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Steve Jobs
Synopsis
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, this film takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
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Full Credits
  • Director:
    Danny Boyle,
  • Writer:
    Aaron Sorkin,
  • Producer:
    Mark Gordon, Guymon Casady, Bernard Bellew, Scott Rudin, Danny Boyle, Christian Colson,
  • Cinematographer:
    Alwin H. Kuchler,
  • Editor:
    Elliot Graham,
  • Executive Producer:
    Bernard Bellew,
  • Cast:
    Katherine Waterston, Jeff Daniels, Michael Fassbender, Kate Winslet, Seth Rogen, Michael Stuhlbarg,
  • Associate Producer:
    Lauren Lohman,
  • Assistant Editor:
    Luke Clare,
  • First Assistant Director:
    Donald Murphy, Donald Murphy,
  • Second Assistant Director:
    Peter Dress,
  • Co-Producer:
    Jason Sack,
  • Supervising Sound Editor:
    Glenn Freemantle,
  • Camera Operator:
    Jarid S. Johnson, Randall Love, Steve Condiotti,
  • Script Supervisor:
    Rebecca Robertson,
  • Visual Effects Editor:
    Edd Gamlin,
  • ADR Mixer:
    Mark Appleby, Mark DeSimone,
  • Art Department Coordinator:
    Kelli Lundy,
  • Boom Operator:
    Ben Greaves, Michael Primmer,
  • Construction Coordinator:
    Doug E. Williams,
  • First Assistant Camera:
    Gregory Irwin, Patrick McArdle,
  • Location Manager:
    Chris Baugh,
  • Property Master:
    Chris Ubick,
  • Sound Effects Editor:
    Dillon Bennett, Danny Freemantle,
  • Supervising ADR Editor:
    Gillian Dodders,
  • Supervising Art Director:
    Luke Freeborn,
  • Set Costumer:
    Chris Proctor, Amanda Ramirez, Andrea Cooper,
  • Visual Effects Supervisor:
    Adam Gascoyne,
  • Studio Teacher:
    Elise Ganz,
  • Key Hair Stylist:
    Yvette Rivas,
  • Still Photographer:
    François Duhamel,
  • Post Production Supervisor:
    Tania Blunden,
  • Makeup Artist:
    Andrea Pino, Andrea Pino, Gretchen Davis, Lisa Patnoe,
  • Second Assistant 'A' Camera:
    Jeph Folkins,
  • Lighting Technician:
    Brian Minzlaff, Ryan J. Calkin, Ricky Tayerle, Evan Jones, Evan Jones,
  • Extras Casting:
    Beau Bonneau, Colleen Kenneavy, Melanie Parkham,
  • Sound Mixer:
    Lisa Pinero,
  • Casting:
    Francine Maisler, Nina Henninger,
  • Special Effects Coordinator:
    John McLeod,
  • First Assistant Editor:
    Andrew Jadavji, Emily Streetz, Joshua Raymond Lee,
  • Foley:
    Peter Burgis,
  • ADR Recordist:
    Harry Platford, Kasper Pedersen, Alexa Kahn,
  • Costumer:
    Chris Proctor,
  • Art Direction:
    Peter Borck,
  • Music Editor:
    Joe Rubel, Rael Jones, Laurence Love Greed,
  • Set Decoration:
    Gene Serdena,
  • Best Boy Grip:
    Robert 'Boomer' McCann,
  • Assistant Sound Editor:
    Robert Malone,
  • Production Design:
    Guy Hendrix Dyas, Guy Hendrix Dyas,
  • Foley Editor:
    Peter Hanson,
  • Visual Effects Producer:
    Tim Caplan,
  • Digital Intermediate:
    Begoña Lopez,
  • Key Set Costumer:
    Catherine Gélinas,
  • Visual Effects Editor:
    Edd Gamlin,
  • Foley Artist:
    Zoe Freed, Peter Burgis,
  • Makeup Designer:
    Ivana Primorac,
  • Original Music Composer:
    Daniel Pemberton,
  • Dialect Coach:
    Carla Meyer, Susan Hegarty,
  • Assistant Art Director:
    Susan Alegria,
  • Key Costumer:
    Deirdre Scully,
  • Casting Associate:
    Melissa Kostenbauder, Sarah Kliban,
  • Set Designer:
    Mark Hitchler,
  • Costume Design:
    Suttirat Anne Larlarb,
  • Production Accountant:
    Ricky Cuevas,
  • Hairstylist:
    Tess Felix, Monika Maka, Karalynne Fiebig, Robert Mrazik, Jennifer Tremont,
  • Unit Production Manager:
    Kathleen M. Courtney, Bernard Bellew,
  • Supervising Dialogue Editor:
    Gillian Dodders,
  • Visual Effects Coordinator:
    Helen Streeter,
  • Book:
    Walter Isaacson,
  • Unit Publicist:
    Guy Adan,
  • Sound Re-Recording Mixer:
    Ian Tapp, Niv Adiri,
  • Production Secretary:
    Danielle Schmidt,
  • Graphic Designer:
    Emily K. Rolph,
  • Steadicam Operator:
    Geoffrey Haley,
  • Electrician:
    Oskar Ness,
  • Costume Supervisor:
    Leslie Weir,
  • Key Grip:
    Dave Childers,
  • Scenic Artist:
    Lauren Abrams, Piper Rovin,
  • Sound Designer:
    Glenn Freemantle,
  • Rigging Gaffer:
    John Lacy,
  • Foley Mixer:
    Glen Gathard,
  • Rigging Grip:
    Gill Wright,
  • Set Medic:
    Mark Bosia, Bob Delong, Phillip Buckley,
  • Dolly Grip:
    Gregory M. Childers, Don L. Henderson,
  • Assistant Chief Lighting Technician:
    Sophie Shellenberger,
  • Second Assistant 'B' Camera:
    Tim Guffin,
  • Tailor:
    Nancy Servin,
  • Chief Lighting Technician:
    Len Levine,
  • Dialogue Editor:
    James Wichall,
  • Hair Designer:
    Ivana Primorac,

Technical specifications

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