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The Bank Job
Synopsis
A car dealer with a dodgy past and new family, Terry has always avoided major-league scams. But, when Martine, a beautiful model from his old neighborhood, offers him a lead on a foolproof bank hit on London's Baker Street, Terry recognizes the opportunity of a lifetime. Martine targets a roomful of safe deposit boxes worth millions in cash and jewelry. But, Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets--secrets that will thrust them into a deadly web of corruption and illicit scandal that spans London's criminal underworld, the highest echelons of the British government, and the Royal Family itself--the true story of a heist gone wrong, in all the right ways.
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Full Credits
  • Director:
    Roger Donaldson,
  • Writer:
    Dick Clement, Ian La Frenais,
  • Producer:
    Mairi Bett, Aaron Shuster, Steve Chasman, Charles Roven,
  • Cinematographer:
    Karl von Moller, Michael Coulter,
  • Editor:
    John Gilbert,
  • Executive Producer:
    Ryan Kavanaugh, Christopher Mapp, George McIndoe, David Whealy, David Alper, Scott Fischer, Alex Gartner, Gary Hamilton, Alan Glazer, Matthew Street,
  • Cast:
    James Faulkner, Daniel Mays, Stephen Campbell Moore, Richard Lintern, Saffron Burrows, Jason Statham,
  • First Assistant Director:
    Matthew Baker, Brendan Campbell, Josh Robertson, Luigi Spoletini, Lee Grumett,
  • Line Producer:
    Pete Ford, Luigi Desole,
  • Camera Operator:
    Martin Hume, Tim Wooster, Chas Bain, Chris Plevin, Stuart Howell,
  • Script Supervisor:
    Susie Struth, Sylvia Parker, Polly Hope,
  • ADR Mixer:
    Peter Gleaves, Jonathan Rimas, Alan Freedman,
  • Art Department Coordinator:
    Pippa Sheen,
  • Assistant Production Coordinator:
    Hollie Foster,
  • Boom Operator:
    Robin Johnson, Simon Bysshe,
  • First Assistant Camera:
    Andrew Jerram,
  • Location Manager:
    Giles Edleston,
  • Production Coordinator:
    Natalia Pizzey, Polly Jefferies,
  • Production Sound Mixer:
    Simon Hayes,
  • Property Master:
    Nick Turnbull,
  • Set Dresser:
    Amelia Marasco,
  • Sound Effects Editor:
    Steve Burgess, Peter Mills,
  • Makeup & Hair Assistant:
    Helene Glover,
  • Stand In:
    Philip Ball,
  • Casting Assistant:
    Kate Ringsell,
  • Dialogue Editor:
    James Harvey,
  • Supervising Sound Effects Editor:
    Andrew Neil,
  • First Assistant Accountant:
    Daniel Budd,
  • Key Hair Stylist:
    Sharon O'Brien, Donald McInnes,
  • Script Editor:
    Mark Thomas,
  • First Assistant Editor:
    Amelia Ford, Ruth Coulson,
  • Assistant Accountant:
    Tracey Taylor,
  • Props:
    Paul Hearn,
  • Construction Manager:
    Robert Voysey, Malcolm Roberts,
  • Makeup Artist:
    Laura McIntosh, Carla Vicenzino,
  • Graphic Designer:
    Laura Dishington,
  • Costume Assistant:
    Yvonne Otzen, Anthony Brookman,
  • Set Decoration:
    Mark Scruton,
  • Dolby Consultant:
    Bruce Emery,
  • Production Design:
    Gavin Bocquet,
  • Foley Artist:
    Mario Vaccaro,
  • Assistant Art Director:
    Richard Selway,
  • Hair Supervisor:
    Heather Ross,
  • Special Effects Technician:
    Daniel Williams, Neil Toddy Todd,
  • Armorer:
    Nick Jeffries, Scott Warwick,
  • Sound Recordist:
    John McKerrow,
  • Costume Design:
    Odile Dicks-Mireaux,
  • Sound Re-Recording Mixer:
    Paul Pirola, Andrew Neil,
  • Still Photographer:
    Jack English,
  • Visual Effects Supervisor:
    Peter Webb, David Booth,
  • Second Assistant 'A' Camera:
    Luke Coulter,
  • Digital Intermediate Colorist:
    Justin Heitman,
  • Screenplay:
    Dick Clement, Ian La Frenais,
  • Digital Intermediate:
    Nic Smith, Tony Poriazis,
  • Floor Runner:
    Kate Brontë-Stewart,
  • Electrician:
    Richard Mason,
  • First Assistant 'A' Camera:
    Julian Bucknall,
  • Draughtsman:
    Wilson Du,
  • Special Effects Coordinator:
    Brian Holmes,
  • Production Manager:
    Sasha Harris,
  • Gaffer:
    Terry Edland,
  • Foley Editor:
    Blair Slater,
  • Visual Effects Producer:
    Ineke Majoor,
  • Supervising Art Director:
    Phil Harvey,
  • Music Programmer:
    Edward Rogers,
  • Music Editor:
    Simon Leadley,
  • Hair Designer:
    Kirstin Chalmers,
  • Title Designer:
    Nathan Bayliss,
  • Stunt Coordinator:
    Greg Powell,
  • Standby Art Director:
    Ben Collins,
  • ADR Coordinator:
    Lionel Strutt,
  • Post Production Supervisor:
    Marc van Buuren,
  • Makeup Designer:
    Heather Ross,
  • First Assistant 'B' Camera:
    John Ferguson,
  • Key Makeup Artist:
    Sharon O'Brien,
  • Researcher:
    Celia Barnett,
  • Second Unit Director of Photography:
    Mike Brewster,
  • Costumer:
    Julie Barton,
  • Hairdresser:
    Jodie Hellingman,
  • Original Music Composer:
    J. Peter Robinson,
  • Casting:
    Lucinda Syson,
  • Key Grip:
    Peter Myslowski,
  • Rigging Gaffer:
    Tony Hayes,
  • Art Department Assistant:
    Louise Begbie, Hannah Read,
  • ADR Recordist:
    Rachael Tate,
  • Hairstylist:
    Massimo Gattabrusi,
  • Second Assistant 'B' Camera:
    Ray Meere,
  • Music Consultant:
    Kim Green,
  • Production Executive:
    Peter Block,
  • Grip:
    Luke Myslowski,
  • Prosthetics:
    Waldo Mason,
  • Unit Publicist:
    Graham Smith,
  • Assistant Sound Editor:
    Kieran McVeigh,
  • Lead Animator:
    Paul Buckley,
  • Storyboard Artist:
    Nick Pelham,
  • Online Editor:
    George Awburn,
  • Costume Supervisor:
    Marion Weise,
  • Art Direction:
    Mark Scruton,
  • Assistant Costume Designer:
    Sharon Long,

Technical specifications

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