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Predator
Synopsis
Dutch (Arnold Schwarzenegger) has a code of honor which he will not violate, even when his life depends on it. Paradoxically, his code of honor gives him the backbone to survive as a military special forces operative when he is sent on a covert mission to rescue another group which was sent in to assist some nefarious U.S. government plan in a Latin American country. Once there, he encounters an old army buddy (Carl Weathers) who has gotten too deep in the CIA's good graces for Dutch's comfort. When he and his team go into the jungle to rescue the others, they get involved in a pitched battle with local guerillas, but they are more than capable of besting these vicious fighters. However, not long after that, they encounter signs that the equally capable men they were sent to rescue were all killed unawares and in an unusually gruesome fashion. Given their training, it should have been impossible for anyone to best all of these commando warriors. Soon, the men from Dutch's own team get picked off one by one, as they grow aware that they are up against something uncanny, not of this world, something that is hunting them for sport. Why? Because their skills make them worthy opponents for the perfectly camouflaged Predator. This carefully paced action movie was given poor reviews by many movie critics, but was sufficiently satisfying for its (largely male) audiences that a successful sequel (Predator 2) was released in 1990.~ Clarke Fountain, All Movie Guide
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Full Credits
  • Director:
  • Writer:
    Jim Thomas, John Thomas,
  • Producer:
    Lawrence Gordon, Joel Silver, John Davis,
  • Cinematographer:
    Donald McAlpine,
  • Editor:
    John F. Link, Mark Helfrich,
  • Executive Producer:
    Jim Thomas, Laurence Pereira,
  • Cast:
    Jesse Ventura, Elpidia Carrillo, Bill Duke, Arnold Schwarzenegger, Carl Weathers, Sonny Landham,
  • Associate Producer:
    John Vallone, Beau Marks,
  • First Assistant Director:
    Beau Marks,
  • Second Assistant Director:
    J. Tom Archuleta,
  • Camera Operator:
    John Oteri, Frank Bryson,
  • Script Supervisor:
    Gabriela Gurrola, Marion Tumen,
  • ADR Mixer:
    Kevin E. Carpenter,
  • Boom Operator:
    Jorge Gómez,
  • Construction Coordinator:
    Salvador Pena,
  • First Assistant Camera:
    Robert Agganis,
  • Production Coordinator:
    Patti Calhoun,
  • Property Master:
    Tommy Tomlinson, Antonio Mata,
  • Set Dresser:
    Macedonio Ramos,
  • Sound Effects Editor:
    Gary Wright, Richard Shorr, Catherine Shorr, Gene Corso,
  • Art Direction:
    Jorge Sainz, Frank Richwood,
  • Stunts:
    Doug Coleman, Norman Howell, David Efron, Henry Kingi, Leon Delaney, William H. Burton Sr., Jean-Claude Van Damme, Steven Chambers, Richard Humphreys, Bobby Bass, Jack Verbois, Eddie L. Watkins, Steve Boyum, David Drazes, Jophery C. Brown, Monty Jordan, Sergio Kato, Gary Baxley, Joel Kramer, Tony Brubaker, Peter Kent, Robert Hammond,
  • Assistant Camera:
    Guillermo Moysen,
  • Dialogue Editor:
    Cindy Marty,
  • Gaffer:
    Warren Mearns, Tony Holtham, Fernando Calvillo,
  • Production Manager:
    Beau Marks,
  • Transportation Coordinator:
    Charles Enzen,
  • Foley Editor:
    Steve Richardson,
  • Casting Assistant:
    Billy DaMota,
  • Color Timer:
    Dale E. Grahn,
  • Storyboard:
    Donald Meyers,
  • Hairstylist:
    Bertha Chiu, Carlos Horcasitas,
  • Costume Supervisor:
    James W. Tyson, Robert B. Harris,
  • Transportation Co-Captain:
    Margarito Fuentes Gutiérrez,
  • Music Editor:
    Michael Tronick,
  • Pilot:
    Michael Tamburro, Peter McKernan, Alejandro Madrid Bonilla,
  • Supervising Sound Effects Editor:
    David E. Stone, Richard L. Anderson,
  • Visual Effects Camera:
    Steve Slocomb,
  • Original Music Composer:
    Alan Silvestri,
  • Author:
    Jim Thomas, John Thomas,
  • Makeup Artist:
    Jeff Dawn,
  • Special Effects Supervisor:
    Laurencio Cordero, Al Di Sarro,
  • Aerial Coordinator:
    Charles A. Tamburro,
  • Production Design:
    John Vallone,
  • Casting:
    Jackie Burch,
  • Conductor:
    Alan Silvestri,
  • Key Grip:
    Grahame Litchfield, Patrick Nash, Juan Iniestra,
  • Special Effects:
    Laurencio Cordero,
  • Technical Advisor:
    Gary Goldman,
  • Orchestrator:
    James B. Campbell,
  • Assistant Property Master:
    Benito Cano,
  • Supervising Dialogue Editor:
    George H. Anderson,
  • ADR Editor:
    Hank Salerno, Corinne Sessarego, Bill Voigtlander,
  • Negative Cutter:
    Jack Hooper,
  • Special Sound Effects:
    John Pospisil,
  • Still Photographer:
    Zade Rosenthal, Alfredo Ruvalcaba,
  • Scoring Mixer:
    Dennis S. Sands,
  • Dolby Consultant:
    David W. Gray,
  • Animal Wrangler:
    Humberto Gurza,
  • Creature Design:
    William Stout,
  • Assistant Art Director:
    Theresa Wachter,
  • Foley Mixer:
    J.R. Westen,
  • Second Unit Director:
    Craig R. Baxley,
  • Visual Effects Supervisor:
    Joel Hynek, Michael Bigelow,
  • Stunt Double:
    Gregory J. Barnett,
  • Production Illustrator:
    Nikita Knatz,
  • Best Boy Electric:
    Adolfo Lara,
  • Carpenter:
    Marc Fambro,
  • Production Assistant:
    Guillermo 'Memo' Carreño,
  • Steadicam Operator:
    Robert Agganis,
  • Foley Artist:
    Vanessa Theme Ament,
  • Sculptor:
    Henry Alvarez,
  • Visual Effects Editor:
    J.W. Kompare,
  • Driver:
    Manuel Paredes Murillo,
  • Sound Mixer:
    Manuel Topete,
  • Set Decoration:
    Enrique Estévez,
  • Unit Manager:
    Anna Roth,
  • ADR Recordist:
    Vic Zaslav,
  • Dolly Grip:
    Antonio Ramírez 'Puma',
  • Costume Design:
    Marilyn Vance,
  • Makeup Designer:
    Scott H. Eddo,
  • Animation Supervisor:
    Robert Mrozowski,
  • Stunt Coordinator:
    Craig R. Baxley,
  • Extras Casting:
    Guillermo Castillo,
  • Visual Effects Producer:
    Robert M. Greenberg,
  • Greensman:
    Frank Mitchell, Francisco Ramirez,
  • Special Effects Makeup Artist:
    Screaming Mad George,

Technical specifications

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