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Platoon
Synopsis
Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks in country, Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.~ Mark Deming, All Movie Guide
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Full Credits
  • Director:
    Oliver Stone,
  • Writer:
    Oliver Stone,
  • Producer:
    Arnold Kopelson, Arnold Kopelson,
  • Cinematographer:
  • Editor:
    Claire Simpson,
  • Executive Producer:
    Derek Gibson, John Daly,
  • Cast:
    Francesco Quinn, Charlie Sheen, Forest Whitaker, Willem Dafoe, Johnny Depp, Tom Berenger, Kevin Dillon,
  • Assistant Editor:
    Julie Monroe,
  • First Assistant Director:
    H. Gordon Boos,
  • Second Assistant Director:
    Pepito Diaz,
  • Co-Producer:
    A. Kitman Ho,
  • Supervising Sound Editor:
    Gordon Daniel,
  • Script Supervisor:
    Susan Malerstein,
  • Boom Operator:
    Donald Santos,
  • First Assistant Camera:
    Chris Lombardi,
  • Location Manager:
    Jerry O'Hara,
  • Production Coordinator:
    Angelica De Leon,
  • Property Master:
    David Delina,
  • Sound Editor:
    Anthony Palk, James J. Klinger, David Campling, Greg Dillon,
  • Associate Editor:
    Tom Finan,
  • Art Direction:
    Rodell Cruz, Sherman Williams,
  • First Assistant Editor:
    David Brenner,
  • Sound Re-Recording Mixer:
    Richard D. Rogers, Charles Grenzbach, John Wilkinson,
  • Special Effects Technician:
    Andrew Wilson,
  • Color Timer:
    Ron Wengler,
  • Technical Advisor:
    Dale A. Dye,
  • Special Effects Assistant:
    Rudy Candaza,
  • Transportation Captain:
    Primo Guina,
  • Sound Mixer:
    Simon Kaye, Taffy Haines,
  • Grip:
    James Finnerty,
  • Original Music Composer:
    Georges Delerue,
  • Loader:
    Frank Fleming,
  • Cableman:
    Venancio Goltiano,
  • Gaffer:
    James Fitzpatrick,
  • Wardrobe Assistant:
    Mike Ambrosio,
  • Prosthetic Supervisor:
    Cecille Baun,
  • Best Boy Electric:
    Celebrando Raymundo,
  • Assistant Electrician:
    Ernesto Enríquez,
  • Clapper Loader:
    Victor Cecogo,
  • Still Photographer:
    Ricky Francisco,
  • Unit Manager:
    Cenón González,
  • Conductor:
    Georges Delerue,
  • Production Secretary:
    Anne G. Garcia,
  • Dolly Grip:
    Rene Balicas,
  • Tailor:
    Maria Cecina,
  • Assistant Director:
    Tim Minear, Gerry Toomey,
  • Production Executive:
    Pierre David,
  • Music Supervisor:
    Budd Carr,
  • Production Supervisor:
    Ooty Moorehead,
  • Negative Cutter:
    Mary Nelson-Duerrstein,
  • Set Costumer:
    Kathryn Morrison,
  • Craft Service:
    Bobby Buensalida,
  • Stunt Coordinator:
    Gil Arceo,
  • Security:
    Orlando Nui,
  • Production Accountant:
    Andy Birmingham,
  • Music Coordinator:
    Joanne Weiss,
  • Supervising Music Editor:
    Richard Stone,
  • Head of Production:
    Jonathan Sheinberg,
  • Additional Wardrobe Assistant:
    Jim Elyea,
  • Makeup Effects:
    Gordon J. Smith,
  • Stunts:
    Alex Cabodil,
  • Production Assistant:
    Nick Nicholson,
  • Best Boy Grip:
    Rufo Ballos Balicas,
  • Production Design:
    Bruno Rubeo,
  • Executive In Charge Of Production:
    Graham Henderson,
  • Assistant Set Dresser:
    Dwight Gaston,
  • Screenplay:
    Oliver Stone,
  • Sound Designer:
    Steve Bartlett,
  • Casting:
    Pat Golden, Warren McLean, Bob Morones,
  • Thanks:
    Mary Colquhoun, Michael Cimino,
  • ADR Voice Casting:
    Barbara Harris,
  • Assistant Accountant:
    Yvonne Eastmond,
  • Title Designer:
    Dan Perri,
  • Key Production Assistant:
    John Kerr,
  • Assistant Property Master:
    Romulo Bernales,
  • Foley Artist:
    Vanessa Theme Ament,
  • Publicist:
    Dianne E. Collins,
  • Generator Operator:
    Charlie Rebolledo,
  • Special Effects Supervisor:
    Yves De Bono,
  • Production Manager:
    Joe Constantino,
  • Wardrobe Supervisor:
    Wynn Arenas,

Technical specifications

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