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S.W.A.T.
Synopsis
Hondo Harrelson recruits Jim Street to join an elite unit of the Los Angeles Police Department. Together they seek out more members, including tough Deke Kay and single mom Chris Sanchez. The team's first big assignment is to escort crime boss Alex Montel to prison. It seems routine, but when Montel offers a huge reward to anyone who can break him free, criminals of various stripes step up for the prize.
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Full Credits
  • Director:
    Clark Johnson,
  • Writer:
    Jim McClain, David McKenna, David Ayer,
  • Producer:
    Chris Lee, Dan Halsted, Neal H. Moritz,
  • Cinematographer:
    Gabriel Beristain,
  • Editor:
    Michael Tronick,
  • Executive Producer:
    Todd Black, Shannon Gaulding, Louis D'Esposito,
  • Cast:
    Michelle Rodriguez, Josh Charles, Samuel L. Jackson, Colin Farrell, Réal Andrews, Jeremy Renner, LL Cool J,
  • First Assistant Director:
    Lars P. Winther,
  • Second Assistant Director:
    Bill Purple,
  • Second Second Assistant Director:
    Brian Relyea,
  • Co-Producer:
    George Huang, Amanda Lewis,
  • Supervising Sound Editor:
    Cameron Frankley,
  • Sound:
    Joe Martin, Joe Martin,
  • Camera Operator:
    Randy Nolen,
  • Script Supervisor:
    Benita Brazier,
  • ADR Mixer:
    Howard London,
  • Art Department Coordinator:
    Mike Piccirillo,
  • Assistant Production Coordinator:
    Tom Carson,
  • Boom Operator:
    Ian Wright, Ian Wright,
  • Colorist:
    Greg Curry,
  • Construction Coordinator:
    John J. Rutchland III,
  • First Assistant Camera:
    Alan Cohen,
  • Location Manager:
    Alasdair Boyd,
  • Production Coordinator:
    Shannon Hamed,
  • Production Sound Mixer:
    Steve Nelson,
  • Property Master:
    Lynda Reiss,
  • Set Dresser:
    Greg Wyszynski,
  • Sound Effects Editor:
    Lisa Hannan, Peter Brown, John Kohlbrenner, Peter Brown,
  • Visual Effects Supervisor:
    Ray McIntyre Jr.,
  • Original Music Composer:
    Elliot Goldenthal,
  • Music Supervisor:
    Evyen Klean,
  • General Manager:
    Ray Scalice,
  • Set Decorating Coordinator:
    Lissette Schettini,
  • Dolly Grip:
    Michael S. Epley,
  • Stunts:
    Chris Palermo, David Leitch, Doug Coleman, Seth Arnett, John Meier, Tom Elliott, Al Goto, Michael Runyard, Allan Graf,
  • Steadicam Operator:
    Craig Fikse,
  • Driver:
    Jeff Bova,
  • Assistant Chief Lighting Technician:
    Michael K. O'Melia,
  • Extras Casting:
    Jennifer Bender,
  • Art Direction:
    Gershon Ginsburg,
  • Armorer:
    Michael Papac,
  • Sound Recordist:
    Sean Landeros,
  • Casting Assistant:
    Celeste Leger,
  • Screenplay:
    David Ayer, David McKenna,
  • Sound Re-Recording Mixer:
    Jeffrey J. Haboush,
  • Rigging Grip:
    Frank Sims,
  • Hairstylist:
    Nanci Cascio,
  • Orchestrator:
    Robert Elhai,
  • Casting:
    Randi Hiller, Sarah Halley Finn,
  • Stunt Coordinator:
    M. James Arnett,
  • Additional Production Assistant:
    Angela Athayde,
  • Hair Department Head:
    Patricia Miller,
  • Dialect Coach:
    Michael Buster, Michael Buster,
  • Characters:
    Robert Hamner,
  • Transportation Coordinator:
    Jim Chesney,
  • Best Boy Grip:
    Michael Alexonis,
  • Apprentice Sound Editor:
    Benjamin Kaplan,
  • Digital Effects Supervisor:
    Reid Paul,
  • Scoring Mixer:
    Stephen McLaughlin, Stephen McLaughlin, Joel Iwataki,
  • Production Secretary:
    David Malley,
  • Production Supervisor:
    Sara E. White,
  • Visual Effects Producer:
    Reid Paul,
  • Production Driver:
    Chad Moore,
