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The Haunting
Synopsis
A remake of the classic 1963 movie "The Haunting" about a team of paranormal experts who look into strange occurrences in an ill-fated house. Through the course of the night some will unravel, some will question, and all will fight for their lives as the house fights back.
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Full Credits
  • Director:
    Jan de Bont,
  • Writer:
    Shirley Jackson, David Self,
  • Producer:
    Colin Wilson, Colin Wilson, Donna Roth, Susan Arnold,
  • Cinematographer:
    Karl Walter Lindenlaub,
  • Editor:
    Michael Kahn,
  • Executive Producer:
    Steven Spielberg, Samuel Z. Arkoff, Jan de Bont,
  • Cast:
    Catherine Zeta-Jones, Bruce Dern, Marian Seldes, Owen Wilson, Lili Taylor, Liam Neeson,
  • Associate Producer:
    Marty P. Ewing,
  • Assistant Editor:
    Michael Trent, Bryan H. Carroll,
  • First Assistant Director:
    Josh McLaglen,
  • Second Second Assistant Director:
    Kate Hazell,
  • Supervising Sound Editor:
    Ethan van der Ryn, Frank E. Eulner,
  • Camera Operator:
    Gregory Lundsgaard,
  • Visual Effects Editor:
    John Bartle,
  • ADR Mixer:
    Robert Deschaine,
  • Art Department Coordinator:
    Brynn McQuade,
  • Assistant Production Coordinator:
    Danielle Fox,
  • Boom Operator:
    Harrison D. Marsh,
  • Construction Coordinator:
    Stacey S. McIntosh,
  • First Assistant Camera:
    Jamie Barber,
  • Location Manager:
    Peter M. Tobyansen,
  • Production Coordinator:
    Marilyn Clarke,
  • Production Sound Mixer:
    David John,
  • Property Master:
    Brian Payne,
  • Sound Effects Editor:
    Teresa Eckton,
  • Key Set Production Assistant:
    Ben Smith, Ben Smith,
  • Editorial Services:
    Donald Dowd,
  • Stunt Double:
    Joanna Shelmidine, Jimmy N. Roberts,
  • Unit Publicist:
    Amanda Brand,
  • Wigmaker:
    Justin Ditter,
  • I/O Supervisor:
    David Rosenthal, David Rosenthal,
  • Makeup Artist:
    Jean Ann Black,
  • Compositing Supervisor:
    Brennan Doyle,
  • Costume Design:
    Ellen Mirojnick, Danny Ned Moore,
  • Supervising Art Director:
    Tomas Voth,
  • Post Production Assistant:
    Kevin Du Toit,
  • Assistant Property Master:
    Michael Hansen,
  • Sound Re-Recording Mixer:
    Gary Summers,
  • Electrician:
    James Barrett, James Barrett,
  • Negative Cutter:
    Gary Burritt,
  • Assistant Camera:
    Renzo Spirit Buffalo,
  • Utility Stunts:
    Troy Robinson,
  • Stunts:
    Jennifer Caputo, Sandy Berumen, Anita Hart,
  • Sound Design Assistant:
    Shannon Mills,
  • Production Secretary:
    Danika Kohler Doman,
  • Driver:
    Chet Badalato,
  • Sculptor:
    Fred Arbegast,
  • Stand In:
    Candace Brokaw,
  • Dolly Grip:
    Andreas Crawford,
  • Supervising Music Editor:
    Kenneth Hall,
  • Steadicam Operator:
    Colin Anderson,
  • Storyboard Artist:
    Robert Consing,
  • Additional Second Assistant Camera:
    Keith Ogier,
  • Animation:
    Randy Link,
  • Rigging Grip:
    Jeff Brinker,
  • Visual Effects Supervisor:
    Phil Tippett, Scott Farrar,
  • Leadman:
    Larry A. Cornick,
  • Systems Administrators & Support:
    Steve Ginsberg,
  • Video Assist Operator:
    Mark Suveg,
  • Lighting Technician:
    Steven Strong,
  • Second Unit Director:
    Steven Spielberg,
  • Editorial Production Assistant:
    Brian Dettor,
  • Special Effects Assistant:
    Taylor Ball,
  • Hairstylist:
    Karyn Huston,
  • Visual Effects Producer:
    Roni McKinley,
  • Picture Car Coordinator:
    Dennis Marchant,
  • Set Decoration:
