Assistant:
    Brian Beckstoffer,
  • Set Production Assistant:
    Louise Taylor,
  • Key Makeup Artist:
    David Atherton,
  • Armorer:
    Vern Crofoot, Vern Crofoot,
  • Special Effects Coordinator:
    Bob Shelley,
  • Location Scout:
    Dominique Leroutier,
  • Second Assistant Accountant:
    Mirjam Bohnet-Brew,
  • Set Decoration:
    Jim Erickson, Jim Erickson,
  • Executive In Charge Of Production:
    Erik Holmberg,
  • Carpenter:
    Michael Boone, Michael Boone,
  • Production Manager:
    Nina Sagemoen,
  • Hair Designer:
    Joani Yarbrough,
  • Editorial Production Assistant:
    Emily Morris, Emily Morris,
  • Additional Sound Re-Recording Mixer:
    Lance Brown,
  • Makeup Designer:
    Paul Engelen,
  • Sound Recordist:
    Peter Germansen,
  • Second Assistant Camera:
    Dana Kroeger,
  • Camera Production Assistant:
    Edward Button,
  • Additional Photography:
    Bunt Young,
  • Assistant Camera:
    Russell Kennedy,
  • First Assistant Accountant:
    Barbara Branch,
  • Electrician:
    Charlie Bowman,
  • Translator:
    Blair Rudes,
  • Set Medic:
    Peter Marziale,
  • Production Accountant:
    Sheila Allen, Sheila Allen,
  • Production Supervisor:
    Christa Vausbinder,
  • Gaffer:
    Dayton Nietert,
  • Craft Service:
    Thomas M. Cornelius,
  • Casting Assistant:
    Sunday Boling,
  • Key Set Costumer:
    Susan Antonelli,
  • Musician:
    Tony Hinnigan,
  • Production Intern:
    Carol Doleski,
  • Propmaker:
    Duncan McDevitt,
  • Construction Manager:
    Ross Balfour,
  • Second Unit Director:
    Andy Cheng,
  • Assistant Art Director:
    Jonathan Short,
  • Dolby Consultant:
    Bryan Pennington,
  • Stunts:
    Garrett Warren,
  • Conductor:
    James Horner,
  • Still Photographer:
    Merie Weismiller Wallace,
  • Thanks:
    Marton Csokas,
  • Rigging Gaffer:
    Jay Kemp,
  • Transportation Captain:
    Gary Duncan,
  • Production Assistant:
    Patrick Tendai Pfupajena, Kevin Black,
  • Costume Assistant:
    Laura Johnson, Laura Johnson,
  • Painter:
    Michael Clark,
  • Dialogue Coach:
    Catherine Charlton,
  • Key Rigging Grip:
    Charles A. Harris,
  • Costume Design:
    Jacqueline West,
  • Makeup Artist:
    Julie Callihan,
  • Production Secretary:
    Andrew Hart,
  • Set Costumer:
    Alexandra Krost,
  • Animal Wrangler:
    Jennifer Henderson,
  • Special Effects Technician:
    Michael Clark, Michael Clark,
  • Researcher:
    Richard Kroll,
  • Visual Effects Production Manager:
    Krista Allain,
  • Choreographer:
    Raoul Max Trujillo,
  • Unit Publicist:
    Michael Singer,
  • Post Production Assistant:
    Ryan Delk,
  • Casting:
    Kathy Driscoll, Francine Maisler,
  • Art Department Production Assistant:
    David Satterfield,
  • Executive In Charge Of Post Production:
    Jody Levin,
  • Hairstylist:
    Gina Baran,
  • Textile Artist:
    Janet Melody,
  • Executive Visual Effects Producer:
    Wendy Lanning,
  • Driver:
    Simon Jones, Simon Jones,
  • Key Grip:
    Richard Guinness Jr.,
  • Production Executive:
    Dana Belcastro,
  • Color Timer:
    Jim Passon,
  • ADR Editor:
    Michael Haight,
  • Foley Artist:
    Marko Costanzo,
  • Unit Production Manager:
    Trish Hofmann,
  • Assistant Costume Designer:
    Suzi Turnbull,
  • Music Editor:
    Philip Tallman,
  • Payroll Accountant:
    Kelly Stultz,
  • Assistant Sound Editor:
    Joel Dougherty,
  • Travel Coordinator:
    Eric Weiss, Eric Weiss,
  • Tailor:
    Kathy B. Washington,
  • Post Production Coordinator:
    Mary Duque,
  • ADR Voice Casting:
    Caitlin McKenna-Wilkinson,
  • Supervising Music Editor:
    Dick Bernstein,
  • Assistant Location Manager:
    Jason Acimovic,
  • Visual Effects Supervisor:
    Thomas J. Smith,
  • Cableman:
    Eric Bautista,
  • Steadicam Operator:
    Jim McConkey,
  • Key Hair Stylist:
    Philip Ivey, Philip Ivey,
  • Title Designer:
    Kyle Cooper,
  • Makeup Department Head:
    John R. Bayless,
  • Production Design:
    Jack Fisk,
  • Art Direction:
    David Crank,
  • Production Office Assistant:
    Elyse Sams,
  • Dressing Prop:
    Jack Garwood,
  • Best Boy Electric:
    Austin Cross,
  • Second Assistant Sound:
    Wayne Lemmer,
  • Foley Editor:
    John Joseph Thomas,
  • Construction Buyer:
    Susan Maye,
  • Grip:
    Remy Aqui,
  • Transportation Coordinator:
    Bob Foster,
  • Visual Effects Producer:
    Lisa Maher,
  • Legal Services:
    Susan H. Bodine,
  • Post Production Supervisor:
    Heidi Vogel,
  • Ager/Dyer:
    Cheralyn Lambeth,
  • Camera Loader:
    Todd Avery,
  • Rigging Grip:
    Danny Eckler,
  • Costume Supervisor:
    Catharine Fletcher Incaprera,
  • Sound Designer:
    Craig Berkey,
  • Sound Re-Recording Mixer:
    Craig Berkey,
  • Assistant Accountant:
    Richard Fiddaman,
  • Original Music Composer:
    James Horner,
  • Dolly Grip:
    Jerry Bertolami,
  • Marine Coordinator:
    Gary Duncan,
  • Foley Mixer:
    George A. Lara,
  • Best Boy Grip:
    Glen Engels, Glen Engels,
  • ADR Recordist:
    Chris Navarro,
  • Greensman:
    Cherie Bowers,
  • Underwater Director of Photography:
    Pete Romano,
  • Screenplay:
    Terrence Malick,
  • Assistant Property Master:
    Jamie Bishop,
  • Casting Associate:
    Jeff Ham,
  • Set Dressing Artist:
    Gordon McVay,
  • Stunt Coordinator:
    Andy Cheng,
  • Graphic Designer:
    Matthew Richard Harris,
  • Executive in Charge of Finance:
    Paul Prokop,
  • Props:
    Jon Marson,

Technical specifications

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