  • Helicopter Camera:
    Rexford L. Metz,
  • Video Assist Operator:
    Jimi Johnson,
  • Aerial Coordinator:
    Craig Hosking,
  • Camera Production Assistant:
    Jason Faries,
  • Craft Service:
    Chris Winn,
  • Painter:
    Daren Cornell,
  • Pyrotechnician:
    Sam Dean, Sam Dean,
  • Greensman:
    Michael McCombe,
  • Set Decoration:
    Casey Hallenbeck,
  • Assistant Camera:
    Richard Lacy,
  • Techno Crane Operator:
    Bryan Fletchall,
  • Second Assistant Accountant:
    Beth Bargas,
  • Location Scout:
    Kenneth Hunter,
  • Production Assistant:
    Sage Asteak,
  • Set Production Assistant:
    Jordan Brendan Finnegan,
  • Foley Mixer:
    James Ashwill,
  • Unit Publicist:
    Bronwyn Preston,
  • Costume Supervisor:
    Jordan McCloskey,
  • First Assistant Editor:
    James Andrykowski,
  • Dialogue Editor:
    Scott G.G. Haller, Carin Rogers,
  • Picture Car Coordinator:
    John Armstrong, John Armstrong,
  • Still Photographer:
    Merrick Morton,
  • Tattoo Designer:
    Jacob Hair,
  • CG Supervisor:
    Mike Hardison,
  • Standby Painter:
    Mike Reiber,
  • Lighting Technician:
    Mike Macias,
  • Sound Mixer:
    Larry Hopkins,
  • Digital Compositor:
    Patrick Flanagan,
  • Rigging Gaffer:
    Joseph Guerino,
  • Music Editor:
    Will Kaplan,
  • ADR Editor:
    Kimberly R. McCord-Wilson,
  • Second Unit Director:
    M. James Arnett,
  • Assistant Sound Editor:
    Ryan Juggler,
  • Title Designer:
    Eric Ladd, Eric Ladd,
  • Carpenter:
    James R. Lord,
  • Unit Production Manager:
    Robert Latham Brown,
  • Sound Designer:
    Cameron Frankley, Paul N.J. Ottosson,
  • Costume Design:
    Christopher Lawrence, Christopher Lawrence,
  • Supervising ADR Editor:
    James Simcik,
  • Utility Stunts:
    Giacomo Knox,
  • Makeup Department Head:
    Deborah La Mia Denaver,
  • Fight Choreographer:
    Damon Caro,
  • Stunt Double:
    Brennan Dyson,
  • Assistant Location Manager:
    Catherine Kagan,
  • 3D Artist:
    Clay Dale,
  • Casting Associate:
    Courtney Gross,
  • Pilot:
    Cliff Fleming,
  • Story by:
    Jim McClain, Ron Mita,
  • Camera Loader:
    Terry Wolcott,
  • Key Grip:
    Michael C. Price,
  • Key Production Assistant:
    Deon Boyce,
  • Grip:
    Eric Budlong,
  • Travel Coordinator:
    Kristina Lee,
  • Second Assistant Camera:
    Mark 'Boylee' Boyle,
  • Storyboard Artist:
    David E. Duncan,
  • Digital Colorist:
    Jill Bogdanowicz,
  • Production Design:
    Mayne Berke,
  • Music Producer:
    Matthias Gohl,
  • Set Costumer:
    Toby Bronson,
  • Assistant Costume Designer:
    Lisa Parmet,
  • ADR Recordist:
    Matthew McKenzie,
  • Costumer:
    Katherine Wright,
  • Digital Intermediate Producer:
    Sal Migliore,
  • Electrician:
    Justin Duval,
  • Propmaker:
    Douglas Cannon,
  • Key Costumer:
    Janet Ingram,
  • Gaffer:
    Ted Hayash,
  • Payroll Accountant:
    Katy Genovese,
  • Negative Cutter:
    Mo Henry,
  • Musician:
    Cano Hernández,
  • Special Effects Technician:
    David J. Barker,
  • Score Engineer:
    Stephen McLaughlin, Stephen McLaughlin,
  • Foley Artist:
    Vincent Guisetti,
  • Production Accountant:
    Michael Goosen,
  • Assistant Property Master:
    George Capetanos,
  • Studio Teachers:
    Lucas Moore,
  • Stunt Driver:
    Robin Lynn Bonaccorsi,
  • Stand In:
    Chris Daher,
  • Utility Sound:
    Frank Bradley,
  • Key Makeup Artist:
    Bill Myer,
  • Set Designer:
    Karen E. Burnett,
  • Foley Editor:
    Jeremy Pitts,
  • Makeup Artist:
    Allan A. Apone,

Technical specifications

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