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Men in Black II
Synopsis
A sequel to the 1997 hit, which was based on a Marvel Comics comic book about agents who protect Earth from the extra-terrestrial aliens who live here.
Full Credits
  • Director:
    Barry Sonnenfeld,
  • Writer:
    Robert Gordon, Barry Fanaro,
  • Producer:
    Laurie MacDonald, Walter F. Parkes,
  • Cinematographer:
    Greg Gardiner,
  • Editor:
    Steven Weisberg, Richard Pearson,
  • Executive Producer:
    Steven Spielberg,
  • Cast:
    Johnny Knoxville, Lara Flynn Boyle, Rip Torn, Rosario Dawson, Tommy Lee Jones, Will Smith,
  • Associate Producer:
    Marc Haimes, Stephanie Kemp,
  • Assistant Editor:
    Randy Trager, Maria Gonzales, Jordan Dawes, Sarah Thiessen,
  • First Assistant Director:
    Artist W. Robinson,
  • Second Assistant Director:
    T. Sean Ferguson, Deanna Stadler, Peter Soldo, Kiersten Pilar Miller,
  • Second Second Assistant Director:
    Maria Battle Campbell,
  • Co-Producer:
    Graham Place,
  • Supervising Sound Editor:
    Skip Lievsay,
  • Camera Operator:
    Daniel C. Gold,
  • Script Supervisor:
    Mary Bailey,
  • ADR Mixer:
    Thomas J. O'Connell,
  • Art Department Coordinator:
    Richard Bloom,
  • Assistant Production Coordinator:
    Jules Carideo,
  • Boom Operator:
    Randall L. Johnson, Marc-Jon Sullivan,
  • Construction Coordinator:
    Ken Nelson, Greg John Callas,
  • Construction Foreman:
    Steve Thayer, Peter Alvarez, Richard Hoffenberg,
  • First Assistant Camera:
    Mark Gutterud, Zoran Veselic,
  • Location Manager:
    Mark Kamine, Jason Minter, Robbie Goldstein, Carla Raij,
  • Production Coordinator:
    Matt DiFranco, Karen Ruth Getchell, Lonnie Kandel, Karen C. Eide,
  • Production Sound Mixer:
    Peter F. Kurland,
  • Property Master:
    Doug Harlocker, Peter Gelfman,
  • Set Dresser:
    Ross La Terra,
  • Sound Editor:
    Bruce Pross,
  • Sound Effects Editor:
    Eugene Gearty, Craig Berkey, John P. Fasal, Paul Hsu, Sean Garnhart,
  • Transportation Co-Captain:
    Robert K. Johnson, Patrick Bentz,
  • Makeup Artist:
    Kathryn Bihr, Judy Murdock, Chad Waters, Rick Baker, John Blake,
  • Compositor:
    Tom Zils, Heather Hoyland, Barry Safley, Jason Dowdeswell, James Hagedorn, Colin Campbell, Shawn Hillier, Mimi Abers, Michael T. Kennedy, Christina Drahos, Michael Pecchia, Chris Morley, Jeff Wozniak, Tory Mercer, Jen Howard, Tim Gibbons, Ken Sjogren, David Fogg, Chris Gibbons, Karim Sahai, Julie Adrianson-Neary, Joe Salazar, Page Frakes, Cathy Burrow, Susan M. Weeks, Sandy Karpman, Don Crawford,
  • Animation:
    Mauricio Baiocchi, Matt Majers, Jeffrey Riley, Jim Moorhead, Johnny Turco, Minhee Choe, Davey Crockett Feiten, David Weatherly, Sharonne Solk, Kimberly Mann, Janice Bastian, Mordechai Weisbrod, Bud Myrick, Carlos Baena, Kim Thompson, Tonya Noerr, Traci Horie, Jan van Buyten, Julija Learie, Thomas Schelesny, Martin L'Heureux, Bruce Dahl, Maurice Bastian, Simon Allen, Dovi Anderson, Delio Tramontozzi, Bill Diaz, Lou Dellarosa, Tim Waddy, Marc Chu, Steve Ziolkowski, Brian R. Wells,
  • Second Unit Director:
    Artie Malesci, Michael Owens,
  • Rigging Grip:
    Bob Leitelt, Huston Beaumont, Todd Grunberger,
  • Extras Casting:
    Kristian Sorge, Maryellen Aviano,
  • Rotoscoping Artist:
    Karen Klein,
  • Compositing Lead:
    Matt Jacobs,
  • Supervising Dialogue Editor:
    Bobby Mackston,
  • Transportation Captain:
    James Fanning, Tom Heilig, Dennis Salomone Sr., Kenny Searle,
  • Art Direction:
    Thomas P. Wilkins, Sean Haworth, Alec Hammond, Michael Wylie,
