The Good Son thumbnail
the good son
Synopsis
A young boy stays with his aunt and uncle, and befriends his cousin who's the same age. But his cousin begins showing increasing signs of psychotic behavior.
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Full Credits
  • Director:
    Joseph Ruben,
  • Producer:
    Joseph Ruben, Mary Ann Page,
  • Production Design:
    Bill Groom,
  • Writer:
    Ian McEwan,
  • Editor:
    George Bowers,
  • Cinematographer:
    John Lindley,
  • Stunts:
    Gregory J. Barnett, Edward Conna, Gene Harrison, Noon Orsatti, Nick Brett, Henry Kingi, Michael Cassidy, Joni Avery, Debbie Lee Carrington, Spiro Razatos, Glory Fioramonti, Rick Avery, Kenny Bates,
  • First Assistant Director:
    Michael E. Steele,
  • Scoring Mixer:
    Dan Wallin,
  • Storyboard Artist:
    Len Morganti,
  • Sound Mixer:
    Susumu Tokunow,
  • Casting:
    Deborah Aquila,
  • Foley Supervisor:
    Elisha Birnbaum,
  • Makeup Artist:
    Bernadette Mazur,
  • Supervising ADR Editor:
    Harriet Fidlow,
  • Second Unit First Assistant Director:
    K.C. Colwell,
  • Grip:
    Tony Campenni, William M. Weberg,
  • Stunt Coordinator:
    Jack Gill,
  • Boom Operator:
    Anna R. Delanzo,
  • Executive Producer:
    Daniel Rogosin, Ezra Swerdlow,
  • Best Boy Grip:
    Dennis Zoppe,
  • Electrician:
    Lon Caracappa, Donna Vega,
  • Camera Operator:
    Peter Norman,
  • Key Grip:
    Bobby Huber,
  • Set Decoration:
    George DeTitta Jr.,
  • First Assistant Editor:
    Doron Shauly,
  • Casting Assistant:
    Julie Lichter,
  • Sound Editor:
    Louis Cerborino, Stuart Stanley, Ira Spiegel, Richard P. Cirincione, Stuart Emanuel, Bitty O'Sullivan-Smith,
  • Supervising Sound Editor:
    Stan Bochner,
  • Assistant Sound Editor:
    James H. Nau, Harry Peck Bolles, Gerald Donlan, David Wahnon,
  • Sound Re-Recording Mixer:
    Tom Fleischman,
  • Color Timer:
    Phil Hetos,
  • Steadicam Operator:
    Larry McConkey, David Crone,
  • Script Supervisor:
    Samantha Timmerman,
  • Sound Effects Editor:
    Richard King,
  • Special Effects:
    Lisa Shaftel,
  • First Assistant Camera:
    Eric Swanek,
  • Gaffer:
    Marc Rogers,
  • Set Costumer:
    Debbie Holbrook,
  • Hairdresser:
    Anthony Veader,
  • Leadman:
    Gerald DeTitta,
  • Dialogue Editor:
    Jeff Kliment,
  • Wardrobe Supervisor:
    Elizabeth Feldbauer,
  • Second Assistant Director:
    Barbara M. Ravis,
  • Costume Design:
    Cynthia Flynt,
  • Extras Casting:
    Raquel Osborne,
  • Negative Cutter:
    Gary Burritt,
  • Orchestrator:
    Emilie A. Bernstein,
  • ADR Editor:
    Marjorie Deutsch,
  • Set Dresser:
    Ray Fisher, Paul Richards,
  • Cast:
    Elijah Wood, Wendy Crewson, Daniel Hugh Kelly, David Morse, Macaulay Culkin,
  • Pilot:
    Robert 'Bobby Z' Zajonc,
  • Original Music Composer:
    Elmer Bernstein,
  • Special Effects Coordinator:
    David Neil Trifunovich,
  • Assistant Art Director:
    Sarah Knowles, Keith Neely,
  • Art Direction:
    Rusty Smith,
  • Property Master:
    David Gulick,
  • Still Photographer:
    Van Redin, Kerry Hayes,
  • Hairstylist:
    Francesca Paris,
  • Second Assistant Camera:
    Andy Harris,
  • Supervising Music Editor:
    Kathy Durning,
  • Co-Producer:
    Michael E. Steele,
  • Screenplay:
    Ian McEwan,
  • Construction Coordinator:
    Joe Wood,
  • Second Unit Director:
    Jack Gill,
  • Foley Artist:
    Brian Vancho,
  • Assistant Costume Designer:
    Juliet Polcsa,
  • Unit Publicist:
    Brigitte Prochaska,
  • Second Unit Director of Photography:
    Kenneth Zunder,
  • Unit Production Manager:
    Thomas John Kane,

Technical specifications

The Good Son