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Redbelt
Synopsis
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike's car and then, after an odd sequence of events, shoots out the studio's window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike's wife to his own - the women initiate business dealings. Then, things go sour all at once, Mike's debts mount, and going into the ring may be his only option.
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Full Credits
  • Director:
    David Mamet,
  • Writer:
    David Mamet,
  • Producer:
    Chrisann Verges,
  • Cinematographer:
  • Editor:
    Barbara Tulliver,
  • Cast:
    Tim Allen, Alice Braga, Chiwetel Ejiofor, Randy Couture, José Pablo Cantillo,
  • First Assistant Director:
    Cara Giallanza,
  • Second Assistant Director:
    Stephen E. Hagen,
  • Second Second Assistant Director:
    John Tagamolila,
  • Supervising Sound Editor:
    Michael Kirchberger, Roy Waldspurger,
  • Camera Operator:
  • ADR Mixer:
    Howard Carle,
  • Assistant Production Coordinator:
    Erin Davis,
  • Colorist:
    Sean Lawrence,
  • Construction Coordinator:
    Brian Markey,
  • Construction Foreman:
    Ramsey Smith,
  • First Assistant Camera:
    Barry Idoine,
  • Location Manager:
    Matthew Wersinger,
  • Property Master:
    Peter Bankins,
  • Set Dresser:
    Kai Blomberg, David Ladish, Steven Ladish,
  • Foley Editor:
    Steve Bissinger,
  • Music Editor:
    Brian Bulman,
  • Musician:
    John Wittenberg, Peter Gordon, Joe DiBlasi, M.B. Gordy,
  • Digital Intermediate Assistant:
    Stephen Byrne,
  • Steadicam Operator:
    Peter Rosenfeld,
  • Production Assistant:
    Christopher Field, Justin Liberman, Wesley Donato,
  • Special Effects Coordinator:
    Dennis Dion,
  • Stunts:
    Bevin Kaye, Ahmed Best, Dennis Keiffer, Tony Lazzara, Boni Yanagisawa, Simon Rhee, Eddie Braun,
  • Second Assistant Camera:
    Jesse Roth,
  • Rigging Gaffer:
    Michael Ursetta, James Keys,
  • Special Effects Technician:
    Paul Staples, Louie Lantieri, Bart Dion,
  • Casting Assistant:
    Kathy Kaplan,
  • Transportation Captain:
    Rich Bennetti,
  • Utility Stunts:
    Anthony G. Schmidt, Jess King,
  • Assistant Property Master:
    Craig Baron, Stuart Rankine,
  • Fight Choreographer:
    Rico Chiapparelli, Dan Inosanto, John Machado,
  • Assistant Camera:
    Kelly Simpson, Luke Allein,
  • Best Boy Grip:
    John Morris,
  • Extras Casting Coordinator:
    Laura Drake Mancini,
  • Digital Compositor:
    Tom Mahoney, Dick Edwards,
  • Gaffer:
    James B. Crawford,
  • Set Costumer:
    Jessica Carpenter, Bethany Bernhard, Joseph Cigliano,
  • Compositing Artist:
    David Beedon, Bob Lloyd, Yale Kozinski, Dane Picard,
  • Sound Re-Recording Mixer:
    Roy Waldspurger, Gary C. Bourgeois,
  • Extras Casting:
    Dixie Webster,
  • ADR Recordist:
    Nick Kray,
  • Makeup Department Head:
    Suzanne Diaz,
  • Key Makeup Artist:
    Nancy Martinez-Morrison, Scott Wheeler,
  • Casting Associate:
    Judith Sunga,
  • Casting:
    Sharon Bialy, Sherry Thomas,
  • Assistant Location Manager:
    Neale Fishback, S. Dylan Kirkland,
  • Set Decoration:
    Sandy Reynolds-Wasco,
  • Set Designer:
    Timothy M. Earls,
  • Key Grip:
    Michael Kenner,
  • Special Effects:
    Mike Dion,
  • Key Set Production Assistant:
    Jason Ruffolo,
  • Production Design:
    David Wasco,
  • Location Scout:
    Kenneth Hunter,
  • Stunt Double:
    Todd Warren, Jose L. Vasquez, Aaron Toney,
  • Makeup Artist:
    Tina Hoffman,
  • Best Boy Electric:
    Greg Langham,
  • First Assistant 'C' Camera:
    Scott Rathner,
  • Second Assistant 'C' Camera:
    Peter Geraghty,
  • Key Costumer:
    Winifred Kennamer,
  • Transportation Coordinator:
    Tim Abbatoye,
  • Title Designer:
    Andy Goldman,
  • Orchestrator:
    Stephen Endelman,
  • First Assistant Accountant:
    Shea Kammer,
  • Leadman:
    Edward J. Protiva,
  • Costume Supervisor:
    Robin McMullan,
  • Music:
    Stephen Endelman,
  • Swing:
    George Hess,
  • Video Assist Operator:
    Mike Bachman,
  • Set Production Assistant:
    Srđan Dobić, Jackson Rowe,
  • Post Production Supervisor:
    Luca Borghese,
  • Foley Artist:
    Anita Cannella, Amy Kane,
  • First Assistant 'B' Camera:
    Harry Zimmerman,
  • Set Decoration Buyer:
    Erin Fite,
  • Sound Mixer:
    Larry Hopkins, Michael Farrow, Tom Brissette,
  • Art Direction:
  • Second Assistant 'B' Camera:
    Jason Goebel, Larissa Supplitt,
  • Lighting Technician:
    Benny Alvarado,
  • Digital Colorist:
    Steve Bowen,
  • Scenic Artist:
    Anne Hyvarinen,
  • ADR Supervisor:
    James Simcik,
  • Foley Mixer:
    Mike Marino,
  • Still Photographer:
    Lorey Sebastian, Jim Sheldon,
  • Stunt Coordinator:
    Jack Gill,
  • Unit Production Manager:
    Mads Hansen,
  • Hair Department Head:
    Sheila Cyphers-Leake, Lori Guidroz,
  • Carpenter:
    Chris Scher,
  • Assistant Sound Editor:
    Steven Gerrior,
  • Digital Intermediate Producer:
    Christian Prejza,
  • First Assistant Editor:
    Yale Kozinski,
  • Electrician:
    Jim McComas,
  • Visual Effects Supervisor:
    David Altenau,
  • Grip:
    Joe Chouchanian,
  • Graphic Designer:
    Karen Teneyck,
  • Production Secretary:
    Jeff Hunt,
  • Dolly Grip:
    Jeff Kunkle,
  • Costume Design:
    Debra McGuire,
  • Color Timer:
    Kenny Becker,
  • Stunt Driver:
    Debbie Evans,
  • ADR Voice Casting:
    Lee Michael Cohn,

Technical specifications

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