Director:
Stephen Norrington,
Producer:
Trevor Albert, Don Murphy, Jane Hamsher,
Production Design:
Carol Spier,
Writer:
Alan Moore, James Robinson,
Editor:
Paul Rubell,
Cinematographer:
Dan Laustsen,
CG Supervisor:
Greg Gladstone,
Assistant Camera:
Martin Preiss, Tyler Allison,
Novel:
Alan Moore, Kevin O'Neill,
Matte Painter:
Ron Crabb, Mark Sullivan,
Production Manager:
Michelle Weller,
Casting:
Donna Isaacson, Lucinda Syson,
Pyrotechnic Supervisor:
Joe Viskocil,
Key Set Production Assistant:
Seth William Hansen,
Foley Editor:
Steve F. Price,
Executive Producer:
Trevor Albert, Sean Connery, Mark Gordon, 3D Modeller:
Damarcus Holbrook,
Unit Production Manager:
Michael Nelson,
First Assistant Editor:
Josh Campbell,
Cast:
Peta Wilson, James Babson, Shane West, Stuart Townsend, Sean Connery, Naseeruddin Shah, Tony Curran,
Prosthetics Painter:
Henrik Svensson,
Key Rigging Grip:
Ivo Grešák,
Line Producer:
Bruce Devan, Paul Edwards,
Production Sound Mixer:
Mark Holding,
Associate Producer:
Rick Benattar,
Makeup Artist:
Pauline Heys,
Music Programmer:
Stephen Coleman,
Stunt Driver:
Richard Burden,
Digital Compositors:
Douglas Aiken,
Original Music Composer:
Trevor Jones,
Video Assist Operator:
Michal Chadima,
Assistant Costume Designer:
Tim Aslam,
Set Dresser:
Tomas Hais,
Set Designer:
David Baxa, Patrick Banister,
I/O Supervisor:
Nathan Abbot,
Visual Effects Compositor:
Pam Vick,
Focus Puller:
Jan Carda,
Production Coordinator:
Kate St-Pierre, John T. Sweeney,
Painter:
Michael Hruska,
Conductor:
Geoff Alexander,
Contact Lens Technician:
Jemma Scott-Knox-Gore,
Costumer:
Jitka Švecová,
Animation Supervisor:
Domenic DiGiorgio,
Special Effects Technician:
Thomas D. Bacho Jr.,
Assistant Location Manager:
Adam Fuchs,
Second Unit Director:
Vic Armstrong,
Rotoscoping Artist:
Laide Agunbiade,
Musician:
David Arch,
Post Production Coordinator:
Trista K. Wahl,
Assistant Accountant:
Deborah Leakey,
Camera Operator:
Klaus Fuxjäger,
Still Photographer:
Larry D. Horricks,
Unit Publicist:
Larry Garrison,
Visual Effects Supervisor:
Tim Alexander, Ray McIntyre Jr.,
Additional Grip:
Richard Dastych,
Electrician:
Conrad Sigurdson,
Hair Designer:
Michelle Taylor,
Construction Coordinator:
Phillip Tellez,
Fight Choreographer:
Eddie Perez,
Propmaker:
Marc Tantin,
CG Painter:
Laura Hainke,
2D Supervisor:
Michael Bruce Ellis,
Hairstylist:
Tricia Cameron,
Assistant Production Coordinator:
Susan Hartmann, Jeffrey Caruso,
Orchestrator:
Geoff Alexander,
Stunts:
Kevin Abercrombie,
Pyrotechnician:
Ondar Hrncir,
Costume Design:
Jacqueline West,
Visual Effects Art Director:
Matthew Gratzner,
Visual Effects Editor:
Des Carey,
Colorist:
Brano Danis,
Property Master:
Brenton L. Lane,
Screenplay:
James Robinson,
Second Assistant Director:
Richard Graysmark,
Dolly Grip:
Karel Charvat,
CG Animator:
Marcus LeVere,
Technical Supervisor:
Jason Barlow,
Visual Effects Coordinator:
Alexandra Altrocchi,
Creature Design:
Damon Bard,
Post Production Assistant:
Lonnie A. Mathes,
3D Artist:
David C. Bryant,
General Manager:
Donald Fly,
Lighting Artist:
Steve Reding,
Visual Effects:
Stephanie Hamilton,
Draughtsman:
Jason Knox-Johnston,
Dialogue Editor:
Susan Dawes, Dave Kulczycki,
Digital Effects Supervisor:
David Ebner,
Costume Illustrator:
Elizabeth Healy,
First Assistant Accountant:
Kirsten Anderson,
