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Red Planet
Synopsis
In the near future, Earth is dying. A new colony on Mars could be humanity's only hope. A team of American astronauts, each a specialist in a different field, is making the first manned expedition to the red planet and must struggle to overcome the differences in their personalities, backgrounds and ideologies for the overall good of the mission. When their equipment suffers life-threatening damage and the crew must depend on one another for survival on the hostile surface of Mars, their doubts, fears and questions about God, man's destiny and the nature of the universe become defining elements in their fates. In this alien environment they must come face to face with their most human selves.
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Full Credits
  • Director:
    Antony Hoffman, Antony Hoffman,
  • Writer:
    Jonathan Lemkin, Chuck Pfarrer,
  • Producer:
    Mark Canton, Bruce Berman, Jorge Saralegui,
  • Cinematographer:
    Peter Suschitzky,
  • Editor:
    Dallas Puett, Robert K. Lambert,
  • Executive Producer:
    Chuck Pfarrer, Charles J.D. Schlissel, Andrew Mason,
  • Cast:
    Val Kilmer, Carrie-Anne Moss, Simon Baker, Benjamin Bratt, Tom Sizemore,
  • Associate Producer:
    Stephen Jones,
  • Assistant Editor:
    Mark Bourgeois,
  • First Assistant Director:
    Colin Fletcher,
  • Third Assistant Director:
    Giovanni Pacialeo,
  • Supervising Sound Editor:
    Julia Evershade, Dane A. Davis,
  • Camera Operator:
    Mitchell Amundsen,
  • Script Supervisor:
    Sophie Fabbri-Jackson,
  • ADR Mixer:
    Thomas J. O'Connell,
  • Assistant Production Coordinator:
    Jacqueline King,
  • Boom Operator:
    Rod Conder,
  • Construction Coordinator:
    John Pickering,
  • First Assistant Camera:
    Richard Bradshaw,
  • Location Manager:
    Dick Beckett,
  • Production Coordinator:
    Lorelle Adamson,
  • Production Sound Mixer:
    Paul 'Salty' Brincat,
  • Sound Editor:
    Eric Cameron Hosmer,
  • Sound Effects Editor:
    Eric Lindemann, Jeremy Peirson,
  • First Assistant 'B' Camera:
    Jem Rayner,
  • Sound Effects Designer:
    Andrew Lackey, Richard Adrian,
  • Costume Design:
    Kym Barrett,
  • Best Boy Grip:
    Ian Bird,
  • Art Direction:
    Hugh Bateup, Catherine Mansill,
  • Assistant Accountant:
    Patrick Plummer,
  • Steadicam Operator:
    Pete Cavaciuti, Randy Nolen, Harry Panagiotidis,
  • Additional Visual Effects:
    Lynne Cartwright,
  • Screenplay:
    Jonathan Lemkin, Chuck Pfarrer,
  • Machinist:
    Scott Oshita,
  • Visual Effects:
    Tony Anderson,
  • Production Manager:
    Vicki Popplewell,
  • First Assistant Accountant:
    Mandy Butler,
  • Digital Compositors:
    Kenneth Au,
  • Casting Assistant:
    Jake Richter,
  • Textile Artist:
    Niamh Murphy,
  • Extras Casting:
    Vicky Roper,
  • Costume Illustrator:
    Lois DeArmond,
  • Still Photographer:
    Jasin Boland,
  • Systems Administrators & Support:
    Ben Farris,
  • Special Effects Coordinator:
    Tom Davies,
  • Original Music Composer:
    Graeme Revell,
  • Digital Effects Supervisor:
    Jerry Weil,
  • Hairdresser:
    Vera Mitchell,
  • Supervising Dialogue Editor:
    Stephanie Flack,
  • Unit Manager:
    Paul Messer,
  • Additional Casting:
    Rutie Blum,
  • Production Design:
    Owen Paterson,
  • Unit Production Manager:
    Stephen Jones,
  • Rigging Grip:
    Andy Rennie,
  • Production Accountant:
    Gary Jones,
  • Dolly Grip:
    Steve Harding, Greg Tuohy, Aron Walker,
  • Props:
    Fletcher Moules,
