The Girl Next Door thumbnail
The Girl Next Door
Synopsis
Eighteen-year-old Matthew Kidman is a straight-arrow over-achiever who has never really lived life--until he falls for his beautiful and seemingly innocent neighbor, Danielle. When Matthew discovers that this perfect "girl next door" is a one-time porn star, his sheltered existence begins to spin out of control. Ultimately, Danielle helps Matthew emerge from his shell and discover that sometimes you have to risk everything for the person you love, as he simultaneously helps her rediscover her innocence.
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Full Credits
  • Director:
    Luke Greenfield,
  • Writer:
    Stuart Blumberg, David Wagner, Brent Goldberg,
  • Producer:
    Harry Gittes, Marc Sternberg, Charles Gordon, Charles Gordon, Harry Gittes, Marc Sternberg,
  • Cinematographer:
    Jamie Anderson,
  • Editor:
    Mark Livolsi,
  • Executive Producer:
    Guy Riedel, Arnon Milchan,
  • Cast:
    Chris Marquette, James Remar, Timothy Olyphant, Christopher Marquette, Elisha Cuthbert, Emile Hirsch, Paul Dano,
  • Assistant Editor:
    Tom Dailey,
  • First Assistant Director:
    Rip Murray,
  • Second Assistant Director:
    Jules Kovisars,
  • Second Second Assistant Director:
    Elenie Mansalis,
  • Co-Producer:
    Richard Wenk,
  • Supervising Sound Editor:
    Andrew DeCristofaro,
  • Camera Operator:
    Bill Brummond,
  • Script Supervisor:
    Marion Tumen,
  • ADR Mixer:
    Greg Steele,
  • Art Department Coordinator:
    Nancy A. King,
  • Assistant Production Coordinator:
    Christopher K. Grap,
  • Boom Operator:
    Robert Jackson,
  • Colorist:
    Dave Lee,
  • Construction Coordinator:
    Denis Cordova,
  • Construction Foreman:
    David Fanderlik,
  • First Assistant Camera:
    Steven Hiller,
  • Location Manager:
    Paul Schreiber,
  • Production Coordinator:
    Kelly Moran-Brown,
  • Property Master:
    Michael Milgrom,
  • Set Dresser:
    Victor Mendez,
  • Sound Effects Editor:
    Steve Mann,
  • Stunt Double:
    Kym Stys, Gary Guercio,
  • Author:
    David Wagner, Stuart Blumberg, Brent Goldberg,
  • Transportation Co-Captain:
    John Simanovich,
  • Camera Loader:
    Daniel C. McFadden,
  • Negative Cutter:
    Gary Burritt,
  • Additional Music:
    Pfilbryte,
  • Assistant Property Master:
    Cliff Bernay,
  • Costume Supervisor:
    Hope Slepak,
  • First Assistant Accountant:
    Michael DeSantis,
  • Assistant Sound Editor:
    Paul Aulicino,
  • Additional Sound Re-Recording Mixer:
    Bruce Barris,
  • Music Consultant:
    Carlton Kaller,
  • Music Coordinator:
    Jessica Clements,
  • ADR Editor:
    Nancy Nugent,
  • Foley Mixer:
    Shawn Kennelly,
  • Original Music Composer:
    Paul Haslinger,
  • Choreographer:
    Hi-Hat,
  • Second Assistant Camera:
    Matt Kennedy,
  • Set Costumer:
    Craig Anthony,
  • Tailor:
    Gerardo Rosette,
  • Transportation Captain:
    Krister C. Johnson,
  • ADR Recordist:
    Christopher Fitzgerald,
  • Payroll Accountant:
    Christopher Wade,
  • Costumer:
    Tammy Williamson,
  • Key Rigging Grip:
    Kent Baker,
  • Executive Assistant:
    Brad Combs,
  • Production Supervisor:
    M. Kent Kay,
  • Unit Publicist:
    Cid Swank,
  • Greensman:
    Bobby Joe Garren,
  • Associate Editor:
    William Kruzykowski,
  • Supervising Dialogue Editor:
    Paul Curtis,
  • Rigging Grip:
    Eric Betts,
  • Special Effects Technician:
    Ron Rosegard,
  • Sound Re-Recording Mixer:
    Michael C. Casper,
  • Hairstylist:
    Suzan Bagdadi,
  • Makeup Department Head:
    Paula Kelly,
  • Lighting Technician:
    Derek Page,
  • Stunts:
    Corey Michael Eubanks, Joni Avery,
  • Stand In:
    Spencer Andrews,
  • Casting:
    Mali Finn,
  • Gaffer:
    David Morton,
  • Set Medic:
    Alex Barnoya,
  • Set Production Assistant:
    Elizabeth C. Camp,
  • Visual Effects Supervisor:
    David Jones,
  • Production Assistant:
    Theron Alford,
  • Second Assistant Accountant:
    Michelle Stevens,
  • Key Hair Stylist:
    Susan Mills,
  • Sound Mixer:
    David Kelson,
  • Stunt Coordinator:
    John Robotham,
  • Production Accountant:
    Harvey Malkin,
  • Still Photographer:
    Peter Iovino,
  • Assistant Location Manager:
    Jess Cole,
  • Rigging Gaffer:
    Greg Banta,
  • Steadicam Operator:
    Jacques Jouffret,
  • Researcher:
    Ashley Kravitz,
  • Best Boy Electric:
    Tom Fendley,
  • Key Makeup Artist:
    Dennis Liddiard,
  • Music Editor:
    Wolfgang Amadeus,
  • Driver:
    Jack Jay Reece,
  • Best Boy Grip:
    Dana Baker,
  • Picture Car Coordinator:
    Jim Moores,
  • Supervising Music Editor:
    Dan DiPrima,
  • Art Department Assistant:
    Marla Altschuler,
  • Makeup Artist:
    Karen Blynder,
  • Casting Assistant:
    Micah Dahlberg,
  • Orchestrator:
    Jane Antonia Cornish,
  • Generator Operator:
    Larry Michael,
  • Casting Associate:
    David Rapaport,
  • Foley Editor:
    Shawn Sykora,
  • Costume Design:
    Marilyn Vance,
  • Storyboard Artist:
    Joel Venti,
  • Production Design:
    Stephen J. Lineweaver,
  • Set Decoration:
    Traci Kirshbaum,
  • Special Effects Supervisor:
    John Hartigan,
  • Production Illustrator:
    Natalie Richards,
  • Executive In Charge Of Post Production:
    Daniel R. Chavez,
  • Additional Photography:
    Jonathan Sela,
  • Key Grip:
    Al LaVerde,
  • Set Dressing Buyer:
    Vanessa Couron,
  • Extras Casting:
    David Anthony,
  • Set Designer:
    John Berger,
  • Visual Effects Coordinator:
    James D. Tittle,
  • Stunt Driver:
    Brian Avery,
  • Art Direction:
    Jason Weil,
  • Sound Designer:
    Aaron Martin,
  • Standby Painter:
    Timothy D. Ackers,
  • Dolly Grip:
    Victor A. Shelehov,
  • Color Timer:
    Jim Passon,
  • Music Supervisor:
    Peter Afterman,
  • Swing:
    Tony Guastella,
  • Foley Artist:
    Laura Macias,
  • Transportation Coordinator:
    James Lowder,
  • Unit Production Manager:
    Udi Nedivi,
  • Production Secretary:
    J.J. Titone,
  • Video Assist Operator:
    Scott Crabbe,
  • Post Production Assistant:
    Lonnie A. Mathes,
  • Sound Engineer:
    Carl D. Ware,
  • Sound Recordist:
    Eric Bretter,

Technical specifications

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