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The Abyss
Synopsis
The crew of an experimental, high-tech submersible is called into action to investigate a mysterious nuclear submarine crash. A series of strange encounters leads the crew to suspect the accident was caused by an extraterrestrial craft, and that they may be participating in an encounter with an alien species. However, in order to make contact, they must not only brave the abyss, an exceedingly deep underwater canyon, but also deal with the violent actions of one of their own crew members, an increasingly paranoid Navy SEAL officer. Approved by director James Cameron, The Abyss: Special Edition is an extended director's cut of the 1989 underwater science fiction epic, reinstating nearly a half hour of footage removed from the original release under studio pressure. Much of the restored footage places the film's events in a grander political context, as the crew's mission becomes a factor in the dangerous escalation of nuclear tension between the U.S. and the Soviet Union. The largest change involves the film's ending, which provides further information on the aliens' mission on Earth, bringing the film to closer to Cameron's intention: a modern remake of Robert Wise's The Day the Earth Stood Still.~ Judd Blaise, All Movie Guide
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Full Credits
  • Director:
    James Cameron,
  • Writer:
    James Cameron,
  • Producer:
    Van Ling, Lightstorm Entertainment, Gale Anne Hurd,
  • Cinematographer:
    Mikael Salomon,
  • Editor:
    Steven Quale, Conrad Buff IV, Joel Goodman, Howard E Smith,
  • Cast:
    Michael Biehn, Chris Elliott, Leo Burmester, Todd Graff, Ed Harris, Mary Elizabeth Mastrantonio,
  • Assistant Editor:
    Christopher Koefoed,
  • First Assistant Director:
    Newt Arnold,
  • Second Assistant Director:
    Verónica González Rubio,
  • Supervising Sound Editor:
    Dody Dorn,
  • Camera Operator:
    Paul C. Babin, George D. Dodge,
  • Script Supervisor:
    Sharron Reynolds-Enriquez,
  • ADR Mixer:
    Robert Deschaine,
  • Art Department Coordinator:
    Mary Alice Palmer,
  • Assistant Production Coordinator:
    Beth DePatie,
  • Boom Operator:
    George Leong,
  • Construction Coordinator:
    George Stokes,
  • Construction Foreman:
    Tom Jones Jr.,
  • First Assistant Camera:
    Ian Fox,
  • Location Manager:
    Andrew Chapman,
  • Production Coordinator:
    Laura Greenlee,
  • Property Master:
    Emily Yudell, Charles Stewart,
  • Sound Editor:
    Stuart Copely,
  • Key Grip:
    Bobby Huber,
  • Craft Service:
    Stephan Schultze,
  • Best Boy Grip:
    Scott R. Davis,
  • Assistant Accountant:
    Robert Gordon,
  • Sculptor:
    Screaming Mad George, Brian Cole,
  • Technical Advisor:
    Gene Witham,
  • Weapons Master:
    Randy E. Moore,
  • Production Supervisor:
    Paul Tivers,
  • Special Effects Coordinator:
    Joe Viskocil, Joseph A. Unsinn,
  • Second Assistant Camera:
    Marc Brown,
  • Electrician:
    Vince Pace,
  • Foley Artist:
    Kevin Bartnof,
  • Key Rigging Grip:
    Charles 'Tom' Hinson,
  • Visual Effects Producer:
    Ned Gorman, Leslie Huntley, Laura Buff, Diana Shornstein,
  • Stunts:
    Diane Hetfield, Mike Johnson, Marcia Holley, Loren Janes, Steve Kelso, Rick Avery, Glory Fioramonti, Pat Romano, Kerry Rossall, Denney Pierce, Michael Cassidy, Clay Boss,
  • Assistant Unit Manager:
    Tekin Cetinkaya,
  • Hairstylist:
    Emanuel Millar,
  • Editorial Staff:
    Timothy Greenwood,
  • Color Timer:
    Bob Hagans,
  • Visual Effects Production Assistant:
    Christopher Warren,