Dialect Coach:
Joy Ellison,
Executive In Charge Of Production:
Philip Waley,
First Assistant Camera:
Garrett Benson,
ADR Recordist:
Rick Canelli,
Wigmaker:
Bob Kretschmer,
Visual Effects Producer:
Michael Caplan,
Casting Assistant:
Berenice Percival,
Visual Effects Camera:
Miro Gábor,
ADR Mixer:
Thomas J. O'Connell,
Title Designer:
Garson Yu,
Assistant Production Manager:
Tomáš Rotnágl,
Key Grip:
Jiri Gazda,
Steadicam Operator:
Jaromír Šedina,
Conceptual Design:
Constantine Sekeris,
Costume Supervisor:
Hana Kučerová,
Stunt Double:
Christie Hayes,
Assistant Unit Manager:
Jan Strašík,
Post Production Supervisor:
Charlie Davis,
Set Costumer:
Maria Hubackova,
ADR Supervisor:
Jim Brookshire,
Prosthetic Supervisor:
Duncan Jarman,
Storyboard Artist:
Dave Preciado,
Loader:
Michal Krbeček,
Visual Effects Production Assistant:
Veronika Hladikova,
Lighting Technician:
Damon Marcellino,
Location Manager:
Mike Higgins,
Art Direction:
Jindřich Kočí, Marco Bittner Rosser, Elinor Rose Galbraith, James F. Truesdale, James McAteer,
Special Effects Supervisor:
Jaremy Aiello,
Unit Medic:
Debra Leilani Bakeman,
Stunt Coordinator:
Robert Alonzo,
Key Scenic Artist:
John Bannister,
Costume Assistant:
Tracey Millar,
Music Editor:
Adam Kay,
Marine Coordinator:
Daren Bailey,
Music Coordinator:
Victoria Seale,
Art Department Coordinator:
Jana Chovancova,
Set Decoration:
Peter Nicolakakos,
Leadman:
Ronnie Lombard,
Dresser:
Marnie Ormiston,
Tailor:
Lee Clayton,
Lead Painter:
Ron Gress,
Researcher:
Andrew Trosmans,
Co-Producer:
Michael Nelson,
Gaffer:
Michael Jenkins,
Rigging Gaffer:
Dean Brkic,
Production Assistant:
Troy W. Carrington,
Travel Coordinator:
Lindy Ransom,
Sound Recordist:
Tim Gomillion,
Assistant Editor:
Audrey Evans,
Best Boy Grip:
Michael James Fahey,
Art Department Assistant:
Sarah Emily Nelson,
Effects Supervisor:
David Fiske,
Second Second Assistant Director:
Mark Taylor,
Assistant Sound Editor:
Paul Apted,
Scoring Mixer:
Simon Rhodes,
Sculptor:
Neil Morrill,
Supervising Sound Editor:
Jay Wilkinson,
Armorer:
Dave Evans,
Sound Re-Recording Mixer:
Michael Herbick,
Key Set Costumer:
Anthony Brookman,
Utility Sound:
Martin Lonek,
Production Accountant:
Jill Bennett,
Systems Administrators & Support:
Mitch Goldstrom,
Assistant Property Master:
Ilya Seperich,
Special Effects Coordinator:
Gary Cohen,
Script Supervisor:
Catherine Allinson,
ADR Editor:
Dave Kulczycki,
Third Assistant Camera:
Martin Maryška,
Underwater Camera:
Wayne Baker,
Grip:
Pavel Proisl,
First Assistant Sound Editor:
Skip Longfellow,
Production Supervisor:
Doris Donnenberg,
Sound Effects Editor:
Erik Aadahl,
Driver:
Don Haggerty,
Foley:
John Morris,
Second Assistant Camera:
Jason Coop,
Boom Operator:
Peter Eusebe,
Creature Technical Director:
Matthew Muntean,
Compositing Supervisor:
Eroc Moralls,
ADR Engineer:
Derek Casari,
CG Artist:
David Behar,
Modeling:
Philip Borg,
Color Timer:
Jim Passon,
First Assistant Director:
Mishka Cheyko,
Data Wrangler:
Deborah Thomas,
Transportation Coordinator:
Vaclav Mottl,
Best Boy Electric:
Igor Jelen,
Second Assistant Accountant:
George 'Skip' Henfling,
Dolby Consultant:
Mark Kenna,
Negative Cutter:
Gary Burritt,
Digital Supervisor:
L. Elizabeth Powers,
Unit Manager:
Mirka Janatova,
Production Illustrator:
Manuel Plank-Jorge,
Additional Music:
Brian Bulman,