Director:
Jon Wright,
Producer:
Ian Flooks, Justin Garak, Steve Milne, Piers Tempest,
Production Design:
Tom McCullagh,
Writer:
Mark Stay, Jon Wright,
Editor:
Matt Platts-Mills,
Cinematographer:
Fraser Taggart,
Pilot:
Will Samuelson,
Second Unit Director:
Terry Loane,
Musician:
Chris Worsey, Leo Abrahams, Jonny Brister, Jeff Moore, Christian Henson,
Production Secretary:
Lauren Sheerin,
Digital Compositor:
Jack Hughes, Jason Evans, William G. Wright, Gavin Digby, Michael Shaw, Victoria Farley, Patrick McCullagh, Ken Graham, Charlotte Larive, Antoine Jannic, Simon-Pierre Puech, Jeremy Hey,
Floor Runner:
Gabriella Wheeler,
Production Assistant:
Harry Rylott,
First Assistant Editor:
Victoria Webbley,
Second Assistant Director:
Jo Tew,
Production Sound Mixer:
Derek Hehir,
Armorer:
Gary Campbell,
Sound Mixer:
Derek Hehir, Jake Whitelee,
Compositor:
Liam Lavery, Chris Scott, Darren Nash,
Aerial Coordinator:
Lucia Foster Found,
Stunt Double:
Annabel Wood, Rachelle Beinart, Casey Michaels,
Matchmove Supervisor:
Peregrine McCafferty,
First Assistant Director:
Barry Keil,
Third Assistant Director:
Paul George,
Location Manager:
Sian Sutherland, Peter Conway,
Art Direction:
Fiona Gavin,
Visual Effects Coordinator:
Ciarán Keenan,
Matte Painter:
Sevendalino Khay,
CG Supervisor:
Martin Chamney, Stefan Gerstheimer,
Visual Effects Supervisor:
Paddy Eason,
Production Coordinator:
Stacey Quigley, Kevin Baulcomb,
Costume Supervisor:
Harriet Webb-Crozier, Heidi McQueen-Prentice,
Cast:
Gillian Anderson, Ella Hunt, Callan McAuliffe, Milo Parker, Ben Kingsley, Geraldine James,
Stunt Coordinator:
Nick Chopping,
Utility Stunts:
Tolga Kenan,
Additional Hairstylist:
Jenna Smith,
Script Consultant:
Paddy Eason, Matt Platts-Mills, Nick Ostler, Mark Huckerby,
Animation:
Sawan Thakrar,
Costume Design:
Hazel Webb-Crozier,
Production Runner:
Marina Michelson,
Unit Production Manager:
Jim Edge,
Visual Effects Producer:
Gilbert James, Simon Kenny,
ADR Recordist:
Stefano Marchetti, Rolf Martens,
Foley Artist:
Jason Swanscott, Jack Stew,
Transportation Coordinator:
Ade Holland,
Digital Intermediate Colorist:
Gareth Spensley,
Assistant Art Director:
Sara-Jo Baugh, Nick Akass,
Hair Designer:
Rosie Blackmore,
Second Assistant 'A' Camera:
Andrew Jones,
Digital Intermediate:
Tim Drewett, Justin Lanchbury, Steve Knight, Steve Owen, Michelle Cort,
Gaffer:
Martin Smith,
Script Supervisor:
Laura Miles, Rik Boeykens,
Compositing Supervisor:
Jamie Wood,
Key Costumer:
Ciara Winnington,
Dialogue Editor:
Dan Johnson,
Music Supervisor:
Maggie Rodford,
Camera Operator:
Derek Walker, Peter Field,
Key Hair Stylist:
Carole Dunne,
Camera Trainee:
Georgia Quilliam,
Still Photographer:
Aidan Monaghan, Steve Minett,
Legal Services:
Antony Swiatek, Laurence Brown,
Propmaker:
Niall George,
Draughtsman:
Caireen Todd,
Senior Animator:
John Kay,
Cableman:
Robert Johnston,
Property Master:
Richard Stevens,
Foley Editor:
Linda Brenon, Peter Hanson,
Production Executive:
Julia Hillsdon, Ali Moshref,
Aerial Director of Photography:
John Marzano, Adam Dale,
Casting:
Amy Hubbard,
Music:
Christian Henson,
Post Production Supervisor:
Emma Zee,
CG Animator:
Béranger Maurice,
Costume Assistant:
Kerry Gooding,
Assistant Location Manager:
Pete Murphy,
Concept Artist:
Jack Dudman,
Set Decoration:
Sally Black,
Construction Manager:
Graham Thomas, Derek Fraser,
Orchestrator:
Ben Foskett,
Production Trainee:
Rachel Hull,
Pre-Visualization Supervisor:
Jason McDonald,
Sound Re-Recording Mixer:
Andrew Caller,
Supervising Sound Editor:
Jeremy Price,
Makeup Artist:
Nina Ayoub,
Online Editor:
Gareth Parry,
First Assistant Camera:
Andy Gardner,
Digital Imaging Technician:
Foley Supervisor:
Glen Gathard,
Assistant Accountant:
Lisa Lloyd,
Additional Casting:
Venetia Suchdev,
Assistant Hairstylist:
Cat Coogan, Michelle Maxwell,
Storyboard Artist:
Gabriel Schucan,
Boom Operator:
Rob Newman,
Digital Intermediate Producer:
Katie Shahrokh,
Second Assistant 'B' Camera:
Darren Chesney,
Casting Associate:
Simon Cox,
ADR Mixer:
Richard Pryke,