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Near Dark
Synopsis
In Kathryn Bigelow's tale of vampires in the American Southwest, the creatures of the night aren't elegant, cloaked aristocrats. They're a gun-toting gang that dresses and acts like a motorcycle gang. Caleb (Adrian Pasdar), a restless young man from a small farm town, meets an alluring drifter named Mae (Jenny Wright). She reveals herself to be a vampire, who turns Caleb into one of her kind rather than kill him. But the rest of her family is slow to accept the newcomer. The ancient leader, Jesse (Lance Henriksen), and his psychotic henchman Severen (Bill Paxton) lay down the law; Caleb has to carry his own weight or die. However, he can't bring himself to kill. He manages to win the gang's approval when he rescues them from certain death in a daytime gunfight during a spectacular motel shoot-out in which every bullet hole lets in a deadly ray of sunlight. When the vampires threaten Caleb's real family, he's forced to choose between life and death. The film avoids the complex vampire mythology of such films as Interview with the Vampire. Instead, it emphasizes the intense, seductive bond that forms between Caleb and the violent but tightly knit gang. Bigelow would later utilize this powerful dramatic device in her 1991 film Point Break.~ Jonathan E. Laxamana, All Movie Guide
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Full Credits
  • Director:
    Kathryn Bigelow,
  • Writer:
    Eric Red, Kathryn Bigelow,
  • Producer:
    Steven-Charles Jaffe,
  • Cinematographer:
    Adam Greenberg,
  • Editor:
  • Executive Producer:
    Charles R. Meeker, Edward S. Feldman,
  • Cast:
    Bill Paxton, Lance Henriksen, Jenette Goldstein, Jenny Wright, Adrian Pasdar,
  • Associate Producer:
    Mark Allan, Diane Nabatoff,
  • Assistant Editor:
    Mary Ann Skweres,
  • First Assistant Director:
    Guy J. Louthan,
  • Second Assistant Director:
    John Scherer,
  • Third Assistant Director:
    Chuck Williams,
  • Co-Producer:
  • Supervising Sound Editor:
    R.J. Palmer,
  • Camera Operator:
    Michael Ohrling,
  • Script Supervisor:
    Connie Papineau, Constance L. Hoy,
  • Assistant Production Coordinator:
    Laura Cartwright,
  • Boom Operator:
    Steve Sollars,
  • First Assistant Camera:
    Vance Piper,
  • Location Manager:
    Wally Uchida, George Herthel,
  • Production Coordinator:
    Karen Altman Morgenstern,
  • Property Master:
    Gregory R. Wolf,
  • Set Dresser:
    John Bucklin, Brett Palmer, Jennifer Pray, Findlay Bunting, Eduardo H. Esparza,
  • Sound Effects Editor:
    Ted Goodspeed, Kelly Tartan, Holly Davis,
  • Sound Re-Recording Mixer:
    John Wilkinson, Richard D. Rogers, Grover B. Helsley,
  • Production Design:
    Stephen Altman,
  • Second Unit First Assistant Director:
    Ian McVey,
  • Screenplay:
    Eric Red, Kathryn Bigelow,
  • Scenic Artist:
    Thomas P. Wilkins, Jay Burkhart, Eileen Winterkorn,
  • Special Effects Coordinator:
    Dale L. Martin,
  • Production Manager:
    Mark Allan,
  • Wardrobe Assistant:
    Michael Tereschuk,
  • Grip:
    Hugh McCallum, Khan Griffith, Richard Crompton,
  • Original Music Composer:
    Christopher Franke, Paul Haslinger, Edgar Froese,
  • Best Boy Grip:
    Scott Howell,
  • Stunts:
    Paul M. Lane, Jerry Wills, Lee Poppie, Michael Raden, Kristen Suzanne Raden, Billy Yarborough, Mike Johnson, Larry Bartels, Mike H. McGaughy, Carey Loftin, Bob Terhune, Eddie Mulder, William T. Lane, Mickey Alzola, Stevie Myers, Jim Wilkey, Bob Ivy,
  • Hairstylist:
    Linda Nottestad, Daniel Marc,
  • Special Effects Assistant:
    Ray Beetz, Edward J. Franklin, Joseph C. Sasgen, Al Broussard,
  • Assistant Camera:
    Lou Weinert,
  • Storyboard Artist:
    Alan Munro,
  • Sound Director:
    Lee Chaloukian,
  • Sound Mixer:
    Don Summer,
  • Art Direction:
    Dian Perryman,
  • Second Unit Director of Photography:
    Chuck Colwell,
  • First Assistant Editor:
    Grace Valenti,
  • Costume Design:
    Joseph A. Porro,
  • ADR Editor:
    Steve Rice,
  • Casting Associate:
    Glenn F. Haines,
  • Negative Cutter:
    Sally Dixon, Vivian Hengsteler,
  • Still Photographer:
    Ron Phillips, Gary Farr,
  • Best Boy Electric:
    Jack Yanekian, Kyle T. MacDowell,
  • Second Assistant Camera:
    Alicia Craft,
  • Foley Artist:
    Joan Rowe, Jerry Trent,
  • Leadman:
    Steve Doolittle,
  • Casting:
    Karen Rea,
  • Key Grip:
    Robert Gray,
  • Special Effects Makeup Artist:
    Derek Howard, Gordon J. Smith,
  • Foley Editor:
    F. Hudson Miller,
  • Transportation Coordinator:
    Fred Robbins,
  • Electrician:
    Ben Felthouse, John Pierce, George Palmer, George Palmer,
  • Second Unit Cinematographer:
    Michael Ohrling,
  • Sound Designer:
    David Lewis Yewdall,
  • Unit Manager:
    Joe Dishner,
  • Dialogue Editor:
    Steve Rice,
  • Carpenter:
    Chris Tashima,
  • Music Editor:
    Jim Weidman,
  • Set Medic:
    Bundy Chanock,
  • Gaffer:
    Jono Kouzouyan,
  • Costume Supervisor:
    Leslie Weir,
  • Color Timer:
    Art Tostado,
  • Transportation Captain:
    Jeri Kelley,
  • Makeup Artist:
    Davida Simon,
  • Post Production Supervisor:
    Brent Sellstrom,
  • Rotoscoping Artist:
    Bret Mixon,
  • Stunt Coordinator:
    Everett Creach,

Technical specifications

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