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Rush Hour
Synopsis
Unwilling to have their investigation hampered by a meddling outsider, the FBI assigns rogue LAPD detective James Carter (Tucker) to the case. Seizing the opportunity as a chance to impress the FBI and ultimately join the Bureau, Carter enthusiastically accepts -- until he discovers that his mission is to "baby-sit" Lee and keep him away from the case at any cost. Carter, who is as arrogant and fast-talking as he is street smart, covertly embarks on a one-man crusade to solve the case. Of course, he must first distract Inspector Lee.
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Full Credits
  • Director:
    Brett Ratner,
  • Writer:
    Jim Kouf, Ross LaManna,
  • Producer:
    Roger Birnbaum, Jonathan Glickman, Arthur M. Sarkissian,
  • Cinematographer:
    Adam Greenberg,
  • Editor:
    Mark Helfrich,
  • Executive Producer:
    Jay Stern,
  • Cast:
    Elizabeth Peña, Philip Baker Hall, Chris Tucker, Julia Hsu, Ken Leung, Tom Wilkinson, Tzi Ma, Jackie Chan,
  • Associate Producer:
    Wayne Morris, James M. Freitag,
  • Assistant Editor:
    Laura Steiger, Michael Mahoney, Douglas Kunin, Chris Jackson,
  • First Assistant Director:
    James M. Freitag,
  • Second Assistant Director:
    David Cass Jr.,
  • Second Second Assistant Director:
    Eric Oliver,
  • Co-Producer:
    Art Schaefer,
  • Co-Executive Producer:
    Leon Dudevoir,
  • Supervising Sound Editor:
    Donald J. Malouf, Tim Chau,
  • Script Supervisor:
    Haley McLane,
  • ADR Mixer:
    Doc Kane,
  • Art Department Coordinator:
    Amy Martin,
  • Assistant Production Coordinator:
    Mimi N. McGreal,
  • Boom Operator:
    Gary A. Theard,
  • Construction Coordinator:
    Kevin Conlin,
  • Location Manager:
    Dianne Ketchum Friedgen, J. Marc Strachan,
  • Production Coordinator:
    Valerie Mickaelian Kucera,
  • Property Master:
    Ritchie Kremer,
  • Set Dresser:
    Frankie Beau Lombardo, Ara Darakjian, Gary Ledyard, Vartan 'V.T.' Tashjian, George Atamian,
  • Sound Effects Editor:
    David Kern, Doug Jackson, Nancy MacLeod, Nils C. Jensen,
  • Title Designer:
    Nina Saxon, Bohnie Avanzino,
  • Stunts:
    Matt Leonard, Troy Robinson, Keith Woulard, Tim Trella, Troy Brown, Jeff Imada, Rick Avery, Joni Avery, Mark Allen Hicks, Andy Cheng, Eugene Collier, Al Goto,
  • Second Assistant 'A' Camera:
    Shai Greenberg,
  • A Camera Operator:
    William D. Barber,
  • B Camera Operator:
    Colin Anderson,
  • Sound Designer:
    Tim Chau, Donald J. Malouf,
  • Hairstylist:
    Paul Anthony Morris, Kim Messina,
  • Key Hair Stylist:
    Larry Waggoner,
  • Dialogue Editor:
    Albert Gasser, Jim Brookshire, John Kwiatkowski,
  • Set Decoration:
    Lance Lombardo,
  • Unit Publicist:
    Bronwyn Preston,
  • First Assistant Sound Editor:
    Ann L. Thornberg, Carmen Hocson Baker,
  • Sound Re-Recording Mixer:
    Tom E. Dahl, Andy D'Addario,
  • Second Assistant 'B' Camera:
    Paul Santoni,
  • Best Boy Grip:
    Rodney Veto, Thomas J. Ruffner,
  • Stunt Coordinator:
    Jackie Chan, Terry Leonard, Nicky Li Chung-Chi, Sam Wong Ming-Sing,
  • First Assistant 'B' Camera:
    Alan Cohen,
  • Art Direction:
    Thomas Fichter,
  • Screenplay:
    Jim Kouf, Ross LaManna,
  • Costume Design:
    Sharen Davis,
  • Casting Assistant:
    Cosgrove Vincent Norstadt,
  • Executive In Charge Of Post Production:
    Jody Levin,
  • Sound Recordist:
    Ivan Johnson,
  • Key Makeup Artist:
    Melanie Hughes,
  • Story by:
    Ross LaManna,
  • Dolly Grip:
    Alan Shultz,
  • Foley Artist:
    Gregg Barbanell, Laura Macias,
  • Visual Effects Supervisor:
    Jeff Matakovich, Chuck Comisky, Ken Jones,
  • Studio Teacher:
    Margaret L. Schlaifer,
  • Second Unit Director of Photography:
    Mike Benson,
  • Second Unit Director:
    Terry Leonard,
  • Visual Effects Producer:
    C. Marie Davis, Reid Burns,
  • ADR Recordist:
    Jeanette Browning,
  • Rigging Grip:
    Raymond Michels, Gary Brostrom,
  • Sound Mixer:
    Kim H. Ornitz,
  • Apprentice Sound Editor:
    Philip J. Slattery,
  • Chief Lighting Technician:
    Robert Jason,
  • Storyboard Artist:
    Mark Vena,
  • Foley Mixer:
    Scott Weber,
  • Set Designer:
    Patte Strong-Lord, Jeff Ozimek,
  • Location Scout:
    Nathan Polatin,
  • Camera Loader:
    Lisa Bonaccorso,
  • Music Editor:
    Steve Mccroskey,
  • Negative Cutter:
    Gary Burritt,
  • Executive In Charge Of Production:
    Carla Fry,
  • Rigging Gaffer:
    Frank Scheidbach,
  • Music Supervisor:
    Happy Walters,
  • Stunt Double:
    Mark Allen Hicks,
  • Unit Production Manager:
    Wayne Morris,
  • Music:
    Ira Hearshen,
  • Color Timer:
    Mike Milliken,
  • Post Production Supervisor:
    Diana Kaufman,
  • Assistant Costume Designer:
    Cathy Crandall,
  • First Assistant Accountant:
    Judy Blinick,
  • Key Grip:
    Charles John Bukey,
  • Assistant Director:
    Kenneth Siao Wai-Keung,
  • Original Music Composer:
    Lalo Schifrin,
  • Still Photographer:
    Bob Marshak,
  • Supervising ADR Editor:
    Michele Perrone,
  • Makeup Artist:
    Melanie Hughes, Joanetta Stowers, Rebecca Alling,
  • Special Effects Coordinator:
    Vincent Montefusco,
  • Pilot:
    Alan D. Purwin,
  • Leadman:
    Dean B. Katz,
  • Set Dressing Artist:
    Lance Lombardo,
  • First Assistant 'A' Camera:
    Michael D. Weldon,
  • Assistant Property Master:
    Ron Patterson,
  • ADR Editor:
    Linda Folk,
  • Casting:
    Nancy Green-Keyes, Matthew Barry,
  • Costume Supervisor:
    Paul H. Lopez,
  • Production Accountant:
    Mark J. Levenstein,
  • Production Design:
    Robb Wilson King,
  • Steadicam Operator:
    Colin Anderson,

Technical specifications

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