  • Special Effects Technician:
    Donn Markel,
  • Title Designer:
    Ernest Farino,
  • Assistant Property Master:
    Linda Waxman,
  • Dolly Grip:
    Jimmy Leavens,
  • Grip:
    Robert Hoelen,
  • Animation Supervisor:
    Jeff Burks,
  • Key Set Production Assistant:
    Hilbert Hakim,
  • Stunt Double:
    Jon H. Epstein,
  • Steadicam Operator:
    J. Michael Muro, Bob Gorelick,
  • Video Assist Operator:
    David Schmalz,
  • Costume Supervisor:
    Deena Appel,
  • Sound Re-Recording Mixer:
    Kevin F. Cleary, Don J. Bassman, Richard Overton, Kevin E. Carpenter,
  • Gaffer:
    George S. Neil, Mark A. Shelton, Dwight Campbell,
  • Best Boy Electric:
    James M. McEwen,
  • Art Direction:
    Russell Christian, Joseph C. Nemec III,
  • ADR Editor:
    Joe Dorn,
  • Negative Cutter:
    Gary Burritt,
  • Foley:
    Greg Orloff, John Roesch, Joseph T. Sabella,
  • ADR Recordist:
    David Jobe,
  • Visual Effects Editor:
    Kathy Chasen-Hay, Miller Drake,
  • Concept Artist:
    Jean Giraud,
  • Stand In:
    Dominic Jack Pizzo, Sr.,
  • Underwater Camera:
    Jordan Klein Jr.,
  • Sound Designer:
    Blake Leyh,
  • Conceptual Design:
    Ron Cobb,
  • Scenic Artist:
    Michael T. Daigle,
  • Rigging Grip:
    W.D. Hill,
  • Visual Effects Coordinator:
    Mike Chambers,
  • Foley Recordist:
    Carolyn Tapp,
  • Supervising Art Director:
    Peter Childs,
  • Visual Effects Supervisor:
    Steve Johnson, Hoyt Yeatman, Dennis Muren, John Bruno, Walt Conti,
  • Set Decoration:
    Anne Kuljian,
  • Sound Recordist:
    Robert Renga,
  • Set Designer:
    Gershon Ginsburg, Thomas P. Wilkins, Andrew Precht,
  • Set Production Assistant:
    Nancy Blewer,
  • Foley Mixer:
    Marilyn Graf,
  • Driver:
    John Anderson,
  • Apprentice Sound Editor:
    Roy Seeger,
  • Assistant Art Director:
    Dan Webster,
  • Propmaker:
    Neil Gahm,
  • Wardrobe Assistant:
    Joshua Keep,
  • Original Music Composer:
    Alan Silvestri,
  • Transportation Coordinator:
    Chuck Clarke,
  • Painter:
    Karen Steward,
  • Production Secretary:
    Jennifer C. Bell,
  • Transportation Captain:
    Brian Delahanty,
  • Unit Publicist:
    Anne Marie Stein,
  • Standby Painter:
    Joe Cooper,
  • Casting:
    Howard Feuer,
  • Production Manager:
    Charles Skouras III,
  • Additional Music:
    Robert Garrett,
  • Visual Effects Production Manager:
    Kristina Birkmayer,
  • Leadman:
    John D. Kretschmer,
  • Orchestrator:
    James B. Campbell,
  • Construction Buyer:
    Charlotte Patterson,
  • Production Illustrator:
    Michele Moen,
  • Effects Supervisor:
    Larz Anderson,
  • Lighting Supervisor:
    Richard Mula,
  • Set Dressing Artist:
    General Fermon Judd Jr.,
  • Sound Mixer:
    Lee Orloff,
  • Visual Effects Assistant Editor:
    Erik Henry,
  • Casting Associate:
    Dennis Osborne,
  • Stunt Coordinator:
    Dick Warlock,
  • Production Design:
    Leslie Dilley,
  • Production Accountant:
    Vince Heileson,
  • Still Photographer:
    Richard Foreman Jr.,
  • Underwater Gaffer:
    Patrick Murray,
  • Production Assistant:
    Matt Brown,
  • Carpenter:
    Jack Cornish,
  • Additional Second Assistant Camera:
    David Luckenbach,
  • Storyboard Artist:
    Phillip Norwood,
  • Assistant Sound Editor:
    Howell Gibbens,
  • Makeup Artist:
    Kathryn Fenton,
  • Costume Design:
    Deborah Everton,
  • Assistant Camera:
    Michael Griffin,
  • Foley Supervisor:
    Marian Wilde,
  • Music Editor:
    Kenneth Karman,
  • Project Manager:
    Jim English,

Technical specifications

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