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House on Haunted Hill
Synopsis
Unspeakable things happened at the Vannacutt Psychiatric Institute for the Criminally Insane- experiments that brought human torture to new depths of depravity... secrets that died with their victims and the practitioners of the demonic acts that masqueraded as medicine. Now there are no living witnesses. Nothing survived Dr. Vannacutt's excesses; nothing endures except the building in which they occurred. But that building holds all the secrets of its terrible past. Decades after the Vannacutt Insititute was shuttered, five strangers are invited to spend a night there. Their reward is a million dollars each. All they have to do is stay alive. It's going to be a long night.
Full Credits
  • Director:
    William Malone,
  • Writer:
    Dick Beebe,
  • Producer:
    Joel Silver, Gilbert Adler, Robert Zemeckis,
  • Cinematographer:
    Rick Bota,
  • Editor:
    Anthony Adler,
  • Executive Producer:
    Dan Cracchiolo, Steve Richards,
  • Cast:
    Famke Janssen, Taye Diggs, Chris Kattan, Peter Gallagher, Geoffrey Rush, Ali Larter,
  • Associate Producer:
    Ed Tapia,
  • First Assistant Director:
    Scott Cameron,
  • Second Assistant Director:
    Simone Farber,
  • Second Second Assistant Director:
    Dinah LeHoven,
  • Co-Producer:
    Terry Castle,
  • Supervising Sound Editor:
    Dane A. Davis,
  • Camera Operator:
    Chris Moseley,
  • Script Supervisor:
    Mary Anne Seward,
  • ADR Mixer:
    Thomas J. O'Connell,
  • Assistant Production Coordinator:
    Gina D'Orazio,
  • Boom Operator:
    George Flores,
  • Construction Coordinator:
    Walt Hadfield,
  • Construction Foreman:
    Brian Walker,
  • First Assistant Camera:
    A. Anthony Cappello,
  • Location Manager:
    Deborah J. Page,
  • Production Coordinator:
    Paul Croghan,
  • Production Sound Mixer:
    Vince Garcia,
  • Property Master:
    Christopher Amy,
  • Set Dresser:
    David Ladish,
  • Sound Effects Editor:
    Eric Lindemann,
  • Casting:
    Laura Kennedy,
  • Stunts:
    Scott Leva, Danny Downey, Alisa Hensley, Rick Avery, Loren Dennis, Frankie 'G' Garbutt, John Vitale, Clay Donahue Fontenot, April Littlejohn, Shane T. Anderson, John Edward, Yannick Derrien, Mark Lonsdale, George Fisher, Lori Crowder, Kimberly Cossette, Wally Crowder,
  • Key Makeup Artist:
    Joyce Etheridge,
  • First Assistant Editor:
    Tirsa Hackshaw,
  • 3D Artist:
    Steward Burris,
  • Digital Effects Supervisor:
    Helena Packer,
  • Unit Production Manager:
    F.A. Miller,
  • Payroll Accountant:
    Taffy Schweickhardt,
  • Makeup Effects:
    Howard Berger,
  • Executive Assistant:
    Kate Neumann,
  • Dolly Grip:
    Lonnie Stewart,
  • Dolby Consultant:
    Thom 'Coach' Ehle,
  • First Assistant Accountant:
    Alison Rothman,
  • Visual Effects Producer:
    Paul Taglianetti,
  • Second Assistant Sound:
    Frank Long,
  • Underwater Director of Photography:
    Jordan Klein Jr.,
  • Ager/Dyer:
    Carol Demarti,
  • Wardrobe Supervisor:
    Kimberly Guenther Durkin, Randall Thropp,
  • Sound Re-Recording Mixer:
    Kevin E. Carpenter,
  • Costume Designer:
    Ha Nguyen,
  • Visual Effects Editor:
    Bill Black,
  • Orchestrator:
    Bruce Babcock,
  • Chief Lighting Technician:
    Michael Laws,
  • Loader:
    Darin Miller,
  • Transportation Coordinator:
    Dan Henley,
  • Production Assistant:
    Steve Rodriguez,
  • Color Timer:
    Dale E. Grahn,
  • Key Hair Stylist:
    Patricia Vecchio,
  • Visual Effects:
    Michael Shelton,
  • Second Assistant Camera:
    Garrett Benson,
  • Propmaker:
    Steven Fidler,
  • Dialogue Editor:
    Charles W. Ritter,
  • Transportation Captain:
    Timothy E. Henley,
  • Foley Supervisor:
    Thom Brennan,
  • Set Costumer:
    Janet Sobel,
  • Set Decoration:
    Lauri Gaffin,
  • Leadman:
    Ben Woolverton,
  • Key Grip:
    Bob Munoz,
  • Second Unit Director:
    Gregg Brazzel,
  • Stunt Coordinator:
    Gregg Brazzel,
  • Special Effects Coordinator:
    Charles Belardinelli,
  • Negative Cutter:
    Barbara Riley,
  • Best Boy Electric:
    Joe Hicks,
  • Compositing Supervisor:
    Dorene Haver,
  • Visual Effects Supervisor:
    Marc Kolbe,
  • Art Department Production Assistant:
    Brandon L. Hull,
  • Dialect Coach:
    Jess Platt,
  • Production Secretary:
    Iris Dubinsky,
  • Costumer:
    Liz Donovan,
  • Original Music Composer:
    Don Davis,
  • Senior Animator:
    Christina Drahos,
  • Still Photographer:
    Tom Farrar,
  • Assistant Art Director:
    Clare Scarpulla,
  • Assistant Property Master:
    Héctor B. López,
  • Story by:
    Robb White,
  • Art Direction:
    Richard F. Mays,
  • Special Effects Supervisor:
    Thomas L. Bellissimo,
  • Costume Supervisor:
    Kimberly Guenther Durkin,
  • Casting Associate:
    Kristy Carlson,
  • Assistant Chief Lighting Technician:
    Bryce Porter,
  • Special Effects Technician:
    Gary D. Bierend,
  • Foley Artist:
    Hilda Hodges,
  • Standby Painter:
    Bill 'Kauhane' Hoyt,
  • Production Accountant:
    Matt Story,
  • Set Production Assistant:
    Chamonix Bosch,
  • Post Production Supervisor:
    Mark L. Mitchell,
  • crew.role.crew.digital-effects-producer:
    Richard J. Cook,
  • Steadicam Operator:
    Stephen J. Ullman,
  • Art Department Assistant:
    Steve Rodriguez,
  • Gaffer:
    Michael Laws,
  • Post Production Coordinator:
    Eva Winkle,
  • Lighting Technician:
    Scott Kidner,
  • Sound Designer:
    Dane A. Davis,
  • Assistant Makeup Artist:
    Douglas Noe,
  • Hairstylist:
    Diane Pepper,
  • Stunt Double:
    Clay Donahue Fontenot,
  • Painter:
    Tim Stadler,
  • Screenplay:
    Dick Beebe,
  • Set Medic:
    Gloria M. Fujita,
  • Driver:
    Don Haggerty,
  • Makeup Artist:
    David Abbott,
  • Digital Compositors:
    Marla Carter Barrett,
  • Transportation Co-Captain:
    Thomas M. Krigbaum,
  • Grip:
    Robert Ikeda,
  • Best Boy Grip:
    Steven E. Ball,
  • Executive In Charge Of Production:
    Bill Draper,
  • Production Design:
    David F. Klassen,
  • First Assistant Sound Editor:
    David McRell,

Technical specifications

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