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Pulp Fiction
Synopsis
Prizefighter Butch Coolidge has decided to stop payment on a deal he's made with the devil. Honey Bunny and Pumpkin are young lovers and small time thieves who decide they need a change of venue. Meanwhile, two career criminals, Vincent Vega and Jules, go about their daily business of shooting up other crooks that are late on payments to their boss. While one is asked to baby sit their boss' dangerously pretty young wife, the other suddenly realizes that he must give up his life of crime.
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Full Credits
  • Director:
    Quentin Tarantino,
  • Writer:
    Quentin Tarantino, Roger Avary,
  • Producer:
    Lawrence Bender,
  • Cinematographer:
    Andrzej Sekula,
  • Editor:
    Sally Menke,
  • Executive Producer:
    Danny DeVito, Michael Shamberg, Stacey Sher,
  • Cast:
    Tim Roth, John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames,
  • Assistant Editor:
    Donald Likovich,
  • First Assistant Director:
    Francis R. Mahony III,
  • Second Assistant Director:
    Kelly Kiernan,
  • Second Second Assistant Director:
    John W. Hyde Jr.,
  • Co-Executive Producer:
    Bob Weinstein, Harvey Weinstein, Richard N. Gladstein,
  • Supervising Sound Editor:
    Stephen Hunter Flick,
  • Camera Operator:
    Michael Levine, Michael Levine,
  • Script Supervisor:
    Martin Kitrosser,
  • ADR Mixer:
    Jeff Courtie,
  • Art Department Coordinator:
    Emily Wolfe,
  • Assistant Production Coordinator:
    Cheryl Cain,
  • Boom Operator:
    Larry Scharf,
  • Construction Coordinator:
    Brian Markey,
  • Construction Foreman:
    Ray Maxwell,
  • First Assistant Camera:
    Ziad Doueiri,
  • Production Coordinator:
    Anna-Lisa Nilsson,
  • Production Sound Mixer:
    Ken King,
  • Property Master:
    Jonathan R. Hodges,
  • Sound Editor:
    Dean Beville,
  • Special Effects Assistant:
    Kevin McTurk, Andrew Ambrose, Kevin McTurk,
  • Steadicam Operator:
    Bob Gorelick,
  • Assistant Sound Editor:
    Dana Gustafson,
  • Best Boy Electric:
    Anthony Hall, Anthony Hall,
  • Assistant Music Supervisor:
    Kristen Becht, Billy Gottlieb,
  • Lead Painter:
    Marc Gillson,
  • Leadman:
    Peter Borck,
  • Craft Service:
    Derek Hurd,
  • Thanks:
    Ricardo Mestres, Jennifer Beals, Scott Spiegel, Emanuel Steward, Lou Arkoff, Agnès B., Mike Simpson, Lee Stollman, Linda R. Chen, Cathryn Jaymes, Stephen Martines, Bill Unger,
  • Assistant Location Manager:
    John A. Johnston,
  • Editorial Staff:
    Andrew Dickler,
  • Casting:
    Gary M. Zuckerbrod, Jeff Olan, Ronnie Yeskel,
  • Set Costumer:
    Patia Prouty,
  • Swing:
    Steve Ingrassia,
  • Key Rigging Grip:
    Michael Stocks,
  • Post Production Coordinator:
    Kara Mazzola,
  • Color Timer:
    Mike Stanwick,
  • Assistant Craft Service:
    Michael Haddad,
  • Production Design:
    David Wasco,
  • Music Editor:
    Rolf Johnson,
  • Location Assistant:
    Haley Sweet,
  • Foley Artist:
    Catherine Rowe,
  • Carpenter:
    Gary L. Brennan,
  • Set Dressing Artist:
    Joseph W. Grafmuller,
  • Security:
    Ruben Cortez,
  • Music Supervisor:
    Karyn Rachtman, Kathy Nelson,
  • Post Production Assistant:
    Ben Parker, Ben Parker,
  • Special Effects Coordinator:
    Larry Fioritto,
  • Painter:
    Giuseppe Maini III,
  • Costume Supervisor:
    Jacqueline Aronson,
  • Production Secretary:
    Bradley Morris, Bradley Morris,
  • Sound Recordist:
    Matthew C. Beville,
  • Grip:
    Chris Ahern,
  • Driver:
    Alonzo Brown Jr.,
  • Costume Design:
    Betsy Heimann,
  • Costumer:
    Kristin Dangl,
  • Special Effects Technician:
    Kevin McTurk,
  • ADR Voice Casting:
    Barbara Harris, Barbara Harris,
  • Best Boy Grip:
    Robbie Meckler,
  • Set Production Assistant:
    Iain Jones,
  • Assistant Accountant:
    Zane,
  • Hairstylist:
    Linda Arnold,
  • Music Coordinator:
    Mary Ramos,
  • Set Designer:
    Daniel Bradford,
  • Electrician:
    Bruce Jagoda,
  • Key Grip:
    Mark Shane Davis,
  • Stunt Double:
    Terry Jackson,
  • Supervising ADR Editor:
    Judee Flick,
  • Location Scout:
    Adam Silver, Adam Silver,
  • Assistant Art Director:
    Samantha Gore,
  • Makeup Artist:
    Michelle Bühler,
  • Makeup Effects:
    Thomas L. Bellissimo,
  • Stand In:
    Rory Dauson, Cameron,
  • Story by:
    Quentin Tarantino, Roger Avary,
  • Camera Loader:
    Angelo de la Cruz,
  • Gaffer:
    Vance Trussell,
  • Art Direction:
    Charles Collum,
  • Dolly Grip:
    Alan Parr,
  • Second Assistant Camera:
    Gregory C. Smith,
  • Production Manager:
    Paul Hellerman,
  • Foley Mixer:
    Ezra Dweck,
  • Music Consultant:
    Chuck Kelley,
  • Post Production Supervisor:
    Heidi Vogel,
  • Stunt Coordinator:
    Ken Lesco,
  • Stunts:
    Cameron,
  • Wigmaker:
    Bill Fletcher,
  • Rigging Gaffer:
    Marc Meisenheimer,
  • Casting Associate:
    Ruth Lambert,
  • Assistant Decorator:
    Liz Chiz,
  • Hair Designer:
    Iain Jones,
  • Assistant Property Master:
    John Felgate,
  • Charge Scenic Artist:
    Chris L. Winslow,
  • Set Decoration:
    Sandy Reynolds-Wasco,
  • Transportation Coordinator:
    Derek Raser,
  • Assistant Costume Designer:
    Mary Claire Hannan,
  • Graphic Designer:
    Chris Cullen,
  • Unit Publicist:
    Deborah Wuliger,
  • Screenplay:
    Quentin Tarantino,
  • Key Hair Stylist:
    Audrey Futterman-Stern,
  • First Assistant Editor:
    Tatiana S. Riegel,

Technical specifications

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