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The Good Son
Synopsis
A young boy stays with his aunt and uncle, and befriends his cousin who's the same age. But his cousin begins showing increasing signs of psychotic behavior.
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Full Credits
  • Director:
    Joseph Ruben,
  • Writer:
    Ian McEwan,
  • Producer:
    Joseph Ruben, Mary Ann Page,
  • Cinematographer:
    John Lindley,
  • Editor:
    George Bowers,
  • Executive Producer:
    Ezra Swerdlow, Daniel Rogosin,
  • Cast:
    Macaulay Culkin, David Morse, Daniel Hugh Kelly, Wendy Crewson, Elijah Wood,
  • First Assistant Director:
    Michael E. Steele,
  • Second Assistant Director:
    Barbara M. Ravis,
  • Co-Producer:
    Michael E. Steele,
  • Supervising Sound Editor:
    Stan Bochner,
  • Camera Operator:
    Peter Norman,
  • Script Supervisor:
    Samantha Timmerman,
  • Boom Operator:
    Anna R. Delanzo,
  • Construction Coordinator:
    Joe Wood,
  • First Assistant Camera:
    Eric Swanek,
  • Property Master:
    David Gulick,
  • Set Dresser:
    Paul Richards, Ray Fisher, Paul Richards,
  • Sound Editor:
    Bitty O'Sullivan-Smith, Stuart Emanuel, Richard P. Cirincione, Ira Spiegel, Stuart Stanley, Louis Cerborino,
  • Sound Effects Editor:
    Richard King,
  • Stunts:
    Kenny Bates, Rick Avery, Michael Cassidy, Glory Fioramonti, Andy Gill, Spiro Razatos, Debbie Lee Carrington, Joni Avery, Michael Cassidy, Henry Kingi, Nick Brett, Noon Orsatti, Gene Harrison, Edward Conna, Gregory J. Barnett,
  • Unit Production Manager:
    Thomas John Kane,
  • Second Unit Director of Photography:
    Kenneth Zunder,
  • Unit Publicist:
    Brigitte Prochaska,
  • Assistant Costume Designer:
    Juliet Polcsa,
  • Foley Artist:
    Brian Vancho,
  • Second Unit Director:
    Jack Gill,
  • Screenplay:
    Ian McEwan,
  • Still Photographer:
    Kerry Hayes, Van Redin,
  • Assistant Art Director:
    Keith Neely, Sarah Knowles,
  • Supervising Music Editor:
    Kathy Durning,
  • Second Assistant Camera:
    Andy Harris, Andy Harris,
  • Hairstylist:
    Francesca Paris,
  • Art Direction:
    Rusty Smith,
  • Special Effects Coordinator:
    David Neil Trifunovich,
  • Original Music Composer:
    Elmer Bernstein,
  • Electrician:
    Donna Vega, Lon Caracappa,
  • Steadicam Operator:
    David Crone, Larry McConkey,
  • Pilot:
    Robert 'Bobby Z' Zajonc,
  • Assistant Sound Editor:
    David Wahnon, Gerald Donlan, Harry Peck Bolles, James H. Nau,
  • ADR Editor:
    Marjorie Deutsch,
  • Orchestrator:
    Emilie A. Bernstein,
  • Negative Cutter:
    Gary Burritt,
  • Extras Casting:
    Raquel Osborne,
  • Costume Design:
    Cynthia Flynt,
  • Production Design:
    Bill Groom,
  • Wardrobe Supervisor:
    Elizabeth Feldbauer,
  • Dialogue Editor:
    Jeff Kliment,
  • Leadman:
    Gerald DeTitta,
  • Hairdresser:
    Anthony Veader,
  • Set Costumer:
    Debbie Holbrook,
  • Gaffer:
    Marc Rogers,
  • Special Effects:
    Lisa Shaftel,
  • Color Timer:
    Phil Hetos,
  • Sound Re-Recording Mixer:
    Tom Fleischman,
  • Casting Assistant:
    Julie Lichter,
  • First Assistant Editor:
    Doron Shauly,
  • Grip:
    William M. Weberg, Tony Campenni,
  • Set Decoration:
    George DeTitta Jr.,
  • Key Grip:
    Bobby Huber,
  • Best Boy Grip:
    Dennis Zoppe,
  • Stunt Coordinator:
    Jack Gill,
  • Second Unit First Assistant Director:
    K.C. Colwell,
  • Supervising ADR Editor:
    Harriet Fidlow,
  • Makeup Artist:
    Bernadette Mazur,
  • Foley Supervisor:
    Elisha Birnbaum,
  • Casting:
    Deborah Aquila,
  • Sound Mixer:
    Susumu Tokunow,
  • Storyboard Artist:
    Len Morganti,
  • Scoring Mixer:
    Dan Wallin,

Technical specifications

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