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Miracle on 34th Street
Synopsis
The 1947 holiday classic Miracle on 34th Street is transplanted to the 1990s with few changes in this family-oriented remake. The screenplay by the prolific John Hughes sticks close to the original outline, centering on Macy's executive Dorey Walker (Elizabeth Perkins) and her young daughter Susan (Mara Wilson), neither of whom much believes in the spirit of Christmas. Dorey is in charge of hiring Macy's Santas, including an old man named Kriss Kringle (Richard Attenborough). He does a remarkably convincing job, and he soon reveals that he actually believes himself to be Santa Claus. The authorities threaten to place the old man in an insane asylum, but a young lawyer comes to his defense. Meanwhile, Dorey and Susan find their own defenses melting and become reacquainted with the power of faith. Hughes and director Les Mayfield add a few modern touches, making Susan slightly more cynical and adding the requisite soulless corporate villains. Viewers familiar with the original may still prefer Edmund Gwenn's original Kris Kringle and consider the remake unnecessary, although the newer version reflects enough of the earlier film's spirit to prove entertaining to modern family audiences.~ Judd Blaise, All Movie Guide
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Full Credits
  • Director:
    Les Mayfield,
  • Writer:
    John Hughes, George Seaton, Valentine Davies,
  • Producer:
    John Hughes,
  • Cinematographer:
    Julio Macat,
  • Editor:
    Raja Gosnell,
  • Executive Producer:
    William Ryan, William S. Beasley,
  • Cast:
    Elizabeth Perkins, Richard Attenborough, James Remar, J.T. Walsh, Mara Wilson, Dylan McDermott,
  • Assistant Editor:
    Penny Lee Hallin,
  • First Assistant Director:
    Randy Suhr,
  • Second Assistant Director:
    Michele Ziegler,
  • Second Second Assistant Director:
    Scott H.C. Delsner,
  • Supervising Sound Editor:
    Gloria S. Borders,
  • Camera Operator:
    George Kohut,
  • Script Supervisor:
    Trudy Ramirez,
  • Art Department Coordinator:
  • Boom Operator:
    Robert Jackson,
  • Construction Coordinator:
    Robert J. Carlyle,
  • Construction Foreman:
    Raymond Rarrick,
  • First Assistant Camera:
    Peter Kuttner,
  • Location Manager:
    Bob Hudgins,
  • Production Coordinator:
    Patty Willett,
  • Property Master:
    William D'Ambra,
  • Set Dresser:
    Troy Borisy,
  • Sound Effects Editor:
    Tim Holland, Ethan van der Ryn,
  • Costume Supervisor:
    Bruce R. Hogard, Jennifer Jobst,
  • Set Designer:
    Nancy Mickelberry, John Berger, Patricia Klawonn, Carl J. Stensel,
  • Costumer:
    Eileen McCahill, Gina Panno,
  • Production Design:
    Doug Kraner,
  • Foley Recordist:
    Tony Eckert,
  • Best Boy Electric:
    Park B. Taylor,
  • Key Hair Stylist:
    Bunny Parker,
  • Key Makeup Artist:
    Ben Nye Jr.,
  • Production Accountant:
    Allen E. Taylor,
  • Assistant Sound Editor:
    J.R. Grubbs, Scott Guitteau, Susan Sanford, Karen Harding,
  • Rigging Grip:
    David Conoghan,
  • Electrician:
    Michael Lange, John P. Friday, Tyree Miller II,
  • Original Film Writer:
    George Seaton,
  • Transportation Coordinator:
    Paul Allen, Armand Paoletti,
  • ADR Editor:
    Hugh Waddell, Sue Fox,
  • Transportation Co-Captain:
    Kevin J. Maxwell,
  • Sound Mixer:
    Randy Thom, Ron Judkins,
  • Visual Effects Supervisor:
    Gregory L. McMurry,
  • Negative Cutter:
    Gary Burritt,
  • Assistant Accountant:
    Thomas Bianco, Laura Tiz,
  • Assistant Property Master:
    David J. Chamerski,
  • Gaffer:
    Mark R. Lindberg, Mike Moyer,
  • Screenplay:
    George Seaton, John Hughes,
  • Assistant Art Director:
    James Nedza, Richard Fernandez,
  • Hairstylist:
    Dominic Mango,
  • Grip:
    Dennis De La Mata,
  • Unit Production Manager:
    William S. Beasley,
  • Assistant Sound Designer:
    Phil Benson,
  • Orchestrator:
    Bruce Broughton,
  • Makeup Artist:
    Jamie Sue Weiss,
  • Transportation Captain:
    James Hogan,
  • Story by:
    Valentine Davies,
  • Assistant Location Manager:
    Rich Moskal,
  • Costume Designer:
    Kathy O'Rear,
  • Foley Artist:
    Tom Barwick, Dennie Thorpe,
  • Special Effects Coordinator:
    John D. Milinac,
  • Dialogue Editor:
    Barbara McBane, Ewa Sztompke, Claire Sanfilippo,
  • Camera Loader:
    Steven Silverstein,
  • First Assistant Accountant:
    Kimberly Jase,
  • Music Editor:
    Patricia Carlin, Dan Garde,
  • Craft Service:
    Ken Cabrera,
  • Set Decoration:
    Leslie E. Rollins,
  • Sound Re-Recording Mixer:
    Gary Summers, Randy Thom,
  • Casting:
    Jane Jenkins, Janet Hirshenson,
  • Key Rigging Grip:
    Peter Donogue,
  • Original Music Composer:
    Bruce Broughton,
  • Color Timer:
    Dennis McNeill,
  • Best Boy Grip:
    Fernando M. Briones,
  • Rigging Gaffer:
    Roger G. Anderson,
  • Leadman:
    Daniel B. Clancy,
  • Foley Editor:
    Clare C. Freeman, Sandina Bailo-Lape,
  • Art Direction:
    Steve Arnold,
  • Second Assistant Camera:
    John Waldo,
  • Production Supervisor:
    Christine A. Johnston,
  • First Assistant Editor:
    Fred C. Vitale,

Technical specifications

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