  • Color Timer:
    David Orr,
  • Rotoscoping Artist:
    Etienne Andlau,
  • Compositors:
    Rachel Wyn Dunn,
  • Special Effects Supervisor:
    Rodney Burke,
  • Compositing Supervisor:
    Feliciano di Giorgio,
  • Transportation Captain:
    Dave Heazlewood,
  • Utility Stunts:
    Brett Praed,
  • Set Painter:
    Liz van den Berg,
  • Standby Carpenter:
    Brad Diebert,
  • Digital Producer:
    Suzanne Lowe,
  • Scenic Artist:
    Peta Black,
  • Orchestrator:
    Tim Simonec,
  • Foley Recordist:
    Carolyn Tapp,
  • Visual Effects Coordinator:
    Jack Geist,
  • Special Effects Technician:
    Dave Barkovitz,
  • 3D Supervisor:
    Mark Kochinski,
  • Special Effects Assistant:
    Adam Khamis,
  • Music Programmer:
    Paul Haslinger,
  • Scoring Mixer:
    Wolfgang Amadeus,
  • Costume Supervisor:
    John Casey,
  • Visual Effects Production Manager:
    Kelly L'Estrange,
  • CG Supervisor:
    Mike Hardison,
  • Supervising ADR Editor:
    Joe Dorn,
  • Hairstylist:
    Erica Wells,
  • Storyboard Artist:
    Timothy Burgard,
  • Art Department Assistant:
    Steve Riera,
  • Sound Recordist:
    Chad Algarin,
  • Makeup Artist:
    Paul Engelen,
  • Production Runner:
    Cian O'Clery,
  • Music Consultant:
    Jeffrey Pollack,
  • Chief Lighting Technician:
    Peter Bushby,
  • Lead Animator:
    Constance Bracewell,
  • Roto Supervisor:
    Erin M. Cullen,
  • First Assistant 'A' Camera:
    Katrina Crook,
  • Additional Grip:
    Illya Smith,
  • Conceptual Design:
    Constantine Sekeris,
  • Set Decoration:
    Brian Dusting,
  • Stunts:
    Damian Bradford,
  • Second Unit Director of Photography:
    Geoffrey Wharton,
  • Costume Assistant:
    Clare Howie,
  • Music Editor:
    Ashley Revell,
  • Animation Supervisor:
    Steve Markowski,
  • Production Executive:
    Michael Taylor,
  • Rigging Gaffer:
    Gary Hill,
  • Grip:
    Ray Brown,
  • Assistant Costume Designer:
    Jeanne DuPont,
  • Foley Artist:
    Alyson Dee Moore,
  • First Assistant Sound Editor:
    Nancy Barker,
  • Assistant Director:
    Noni Roy,
  • Visual Effects Technical Director:
    Ramprasad Sampath,
  • Set Designer:
    Fiona Donovan,
  • Loader:
    Jay Torta,
  • Head of Production:
    John Follmer,
  • Foley:
    Thom Brennan,
  • Assistant Chief Lighting Technician:
    Matt Buchan,
  • Casting:
    Lora Kennedy,
  • Assistant Camera:
    Jean-Yves Le Poulain,
  • Unit Publicist:
    Fiona Searson,
  • Sound Designer:
    Dane A. Davis,
  • Visual Effects Supervisor:
    Cosmas Paul Bolger Jr.,
  • Second Unit Director:
    Graeme Burfoot,
  • Post Production Supervisor:
    Debbi Bossi,
  • Executive In Charge Of Post Production:
    Daniel R. Chavez,
  • General Manager:
    Ray Scalice,
  • Sculptor:
    Gavin Jones,
  • Production Illustrator:
    David Russell,
  • Stunt Coordinator:
    Guy Norris,
  • Visual Effects Producer:
    Thomas Boland,
  • Painter:
    David Monzingo,
  • Electrician:
    Tom Stanger,
  • Executive In Charge Of Production:
    Bill Draper,
  • Key Costumer:
    Brenda Donoho,
  • Assistant Unit Manager:
    Simon Lucas,
  • Production Secretary:
    Jo Pinter,
  • CG Artist:
    Christian Hatfield,
  • Negative Cutter:
    Mo Henry,
  • Production Assistant:
    Abbie Mawhinney,
  • Security Coordinator:
    Laura Sivis,
  • Foley Mixer:
    Mary Jo Lang,
  • Visual Effects Editor:
    Gus Duron,
  • Stunt Double:
    Annette van Moorsel,
  • Transportation Coordinator:
    John Suhr,

Technical specifications

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