My Favorite Martian thumbnail
My Favorite Martian
Synopsis
News producer, Tim O'Hara gets himself fired for unwillingly compromising his bosses' daughter during a live transmission. A little later, he witnesses the crashing of a small Martian spacecraft, realizing his one-time chance of delivering a story that will rock the earth. Since Tim took the original but scaled-down spaceship with him, the Martian follows him to retrieve it.
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Full Credits
  • Director:
    Donald Petrie,
  • Writer:
    Sherri Stoner, Deanna Oliver,
  • Producer:
    Robert Shapiro, Marc Toberoff, Jerry Leider,
  • Cinematographer:
    Thomas E. Ackerman,
  • Editor:
    Malcolm Campbell,
  • Executive Producer:
    Barry Bernardi,
  • Cast:
    Elizabeth Hurley, Daryl Hannah, Jeff Daniels, Wallace Shawn, Christopher Lloyd,
  • Assistant Editor:
    Ray Neapolitan, Jeff Etcher, Deidre Leonard,
  • First Assistant Director:
    Martha Elcan,
  • Second Assistant Director:
    Tony Schwartz,
  • Co-Producer:
    Daryl Kass,
  • Supervising Sound Editor:
    Michael Hilkene,
  • Script Supervisor:
    Susan Bierbaum,
  • Boom Operator:
    Kenneth C. Mantlo,
  • Construction Coordinator:
    Bruce DiValerio,
  • Location Manager:
    Phillips 'Flip' Wylly Jr., Karlene Gallegly,
  • Property Master:
    Steven B. Melton,
  • Visual Effects Producer:
    Susan MacLeod,
  • Hair Department Head:
    Karen Asano-Myers,
  • Key Hair Stylist:
    D.J. Plumb,
  • First Assistant Accountant:
    Terri Greening,
  • First Assistant Editor:
    James A. Brewer,
  • Special Effects Supervisor:
    Peter Albiez,
  • Costumer:
    Ruby K. Manis, Mitzi Haralson,
  • Stunts:
    Mickey Gilbert, Edward Conna, Irving E. Lewis, Chad Stahelski, Pete Turner, Alan Oliney, Noon Orsatti, Dana Hee, Mark Yerkes, Bob Yerkes, Ben Scott, Fred Lerner, Chad Parker, Dale Gibson, Donna Evans, Frankie 'G' Garbutt, Ray Lykins, Spike Silver, Todd Bryant,
  • Foley Artist:
    Dan O'Connell, John T. Cucci,
  • Assistant Chief Lighting Technician:
    Michael K. O'Melia,
  • Production Design:
    Sandy Veneziano,
  • Additional Editing:
    Donn Cambern,
  • ADR Supervisor:
    Michele Perrone,
  • First Assistant Sound Editor:
    Douglas Parker,
  • Color Timer:
    Terry Claborn,
  • Assistant Property Master:
    Al Eisenmann,
  • Sound Re-Recording Mixer:
    Rick Hart, Elliot Tyson, Robert J. Litt,
  • ADR Editor:
    Laura Graham, Linda Folk,
  • Key Grip:
    Lloyd Moriarity,
  • Craft Service:
    Nick Mestrundrea,
  • Foley Recordist:
    Linda Lew,
  • Extras Casting:
    Dixie Webster,
  • Visual Effects Supervisor:
    Phil Tippett, John T. Van Vliet,
  • Special Effects Technician:
    Roy Augenstein,
  • Makeup Department Head:
    Kenny Myers,
  • Foley Editor:
    Paul N.J. Ottosson, Solange S. Schwalbe,
  • Set Designer:
    Nancy Mickelberry,
  • Dialogue Editor:
    Avram D. Gold, Gaston Biraben,
  • Special Effects Coordinator:
    Richard Ratliff,
  • Unit Publicist:
    Patti Hawn,
  • Chief Lighting Technician:
    H. Mark Vuille,
  • Costume Design:
    Hope Hanafin,
  • Foley Mixer:
    Nerses Gezalyan,
  • Casting:
    Janet Hirshenson, Jane Jenkins,
  • Screenplay:
    Sherri Stoner, Deanna Oliver,
  • Still Photographer:
    Joyce Rudolph,
  • Stunt Coordinator:
    Noon Orsatti, Ernie F. Orsatti,
  • Key Makeup Artist:
    Kathryn Fenton,
  • Transportation Coordinator:
    Edward Flotard,
  • Unit Production Manager:
    Daryl Kass,
  • Production Accountant:
    Byron Macdonald,
  • Visual Effects:
    Suzanne Smith,
  • Visual Effects Coordinator:
    David Wallace Allen,
  • Art Direction:
    Christopher Burian-Mohr,
  • Foley Supervisor:
    John O. Wilde,
  • Music Editor:
    Andrew Silver,
  • Leadman:
    Paul Ford,
  • Costume Supervisor:
    Nancy McArdle,
  • Series Writer:
    John L. Greene,
  • Visual Effects Editor:
    April Lawrence,
  • Best Boy Grip:
    Jeffrey A. Johnson,
  • Set Decoration:
    Michael Taylor,
  • Music:
    John Debney,

Technical specifications

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