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Snakes on a Plane
Synopsis
A ruthless assassin unleashes a crate full of lethal snakes aboard a packed passenger jet over the Pacific Ocean in order to eliminate a witness in protective custody. The rookie pilot and frightened passengers must band together to survive.
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Full Credits
  • Director:
    David Richard Ellis, David R. Ellis,
  • Writer:
    John Heffernan, Sebastián Gutiérrez, David Loucka,
  • Producer:
    Craig Berenson, Craig Berenson, Don Granger, Gary Levinsohn,
  • Cinematographer:
    Adam Greenberg, Craig Haagensen,
  • Editor:
    Howard E Smith,
  • Executive Producer:
    George Waud, Justis Greene, Toby Emmerich, Stokely Chaffin, Sandra Rabins, Penney Finkelman Cox,
  • Cast:
    Nathan Phillips, Samuel L. Jackson, Byron Lawson, Julianna Margulies, Kenan Thompson, Rachel Blanchard,
  • Associate Producer:
    Jeff Katz, Heather Meehan, Tawny Ellis,
  • Assistant Editor:
    Kenneth Marsten,
  • Second Assistant Director:
    Cindy Smith,
  • Second Second Assistant Director:
    Rudy Van Zyl,
  • Third Assistant Director:
    Adrian Diepold,
  • Supervising Sound Editor:
    Tom Bellfort,
  • Camera Operator:
    Tommy Lohmann, Cyrus Block,
  • Script Supervisor:
    Kelly Moon,
  • ADR Mixer:
    Greg Steele,
  • Art Department Coordinator:
    Michelle Gasque,
  • Assistant Production Coordinator:
    Shauna Sanders,
  • Boom Operator:
    Donald D. Brown,
  • Construction Coordinator:
    Jan Kobylka,
  • First Assistant Camera:
    Sandes Ashe,
  • Location Manager:
    Deborah D. Bose,
  • Production Coordinator:
    Jules Carideo,
  • Production Sound Mixer:
    Michael McGee,
  • Property Master:
    R.D. 'Luther' Fairbairn,
  • Set Dresser:
    Jeremy Hanen,
  • Sound Effects Editor:
    Steve Mann,
  • Orchestrator:
    Tom Calderaro,
  • Playback Coordinator:
    Scott Steyns,
  • Stand In:
    Malcolm Dane,
  • Art Direction:
    John Alvarez,
  • Transportation Co-Captain:
    David Weston,
  • Assistant Costume Designer:
    Janice MacIsaac,
  • Musician:
    Mark Adams,
  • Payroll Accountant:
    Jill Anderson,
  • First Assistant Hairstylist:
    Renee Dombrosky,
  • Title Designer:
    Nina Saxon,
  • Dolly Grip:
    Ryan Copeland,
  • Production Controller:
    Jon Davidson,
  • Visual Effects Editor:
    David Legault,
  • Chef:
    Kelly Denismore,
  • Craft Service:
    Ari Ben Ron,
  • Executive In Charge Of Production:
    Erik Holmberg,
  • Painter:
    Danelle Vierkant, Bayard Baudoin,
  • Sound Engineer:
    Christopher Sidor,
  • Stunts:
    Douglas Chapman, Lauro Chartrand, Krista Bell, Ashlea Earl, Laura Lee Connery, Crystal Dalman, Lesley Aletter, Cheyenne Ellis, Rikki Gagne, Casey O'Neill,
  • Rotoscoping Artist:
    Lindsay M. Hoppe,
  • Post Production Supervisor:
    Jay Vinitsky,
  • Publicist:
    Lee Anne Muldoon,
  • Makeup Artist:
    Allan A. Apone, Marianne Olsen,
  • Second Unit First Assistant Director:
    John MacCarthy,
  • Sound Designer:
    Harry Cohen,
  • Visual Effects Art Director:
    Peter Lloyd,
  • Utility Stunts:
    Robert Alonzo,
  • Dialogue Editor:
    Michelle Pazer,
  • Generator Operator:
    Ken Decker,
  • Digital Effects Supervisor:
    Jeff Goldman,
  • ADR Recordist:
    Greg Zimmerman,
  • Music Editor:
    Robb Boyd,
  • Casting Associate:
    Kara Lipson,
  • Production Design:
    Jaymes Hinkle,
  • Visual Effects Coordinator:
    Marie-Claude Aubry,
  • Assistant Property Master:
    Mark Francis,
  • Transportation Captain:
    Mark Brown,
  • Assistant Location Manager:
    Kent Matsuoka,
  • Still Photographer:
    James Dittiger,
  • Set Designer:
    Vivien Nishi,
  • Costumer:
    Askia Won-Ling Jacob,
  • Compositing Supervisor:
    Ed Mendez,
  • Electrician:
    Rick Crum,
  • Extras Casting Coordinator:
    Katherine Keizer,
  • On Set Dresser:
    James Kilcher,
  • Aerial Director of Photography:
    Hans Bjerno,
  • Gaffer:
    Bill Dawson,
  • Video Assist Operator:
    David Joshi,
  • Stunt Coordinator:
    Annie Ellis, Freddie Hice,
  • Animation Supervisor:
    Paul Griffin,
  • Post Production Coordinator:
    Rachel Faith Hanson,
