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The Falcon and the Snowman
Synopsis
John Schlesinger directed this fact-based drama - adapted from Robert Lindsay's bestseller of the same title -- about two Californians, friends since boyhood, who are caught selling government secrets to the Soviet Union. Christopher Boyce (Timothy Hutton) is an all-American boy, studying for the priesthood in a seminary. But Boyce decides to drop out of school, and with the help of his father (Pat Hingle), a FBI agent, he gets a job working for the CIA in a message-routing center. While reading the messages, Boyce is shocked to learn that the CIA is involved in fixing Australian elections. Watching the Watergate hearings on television, he feels an ever-mounting sense of outrage at the arrogance of the U.S. government and decides to do something about it. Deciding to supply the CIA messages to the Russians, he enlists his childhood friend Daulton Lee (Sean Penn) to help him. Lee is to deliver the CIA secrets to a Russian operative (David Suchet) at the Soviet Embassy in Mexico City. But Lee is an unreliable drug dealer, and his sloppy spy trail leads the two old friends into more trouble than they bargained for.~ Paul Brenner, All Movie Guide
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Full Credits
  • Director:
    John Schlesinger,
  • Writer:
    Steven Zaillian, Robert Lindsey,
  • Producer:
    Gabriel Katzka, John Daly, John Schlesinger, Michael Childers, Gabriel Katzka,
  • Cinematographer:
    Allen Daviau,
  • Editor:
    Richard Marden,
  • Executive Producer:
    John Daly, John Daly,
  • Cast:
    Sean Penn, Timothy Hutton, Rob Reed, Joyce Van Patten, Pat Hingle, Art Camacho,
  • Associate Producer:
    Michael Childers,
  • Assistant Editor:
    Richard Fettes, Adrian Trent, Sergio Ortega, Nick Barnard, Simon Manley, James C. Johnson, Jim Howe,
  • First Assistant Director:
    Patrick Crowley,
  • Second Assistant Director:
    Hans Beimler,
  • Co-Producer:
    Edward Teets,
  • Camera Operator:
    John Toll,
  • Script Supervisor:
    Ana Maria Quintana,
  • Boom Operator:
    Jorge Palomino, David Sutton,
  • First Assistant Camera:
    Eric Engler,
  • Location Manager:
    Richard Vane,
  • Production Coordinator:
    Emily Gamboa, Patt McCurdy,
  • Property Master:
    Antonio Mata,
  • Set Dresser:
    Adalberto López, Charles Stewart,
  • Sound Editor:
    Nicholas Stevenson,
  • Stunts:
    Laura Harris, Gilbert B. Combs, Greg Brickman, Justin De Rosa, Freddie Hice,
  • Costume Design:
    Albert Wolsky,
  • Leadman:
    Ric McElvin,
  • Set Decoration:
    Linda DeScenna,
  • Foley Editor:
    Tony Message,
  • Key Grip:
    Graciano Perez,
  • Post Production Supervisor:
    David Middlemas,
  • Assistant Director:
    Javier Carreño, Jesús Marín,
  • Electrician:
    Adolfo Lara,
  • Music:
    Lyle Mays, Pat Metheny,
  • Casting:
    Wallis Nicita,
  • Set Designer:
    William James Teegarden,
  • Additional Casting:
    Deborah Lucchesi,
  • Hairdresser:
    Bertha Chiu,
  • Art Direction:
    Agustín Ituarte,
  • Gaffer:
    Mariano Garcia,
  • Screenplay:
    Steven Zaillian,
  • Still Photographer:
    Dave Friedman,
  • ADR Editor:
    John Poyner,
  • Second Unit Director:
    Michael Childers,
  • Wardrobe Supervisor:
    Antonio Cortés,
  • Production Design:
    James D. Bissell,
  • Sound Mixer:
    Rene Borisewitz, Gerry Humphreys,
  • Costumer:
    Michael Dennison,
  • First Assistant Editor:
    Roy Birchley,
  • Dolly Grip:
    Antonio Ramírez 'Puma',
  • Makeup Artist:
    Ester Oropeza, Ken Chase,
  • Second Assistant Camera:
    Leobardo Sánchez,
  • Transportation Captain:
    Charles Enzen,
  • Casting Assistant:
    Laura Kennedy,
  • Extras Casting:
    Pablo Palomino,
  • Unit Publicist:
    Katherine Moore,
  • Production Accountant:
    Vince Heileson,
  • Stunt Coordinator:
    Gilbert B. Combs,
  • Chief Lighting Technician:
    Pat Kirkwood,
  • Novel:
    Robert Lindsey,
  • Production Manager:
    Luis Bekris,
  • Unit Production Manager:
    Edward Teets,
  • Special Effects:
    Jesus G. Duran,
  • Music Editor:
    Robert Hathaway,

Technical specifications

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