    Cindy Carr,
  • Projection:
    Gerry Taylor,
  • Sound Designer:
    Gary Rydstrom,
  • Music Editor:
    Darrell Hall,
  • Production Illustrator:
    François Audouy,
  • Key Costumer:
    Lynda Foote,
  • Standby Painter:
    Charles 'Chuck' Lungren,
  • Casting Assistant:
    Tanaz Akhlaghi,
  • Foley Supervisor:
    Sandina Bailo-Lape,
  • Dialogue Editor:
    Jonathan Null,
  • Digital Compositors:
    Alan Boucek,
  • Post Production Coordinator:
    Sven E. Fahlgren,
  • Set Designer:
    Mick Cukurs,
  • Special Effects Technician:
    Jem Lovett,
  • Painter:
    Gloria Ciraolo,
  • Set Dressing Artist:
    Edmond Scott Ratliff,
  • Craft Service:
    Orlando Chongo,
  • Intern:
    Lauren Raquel Pusich,
  • Production Accountant:
    Elena Holden Tuens,
  • Visual Effects Editor:
    John Bartle,
  • Conductor:
    Jerry Goldsmith,
  • Key Rigging Grip:
    Matt Floyd, Matt Floyd,
  • Camera Loader:
    Heather Green,
  • Carpenter:
    Scott Lafferty,
  • Property Buyer:
    Karin L. McGaughey,
  • Assistant Accountant:
    Charlie Araki,
  • Foley Artist:
    Dennie Thorpe,
  • Grip:
    Loren Corl,
  • Set Medic:
    Marie Nashold,
  • Rigging Gaffer:
    Brian Lukas,
  • Art Direction:
    Jonathan Lee, Troy Sizemore, Martin Laing,
  • Production Manager:
    Roger Rohrbach,
  • Construction Buyer:
    Robert Allen, Robert Allen,
  • Stunt Coordinator:
    Tim A. Davison,
  • Rotoscoping Artist:
    Dan Feinstein,
  • Production Design:
    Eugenio Zanetti,
  • ADR & Dubbing:
    Larry Singer,
  • Costume Supervisor:
    Deborah Hopper,
  • Novel:
    Shirley Jackson,
  • Music Programmer:
    Nick Vidar,
  • ADR Voice Casting:
    Mickie McGowan, Mickie McGowan,
  • Art Department Production Assistant:
    Patricio M. Farrell,
  • Visual Effects Coordinator:
    Alexandra Altrocchi,
  • First Assistant Editor:
    Richard Byard,
  • Assistant Chief Lighting Technician:
    Dan Riffel,
  • Unit Production Manager:
    Marty P. Ewing,
  • Best Boy Grip:
    Dana Baker,
  • Production Assistant:
    Kirk Jung,
  • Swing:
    Dean Lakoff,
  • Animation Supervisor:
    Blair Clark,
  • Propmaker:
    Alan Alvarado,
  • Key Hair Stylist:
    Judith A. Cory,
  • ADR Recordist:
    Tami Treadwell,
  • Set Costumer:
    Ann Culotta,
  • Visual Effects Art Director:
    Paula Lucchesi,
  • Production Controller:
    Jim Turner, Jim Turner,
  • Sound Mix Technician:
    Juan Peralta,
  • Casting:
    Randi Hiller,
  • Gaffer:
    Stewart Hadley,
  • Second Assistant Camera:
    Paul DeMarte,
  • Post Production Supervisor:
    Erica Frauman,
  • Transportation Coordinator:
    Gary Shephard,
  • Assistant Sound Editor:
    Michael Axinn,
  • Head of Research:
    Douglas Epps,
  • Aerial Camera:
    Jeremy Braben,
  • Payroll Accountant:
    Daniel Myers Boone,
  • Original Music Composer:
    Jerry Goldsmith,
  • Dialect Coach:
    Joy Ellison,
  • Foley Recordist:
    Frank 'Pepe' Merel,
  • Foley Mixer:
    Tony Eckert,
  • Color Timer:
    David Orr,
  • Special Effects Supervisor:
    Martin Gutteridge,
  • Screenplay:
    David Self,
  • Orchestrator:
    Alexander Courage,
  • 3D Artist:
    Wes Burian,
  • Assistant Director:
    Jana Spotts,
  • Special Effects Coordinator:
    John Frazier,
  • Chef:
    Gary Ferraro,
  • Conceptual Illustrator:
    Cristiano Donzelli,
  • Production Executive:
    Steven R. Molen,
  • ADR Editor:
    Denise Whiting,
  • Still Photographer:
    Frank Masi,
  • Researcher:
    Alessandra Taddei,

Technical specifications

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