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The Hot Chick
Synopsis
Not only is Jessica Spencer the most popular girl in school -- she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.
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Full Credits
  • Director:
    Tom Brady, Tom Brady,
  • Writer:
    Tom Brady, Rob Schneider, Tom Brady,
  • Producer:
    Carr D'Angelo, John Schneider, Carr D'Angelo,
  • Cinematographer:
    Tim Suhrstedt,
  • Editor:
    Peck Prior,
  • Executive Producer:
    Guy Riedel, Adam Sandler, Jack Giarraputo,
  • Cast:
    Anna Faris, Rob Schneider, Eric Christian Olsen, Matthew Lawrence, Rachel McAdams, Robert Davi,
  • Associate Producer:
    Robin Mulcahy Fisichella,
  • Assistant Editor:
    Jeff Williams,
  • First Assistant Director:
    Cara Giallanza,
  • Second Assistant Director:
    John P. Aguirre,
  • Co-Producer:
    Ian Maxtone-Graham, Nathan Talbert Reimann,
  • Supervising Sound Editor:
    David Bach,
  • Camera Operator:
    Jeffrey Greeley,
  • Art Department Coordinator:
    Ivonne Olguin,
  • Assistant Production Coordinator:
    Christopher K. Grap,
  • Boom Operator:
    Tom Hartig,
  • Construction Coordinator:
    Erich W. Schultz,
  • First Assistant Camera:
    Mark Figueroa,
  • Location Manager:
    Paul Schreiber,
  • Production Coordinator:
    Kelly Moran-Brown,
  • Production Sound Mixer:
    Mark Ulano,
  • Property Master:
    Max E. Brehme,
  • Set Dresser:
    Tim Fassino,
  • Sound Editor:
    Josh Egnew,
  • Sound Effects Editor:
    Orada Jusatayanond,
  • Stunts:
    Paul E. Short, Marijane Cole, Eliza Coleman, Steve Kelso,
  • Casting Coordinator:
    Kate Lacey,
  • Stunt Double:
    Gloria O'Brien, Heidi Moneymaker, Nicole Randall, Cinda-Lin James, Christopher 'Critter' Antonucci, Lisa Hoyle,
  • First Assistant Accountant:
    Tiffany Fraser,
  • Painter:
    Paulette Fox,
  • Editorial Production Assistant:
    Julian Smirke,
  • Sculptor:
    James Van Houten,
  • Second Assistant Accountant:
    Rudy Coblentz Jr.,
  • Second Assistant Camera:
    Chris Cuevas,
  • Casting:
    Gail Goldberg, Donna Morong, Marcia Ross,
  • Video Assist Operator:
    Scott Crabbe,
  • Assistant Property Master:
    Scott W. Leslie,
  • Rigging Gaffer:
    Brian Cantrell,
  • Lighting Technician:
    John Bratlien,
  • Grip:
    Josh Denering,
  • Makeup Department Head:
    Rose Librizzi,
  • Dolly Grip:
    Bill Daimant,
  • Production Accountant:
    John C. Kruize,
  • Dialogue Editor:
    Robert Jackson,
  • Gaffer:
    Paul McIlvaine,
  • Picture Car Coordinator:
    Jim Moores,
  • Costume Design:
    Alix Friedberg,
  • Additional Second Assistant Director:
    Mark Avery,
  • Post Production Coordinator:
    Matt Evans,
  • First Assistant Editor:
    Sandy S. Solowitz,
  • Choreographer:
    Tony Gonzalez,
  • Music Editor:
    Dan DiPrima,
  • Sound Recordist:
    Randolph Saucedo,
  • Hair Department Head:
    Larry Waggoner,
  • Propmaker:
    Cesar Orozco,
  • Assistant Camera:
    Andrew Osborne,
  • Digital Compositor:
    Patrick Flanagan,
  • Transportation Captain:
    Krister C. Johnson,
  • Camera Loader:
    Michael D. Alvarez,
  • Scenic Artist:
    Eric Reichardt,
  • Hairstylist:
    Emjay Olson,
  • Extras Casting:
    David Anthony,
  • First Assistant Sound Editor:
    Clayton Weber,
  • Production Assistant:
    Angela Athayde,
  • Costumer:
    Celeste LaChance,
  • Steadicam Operator:
    Lawrence Karman,
  • Ager/Dyer:
    Tyra Youland,
  • Rigging Grip:
    R. Michael Stringer,
  • Key Makeup Artist:
    Carme Tenuta,
  • Utility Stunts:
    Jim Stephan,
  • Original Music Composer:
    John Debney,
  • Unit Publicist:
    Deborah Simmrin,
  • Set Decoration:
    Jon Danniells,
  • Transportation Coordinator:
    James Lowder,
  • Key Rigging Grip:
    Mark Vollmer,
  • Unit Production Manager:
    Udi Nedivi,
  • Musician:
    George Doering,
  • Music Supervisor:
    Peter Afterman,
  • CG Supervisor:
    Mike Hardison,
  • Set Decoration Buyer:
    Peggy Casey,
  • Key Grip:
    Darwin Montana Browne,
  • Production Design:
    Marc Fisichella,
  • Production Secretary:
    Bryan S. Sexton,
  • Set Designer:
    Camille M. Bratkowski,
  • Best Boy Electric:
    Matt Bardocz,
  • Second Unit Director:
    Gregg Smrz,
  • Assistant Director:
    Hope Garrison,
  • Decorator:
    Sharon Speller,
  • Music Coordinator:
    Jessica Clements,
  • Color Timer:
    Jeff Smithwick,
  • 24 Frame Playback:
    Ralph Merzbach,
  • Electrician:
    Shane Buttle,
  • Leadman:
    Shane Reed,
  • Art Direction:
    Tom Frohling,
  • Utility Sound:
    Adam Blantz,
  • Casting Assistant:
    Nadia Aleyd,
  • Visual Effects Coordinator:
    Jana Spotts,
  • Visual Effects Supervisor:
    Ray McIntyre Jr.,
  • Special Effects Technician:
    Jerry Miscevich,
  • Stand In:
    Cashalà L'Shauntyelle,
  • Studio Teachers:
    Lisa Nichols,
  • Stunt Coordinator:
    Gregg Smrz,
  • Foley Artist:
    Monique Reymond,
  • ADR Recordist:
    David Yonson,
  • Makeup Artist:
    Corina C. Duran-Rabichuk,
  • Digital Effects Supervisor:
    Reid Paul,
  • Storyboard Artist:
    Robin Richesson,
  • ADR Editor:
    Cameron Steenhagen,
  • Payroll Accountant:
    Timber Kislan,
  • Set Medic:
    Alex Barnoya,
  • Visual Effects:
    Clay Dale,
  • Special Effects Coordinator:
    John Hartigan,
  • Sound Re-Recording Mixer:
    Keith Rogers,
  • Key Hair Stylist:
    K.G. Ramsey,
  • Costume Supervisor:
    Deborah Hall,
  • Casting Associate:
    Nicole Hilliard-Forde,
  • Orchestrator:
    Frank Bennett,
  • Driver:
    J. Armin Garza II,

Technical specifications

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