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The Dark
Synopsis
Adèle and her daughter Sarah are traveling on the Welsh coastline to see her husband James when Sarah disappears. A different but similar looking girl appears who says she died in a past time. Adèle tries to discover what happened to her daughter as she is tormented by Celtic mythology from the past.
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Full Credits
  • Director:
    John Fawcett,
  • Writer:
    Stephen Massicotte, Simon Maginn,
  • Producer:
    Jeremy Bolt, Paul W. S. Anderson,
  • Cinematographer:
    Christian Sebaldt,
  • Editor:
    Chris Gill,
  • Executive Producer:
    Robert Kulzer, Steve Christian, Paul Tamasy,
  • Cast:
    Sean Bean, Abigail Stone, Sophie Stuckey, Maurice Roëves, Richard Elfyn, Maria Bello,
  • Assistant Editor:
    Emanuele Giraldo,
  • First Assistant Director:
    Mark Egerton,
  • Second Assistant Director:
    Oscar Beuselinck,
  • Third Assistant Director:
    Lucy Egerton,
  • Co-Producer:
    Robert How,
  • Camera Operator:
    David Odd, Howard Baker, Mark Milsome,
  • Script Supervisor:
    Elizabeth Tremblay,
  • Assistant Production Coordinator:
    Andrew Gwyn Davies,
  • Boom Operator:
    Matthew Desorgher,
  • Colorist:
    Adam Inglis,
  • Location Manager:
    Henry Woolley, Phil Gates, Johnny Bamford, Ian Pollington, Jules De Barsham,
  • Production Coordinator:
    Sarada McDermott,
  • Production Sound Mixer:
    John Rodda,
  • Sound Effects Editor:
    Bernard O'Reilly, Ben Meechan,
  • ADR Voice Casting:
    Vanessa Baker, Brendan Donnison,
  • ADR Recordist:
    Courtney Bishop, Matthew Skelding, Zak Melemendjian, Andrew Stirk, Graeme Stoten, Michael Miller,
  • Scoring Mixer:
    Toby Wood,
  • Standby Painter:
    Justin Overhill,
  • Set Runner:
    Chris Ingram,
  • Gaffer:
    Phil Brookes,
  • Health and Safety:
    Roger Kendall,
  • Head of Production:
    Peter Bach,
  • Script Editor:
    Rory Gilmartin,
  • Casting Assistant:
    Thomas L. Carter,
  • Conductor:
    Geoff Alexander,
  • Assistant Art Director:
    Rowanna Lacey,
  • Dressing Prop:
    Don Santos, Andrew Wilson,
  • Best Boy Electric:
    Joe Judge,
  • Carpenter:
    Graham Thomas, Terry Law, Mark Overall,
  • Sound Re-Recording Mixer:
    Dan Johnson, Howard Bargroff,
  • Still Photographer:
    Giles Keyte,
  • Production Design:
    Eve Stewart,
  • Makeup Trainee:
    Liz Phillips,
  • CG Supervisor:
    John Harvey,
  • Storyboard Artist:
    Temple Clark, Dan Maslen,
  • Special Effects Technician:
    Graham Hills,
  • Driver:
    Gerard Baldwin,
  • Author:
    Simon Maginn,
  • Digital Compositor:
    Aeon Henderson,
  • Casting:
    Robyn Ray, Suzanne M. Smith,
  • Makeup Artist:
    Erin Ayanian,
  • Clapper Loader:
    Chris Clarke,
  • 3D Animator:
    Jayson King,
  • Supervising Dialogue Editor:
    Simon Price,
  • Camera Trainee:
    Inderpreet Bahia,
  • Orchestrator:
    Geoff Alexander,
  • Digital Compositors:
    Melissa Butler Adams,
  • Costume Assistant:
    Nicola Rodd,
  • Screenplay:
    Stephen Massicotte,
  • First Assistant Accountant:
    Jane Trower,
  • Continuity:
    Karen Fryer,
  • Art Direction:
    Ed Walsh,
  • Contact Lens Technician:
    Jemma Scott-Knox-Gore,
  • Animation:
    Adam Seeley,
  • Standby Art Director:
    Sam Stokes,
  • Focus Puller:
    Harry Bowers,
  • Grip:
    Alex Tate,
  • Music Supervisor:
    Liz Gallacher,
  • Production Manager:
    Candice Fonseca,
  • Costumer:
    Maxine Brown, Vikki Illing,
  • Special Effects Supervisor:
    David Harris,
  • Stunt Coordinator:
    Gareth Milne,
  • Music Editor:
    Kirsty Whalley, Allan Jenkins,
  • Post Production Coordinator:
    Anna Bolt,
  • Foley Supervisor:
    Barnaby Smyth,
  • Creative Consultant:
    Alexander Berner,
  • Makeup & Hair:
    Christine Whitney,
  • Extras Casting:
    Bev Lawley,
  • Costume Design:
    Ffion Elinor,
  • Standby Carpenter:
    Lester Rowbotham,
  • Art Department Trainee:
    Nurey Al-Kahzrajie,
  • Visual Effects Supervisor:
    Adam Gascoyne,
  • Hairstylist:
    Zoe Brown,
  • Production Accountant:
    Della Moore,
  • Hair Department Head:
    Simon Thompson,
  • Second Unit Director:
    Grant Harvey,
  • Electrician:
    James Bradshaw,
  • Location Assistant:
    Katie Elson,
  • Production Runner:
    Oliver Barron,
  • Title Designer:
    Matt Curtis,
  • Production Executive:
    Jan Hogevold,
  • Hair Designer:
    Sarah Monzani,
  • Special Effects Assistant:
    Carolyn Matini,
  • Rigging Gaffer:
    John Donoghue,
  • Makeup Designer:
    Sarah Monzani,
  • Post-Production Manager:
    Steve Harrow,
  • Assistant Location Manager:
    Peter Smith,
  • Production Assistant:
    Rob Craine,
  • Original Music Composer:
    Edmund Butt,
  • Camera Loader:
    Adam Cowan,
  • Supervising Art Director:
    Andrew Grant,
  • Prosthetic Makeup Artist:
    Maralyn Sherman,
  • Makeup Department Head:
    Sue Ignatius,
  • Foley Artist:
    Melissa Lake, Lionel Selwyn, Jason Swanscott,
  • Dialogue Editor:
    Dan Green, Lauren Ana Walker,
  • Costume Supervisor:
    Leigh Nicol,
  • Negative Cutter:
    Eddy Kolkiewicz,
  • Music Score Producer:
    Edmund Butt,
  • Digital Intermediate Producer:
    Marcus Alexander,
  • Dialogue Coach:
    Anne Marie Speed,
  • Unit Publicist:
    Rob Deacon,
  • Underwater Camera:
    Mark Wolf,
  • Assistant Accountant:
    Jacky Holding,
  • Art Department Assistant:
    Jo Riddell,
  • Steadicam Operator:
    Gerry Vasbenter,

Technical specifications

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