Running on Empty thumbnail
Running on Empty
Synopsis
In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" Already well known in the New York art world, he had become a household name--American's first "Art Star"--and his bold and radical style of painting continued to change the course of modern art. But the torments that had plagued the artist all of his life--perhaps the ones that drove him to paint in the first place, or that helped script his fiercely original art--continued to haunt him. As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral that would threaten to destroy the foundations of his marriage, the promise of his career, and his life--all on one deceptively calm and balmy summer night in 1956.
Watch at home
Full Credits
  • Director:
    Sidney Lumet, Ed Harris,
  • Writer:
    Barbara Turner, Susan Emshwiller, Naomi Foner,
  • Producer:
    Amy Robinson, Griffin Dunne, Ed Harris, Fred Berner, Jon Kilik,
  • Cinematographer:
    Gerry Fisher,
  • Editor:
    Andrew Mondshein,
  • Executive Producer:
    Burtt Harris,
  • Cast:
    Amy Madigan, Ed Harris, Jennifer Connelly, Martha Plimpton, Jeffrey Tambor, River Phoenix, Marcia Gay Harden, Judd Hirsch, Christine Lahti, Jonas Abry,
  • Assistant Editor:
    Richard J. Rossi,
  • First Assistant Director:
    Burtt Harris,
  • Second Assistant Director:
    Joseph M. Caracciolo,
  • Supervising Sound Editor:
    Mark Rathaus,
  • Camera Operator:
    Cary Fisher,
  • Script Supervisor:
    Mary Bailey,
  • Art Department Coordinator:
    Siv Sandstrom,
  • Boom Operator:
    Louis Sabat,
  • First Assistant Camera:
    Ron Zarilla,
  • Location Manager:
    Stephen Danza,
  • Production Sound Mixer:
    James Sabat,
  • Property Master:
    Robert Griffon Jr.,
  • Set Dresser:
    Kevin Oates, John Oates Jr.,
  • Sound Editor:
    Bitty O'Sullivan-Smith,
  • Best Boy Electric:
    James Malone,
  • Costume Design:
    Anna Hill Johnstone,
  • Gaffer:
    William Ward,
  • Key Grip:
    Norman Buck,
  • Casting Associate:
    Judie Fixler,
  • Casting:
    Todd M. Thaler,
  • Hairstylist:
    Bob Grimaldi,
  • Color Timer:
    Dennis McNeill,
  • Makeup Artist:
    Toy Van Lierop,
  • Post Production Supervisor:
    Lilith Jacobs,
  • ADR Editor:
    Jane McCulley,
  • Production Office Coordinator:
    Jane Raab,
  • Sound Re-Recording Mixer:
    Tom Fleischman,
  • Construction Grip:
    James V. Gartland,
  • Wardrobe Supervisor:
    Karen Whittaker,
  • Dolly Grip:
    James McGrath,
  • Production Secretary:
    Adrienne Kahn,
  • Art Direction:
    Robert Guerra,
  • Stunt Double:
    Mick O'Rourke,
  • Production Manager:
    Joseph M. Caracciolo,
  • Still Photographer:
    Kerry Hayes,
  • Camera Trainee:
    A. Anthony Cappello,
  • Assistant Costume Designer:
    Lynette Bernay,
  • Original Music Composer:
    Tony Mottola,
  • Set Decoration:
    Philip Smith,
  • Sound Recordist:
    Frank Graziadei,
  • Production Design:
    Philip Rosenberg,
  • Additional Second Assistant Director:
    Glen Trotiner,

Technical specifications

Running on Empty logo