  • First Assistant Accountant:
    Andrea Larsen,
  • Scenic Artist:
    Valerie Shmakin,
  • Stunt Double:
    Ed Anders, Andrea Kinsky, Kylie Furneaux, Clay Cullen,
  • First Assistant Editor:
    Mindy Elliott,
  • Ager/Dyer:
    Lanny Campbell,
  • Rigging Gaffer:
    Michael Mayo,
  • First Assistant Production Coordinator:
    Chaunce Drury,
  • Set Decoration Buyer:
    Zoe Jirik,
  • ADR Editor:
    Hugh Waddell,
  • Special Effects Assistant:
    Dennis Briest,
  • Executive in Charge of Finance:
    Paul Prokop,
  • Second Unit Director:
    Freddie Hice,
  • Systems Administrators & Support:
    Danny Torres, Lap Van Luu,
  • Screenplay:
    John Heffernan, Sebastián Gutiérrez,
  • Construction Buyer:
    Wendy J. Findlay,
  • Best Boy Electric:
    Kirk Bartolata,
  • Lead Painter:
    Jan Reeves,
  • Matte Painter:
    Romain Bayle,
  • Color Timer:
    Steve Lemley,
  • Set Decoration:
    Mary-Lou Storey, Erin Boyd,
  • Steadicam Operator:
    Tommy Lohmann,
  • ADR Voice Casting:
    Terri Douglas,
  • Casting:
    Mindy Marin, Heike Brandstatter,
  • Visual Effects Supervisor:
    Thierry Delattre,
  • Transportation Coordinator:
    William Ballard,
  • Set Costumer:
    Alejandro M. Hernandez,
  • Animatronics Supervisor:
    Rick Lazzarini,
  • Truck Costumer:
    Clare McLaren,
  • Visual Effects:
    Steve Dellerson,
  • Production Assistant:
    Olivier Beaulieu,
  • Special Effects:
    Eric Bullock,
  • Extras Casting:
    Lisa Ratke,
  • Special Effects Supervisor:
    Alex Burdett,
  • Second Assistant Production Coordinator:
    Spencer Hon Lui,
  • Assistant Sound Editor:
    John Cannon,
  • Security:
    Robert Milicevic,
  • A Camera Operator:
    Tommy Lohmann,
  • Foley Artist:
    James Moriana,
  • Key Rigging Grip:
    Robert J. Reilly,
  • Story by:
    John Heffernan, David Dalessandro,
  • Location Scout:
    Doug White,
  • Second Assistant Camera:
    Allison Beda,
  • Stunt Driver:
    Gerald Paetz,
  • Sound Assistant:
    Ian Ferguson,
  • Compositor:
    Dan Akers,
  • First Assistant Makeup Artist:
    Megan Harkness,
  • Foley Recordist:
    Nerses Gezalyan,
  • Production Executive:
    Jeff Barnes,
  • Administration:
    Caroline Belisle,
  • Animatronics Designer:
    Brian Poor,
  • Rigging Grip:
    Jonathan Bosse,
  • Costume Set Supervisor:
    Shane Deschamps,
  • Special Effects Technician:
    Justin Bertges,
  • Assistant Chef:
    Paul Archer,
  • First Assistant Director (Prep):
    Adam Lawson,
  • Additional Second Assistant Director:
    Paula Janos,
  • Carpenter:
    Perry Baycroft,
  • Key Grip:
    Kevin Black,
  • Cableman:
    Mark Fay,
  • Costume Design:
    Karen L. Matthews,
  • Post Production Accountant:
    Rick Coffee,
  • Original Music Composer:
    Trevor Rabin,
  • Paint Coordinator:
    Mario Tomas-Niedworok,
  • Lead Animator:
    Michael Cozens,
  • Key Hair Stylist:
    Robert A. Pandini,
  • Storyboard Artist:
    Timothy Burgard,
  • Camera Loader:
    Terry Wolcott,
  • Animal Wrangler:
    Marissa Schwierjohn,
  • Visual Effects Producer:
    Janet Muswell,
  • Sound Mixer:
    Mark Weingarten,
  • Production Supervisor:
    Delia Circelli,
  • Negative Cutter:
    Gary Burritt,
  • Head Greensman:
    Dave Emmonds,
  • Unit Production Manager:
    Justis Greene,
  • Production Accountant:
    Terry Edinger,
  • Digital Compositor:
    Miguel Arranz,
  • 24 Frame Playback:
    David J. McGraw,
  • Sound Recordist:
    Gabriel J. Serrano,
  • Music Consultant:
    Dana Sano,
  • Best Boy Grip:
    Sean P. Fickert,
  • Special Effects Makeup Artist:
    Gideon Hay,
  • Sculptor:
    Joe Colwell,
  • Standby Painter:
    Sam Clemens,
  • Driver:
    Felix Fanzega,
  • Casting Assistant:
    James McKenzie Moore,
  • Editorial Production Assistant:
    Alexander J. Harper,
  • Assistant Camera:
    Yvonne Chu,
  • Key Makeup Artist:
    Monica Huppert,
  • Art Department Production Assistant:
    Randy Hutniak,
  • Camera Trainee:
    Richard McSeeney,
  • Digital Intermediate Editor:
    Curtis Lindersmith,
  • Armorer:
    Tom Felcan,
  • Executive In Charge Of Post Production:
    Jody Levin,

Technical specifications

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