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The Karate Kid Part II
Synopsis
Mr. Miyagi and Daniel take a trip to Okinawa to visit Mr. Miyagi's dying father. After arriving Mr. Miyagi finds he still has feelings for an old love. This stirs up trouble with an old rival who he originally left Okinawa to avoid. In the mean time, Daniel encounters a new love and also makes some enemies.
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Full Credits
  • Director:
    John G. Avildsen,
  • Writer:
    Robert Mark Kamen,
  • Producer:
    Jerry Weintraub,
  • Cinematographer:
    James Crabe,
  • Editor:
    Jane Kurson, John G. Avildsen, David Garfield,
  • Executive Producer:
    R.J. Louis,
  • Cast:
    Pat Morita, Ralph Macchio, Tamlyn Tomita, Nobu McCarthy, Yuji Okumoto, Danny Kamekona,
  • Associate Producer:
    Karen Trudy Rosenfelt, Susan Ekins, William J. Cassidy,
  • Assistant Editor:
    Douglas Brumer, Karen Kory, Penelope Shaw,
  • First Assistant Director:
    Clifford C. Coleman,
  • Second Assistant Director:
    Dennis Maguire,
  • Second Second Assistant Director:
    Christine Larson,
  • Supervising Sound Editor:
    Tom C. McCarthy,
  • Camera Operator:
    Craig Denault,
  • Script Supervisor:
    Marshall Schlom,
  • Boom Operator:
    David Stafford,
  • Construction Coordinator:
    Hendrik Wynands,
  • Construction Foreman:
    Michael Van Dyke, Mike Wynands, Danny Wynands,
  • First Assistant Camera:
    Brad Edmiston, Alan R. Disler,
  • Location Manager:
    Pete Corral,
  • Production Coordinator:
    Jeannie Jeha,
  • Property Master:
    Sam Gordon,
  • Sound Editor:
    Joseph Holsen, Michael P. Redbourn, Neil Burrow, Bob Cornett,
  • Assistant Sound Editor:
    Martha Burns Holsen, Blake R. Cornett,
  • Hairstylist:
    Steve Elsbree,
  • Transportation Captain:
    Tino Caira,
  • Key Grip:
    James M. Sheppherd,
  • ADR Editor:
    Richard Friedman, Jay Kamen,
  • Chief Lighting Technician:
    Ross A. Maehl,
  • Sound Re-Recording Mixer:
    Don Digirolamo, Robert Knudson, Robert Glass,
  • Extras Casting:
    Marge Spencer,
  • Standby Painter:
    Glen Cooper,
  • Stunts:
    Mike Hassett, Roger Ito, Erik Felix, Lori Lynn Ross, Linda Arvidson, Bill M. Ryusaki,
  • Foley Editor:
    Jim Bullock,
  • Production Accountant:
    Diane Bandolas,
  • Technical Advisor:
    Louis Schwartzberg, Zenko Heshiki,
  • Original Music Composer:
    Bill Conti,
  • Props:
    Richard Leon,
  • Still Photographer:
    Ralph Nelson Jr.,
  • Key Makeup Artist:
    John M. Elliott Jr.,
  • Special Effects Supervisor:
    Dennis Dion,
  • Orchestrator:
    Jack Eskew,
  • Set Designer:
    William James Teegarden,
  • Swing:
    Ronnie Wexler,
  • Choreographer:
    Randy Sabusawa, Jose De Vega, Paul De Rolf, Nobuko Miyamoto,
  • Special Effects:
    Gary Dion, Paul H. Haines Jr., Al Wininger,
  • Dolly Grip:
    O.T. Henderson,
  • Best Boy Grip:
    John Lubin,
  • Key Hair Stylist:
    Cheri Ruff,
  • Steadicam Operator:
    Stephen St. John,
  • Casting:
    Caro Jones,
  • Cableman:
    William M. Randall Jr.,
  • Set Decoration:
    Lee Poll,
  • Music Editor:
    Stephen A. Hope,
  • Martial Arts Choreographer:
    Pat E. Johnson,
  • Production Design:
    William J. Cassidy,
  • Sound Mixer:
    William Randall,
  • Supervising ADR Editor:
    Doreen A. Dixon,
  • Assistant Accountant:
    Jan Foreman,
  • Transportation Coordinator:
    Harry Ueshiro, Alan Falco,
  • Costume Designer:
    Mary Malin,
  • Color Timer:
    Reid Burns,
  • Unit Publicist:
    Peter Benoit,
  • Makeup Artist:
    Jim Kail,
  • Second Assistant Camera:
    Mario Zavala,
  • Unit Production Manager:
    Howard Pine,
  • Art Direction:
    William F. Matthews,
  • Leadman:
    Mark Hite,
  • Music Supervisor:
    Brooks Arthur,

Technical specifications

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