  • Transportation Coordinator:
    Pamela Monroe,
  • VFX Editor:
    Zeke Morales,
  • Chief Lighting Technician:
    Gene Engels, Jeff Murrell,
  • Assistant Art Director:
    François Audouy, Suttirat Anne Larlarb, Maya Shimoguchi,
  • Best Boy Grip:
    Chris Skutch, Malcolm Doran II, Brian Fitzsimons, Michael Alexonis,
  • Creature Design:
    Derek Thompson, Jeff Jingle,
  • Production Assistant:
    Mark Kelly, Robert Dorris, Jenny DeArmitt, Michael Musteric, Heather Elwell, Rhys Summerhayes, Steven E. Simon, Paul C. Jones III, Erica Callas, Kenyon Noble, Nancyana Racker, Chrissy Phelan, Jadi McCurdy,
  • Production Illustrator:
    Tim Flattery, James Carson,
  • Music Editor:
    Scott Stambler, Bill Abbott,
  • Security Coordinator:
    Wayne Petrucelli,
  • Special Effects:
    Jim Beinke, Jeff Brink,
  • Foley Editor:
    Mary Ellen Porto,
  • Visual Effects Supervisor:
    Scott Souter, Bill Westenhofer, John Andrew Berton Jr., Sheena Duggal, Jim Berney, David Sosalla,
  • Set Designer:
    William Hawkins, Kevin Ishioka, John Chichester,
  • Assistant Makeup Artist:
    Steve Artmont,
  • Prosthetic Makeup Artist:
    Deborah Rutherford,
  • Dolly Grip:
    Audie Aragon, Michael S. Epley, Edward W. Lowry,
  • Best Boy Electric:
    Rocco Palmieri, Branch M. Brunson, Steve Comesky,
  • CG Artist:
    Simon Eves, Tim Teramoto, Durant Schoon, Natasha Devaud, Ryan Laney, Kent Estep, Richard Ducker, Jean-Colas Prunier, Michael Min, Bruce Powell, Matt Bouchard, Kathleen Beeler, Michael Dean Ludlam, Khatsho John Orfali, Terrance Tornberg, Billy Brooks, Gregor Lakner, Amy Christensen, Gonzalo Escudero, Eric Jennings, Meghan Thornton, Mario Capellari, Jason Rosson, Greg Killmaster, Kevin McGowan, Sara Mathew, Keith McCabe, Marc Toscano, Lawrence Huang, Brad Falk, David Marsh, Angela Taylor, Brian Kasper, Karen Ansel, Peg Hunter, Jeffrey Benedict, Ian Christie, Barbara Townsend,
  • Set Production Assistant:
    Michael D. Gillis,
  • Conceptual Design:
    Carlos Huante, Christian Alzmann, Brian Pohl, Aaron McBride, Evan Pontoriero, Daniel Slavin, Lawrence Chandler, Wayne Lo, Brice Cox Jr., Sangjun Lee,
  • Painter:
    Francesco Ferrara,
  • Producer's Assistant:
    Linda Kroll, Jodie Fratantuno, Joy Johnson,
  • Modeling:
    Yeen-Shi Chen, Nancy Klimley, Chien-Hsiung Wang, Jason Mahakian, Paul Ozzimo,
  • Sound Recordist:
    Dan Sharp, Brian P. Williams,
  • Digital Producer:
    Tamara Nobles,
  • Costume Design:
    Mary E. Vogt,
  • First Assistant 'B' Camera:
    M. Todd Henry,
  • Key Grip:
    Robert M. Andres, Dennis Gamiello Jr., Michael C. Price,
  • Production Design:
    Bo Welch,
  • Sculptor:
    Chris Ayers, Jeffrey P. Buccacio Jr., Mitch Devane, Fred Arbegast, Steve Koch, Matt Rose,
  • 3D Supervisor:
    Alia Agha,
  • Dolby Consultant:
    Andy Potvin,
  • Data Wrangler:
    Deborah Thomas,
  • Orchestrator:
    Edgardo Simone, Bruce Fowler, David Slonaker, Steve Bartek,
  • Visual Effects Assistant Editor:
    Anthony Lucero, Scott Anderson, Linda Schubell-Sundlin, Paul Vega,
  • Assistant Camera:
    Steve Craft,
  • Assistant Sound Editor:
    Philip Harrelson, Angela M. Catanzaro, Larry Wineland,
  • Second Unit First Assistant Director:
    Michael Samson, Julie A. Bloom, George Bamber, Christian P. Della Penna,
  • Stunts:
    Clay Donahue Fontenot, Joni Avery, Callie Croughwell, Sean Graham, Michelle Croughwell, Randolph LeRoi, Megan Robinson, Mika Saito, William Morts, Chris Sayour, Rick Avery, Clifford Happy,
  • Lead Animator:
    Miguel A. Fuertes, Glenn Ramos,
  • Visual Effects Coordinator:
    Wayne Billheimer, Stacey Shear, Tim de Pala, Heather Elisa Hill, Staci A. Hunter, Kiné Arnold, John M. Levin, Allen Maris,
  • Visual Effects Editor:
    David Tanaka, Derrick Mitchell, Miller Drake,
  • Sequence Lead:
    Chris Armstrong,
  • Color Timer:
    Jim Passon,
  • Assistant Chief Lighting Technician:
    Steve Reinhardt,
  • Visual Effects Producer:
    Ned Gorman, Ginger Theisen, Alessandra Cave, Dan Foster, Crys Forsyth-Smith, Lori J. Nelson,
  • Costumer:
    Ninalou Risolio, Robert Mata,
  • CG Painter:
    Nick Pugh,
  • Craft Service:
    John 'Magic' Wright,
  • Title Designer:
    Pablo Ferro,
  • Pilot:
    Al Cerullo,
  • Foley Mixer:
    George A. Lara,
  • Stunt Double:
    Wendi Bromley,
  • Unit Publicist:
    Rob Harris,
  • Second Assistant Camera:
    Jennifer Koestler, Matthew Moriarty, David Elmore, Jay Peterman,
  • Second Unit Director of Photography:
    Kim Marks, Keith Peterman, Florian Ballhaus,
  • Post Production Assistant:
    Ann Gray, Ana Veselic,
  • Foley Artist:
    Jay Peck, Marko Costanzo,
  • Production Secretary:
    Julie Jean Naylon,
  • Driver:
    Gabe Turiello,
  • Leadman:
    Ernest M. Sanchez,
  • Hairstylist:
    Jerry DeCarlo, Pierce Austin, Cydney Cornell,
  • 24 Frame Playback:
    John Monsour,
  • Hair Department Head:
    Janice Alexander,
  • Assistant Location Manager:
    Regina Heyman,
  • Digital Effects Supervisor:
    Christopher Sjoholm,
  • Executive Visual Effects Producer:
    Joe Gareri, Debbie Denise,
  • Musician:
    Bruce White, Louise Di Tullio, Oren Marshall,
  • Animal Wrangler:
    Cristie Miele, Janine L. Aines,
  • CG Supervisor:
    Michael Bauer,
  • Camera Production Assistant:
    Rebecca Venezia,
  • Apprentice Sound Editor:
    Rick Chefalas,
  • Video Assist Operator:
    Bradford Ralston, Peter A. Mian,
  • Scenic Artist:
    Patricia Walker,
  • Wardrobe Supervisor:
    Barbara Hause, Arlynn Abseck,
  • Storyboard Artist:
    John Mann, Philip Keller,
  • Screenplay:
    Barry Fanaro, Robert Gordon,
  • Scoring Mixer:
    Dennis S. Sands,
  • Still Photographer:
    Phillip V. Caruso, Melinda Sue Gordon,
  • Grip:
    Tim Collins, Eric Budlong,
  • Production Accountant:
    Nour Dardari, Sal Carino,
  • Set Decoration:
    Cheryl Carasik, Ellen Christiansen,
  • Visual Effects Art Director:
    David Nakabayashi,
  • Lighting Supervisor:
    Alberto Noti,
  • Sound Re-Recording Mixer:
    Greg P. Russell, Kevin O’Connell,
  • I/O Supervisor:
    Brandon Craig,
  • Sequence Supervisor:
    John Helms, Joel Aron, Will Anielewicz, Amelia Chenoweth, Kevin Reuter, Russell Earl,
  • ADR Recordist:
    Rick Canelli,
  • Costume Supervisor:
    Mitchell Ray Kenney, Beate Petruccelli,
  • Visual Effects Production Assistant:
    Damien Carr, Jacqueline Blackman, Andrés López, Bryan Davis,
  • Assistant Property Master:
    Scott Getzinger,
  • Standby Painter:
    Henry Schaub,
  • Conductor:
    Rick Wentworth, Pete Anthony,
  • Location Scout:
    David Chambers, Zoran Blazevic,
  • Senior Visual Effects Supervisor:
    Ken Ralston,
  • Utility Sound:
    Tommy Louie,
  • Systems Administrators & Support:
    Joe Stevano,
  • Compositing Supervisor:
    Thomas Rosseter, Greg Maloney,
  • Unit Production Manager:
    Gabriela Vázquez, Neri Kyle Tannenbaum, Graham Place,
  • Visual Effects Production Manager:
    Eric Scott,
  • Casting Assistant:
    Connie Czernek,
  • ADR Voice Casting:
    Barbara Harris,
  • Software Engineer:
    Dan Lake, Stephen Marshall,
  • Digital Compositors:
    Dan Cayer,
  • Rigging Gaffer:
    Frank Dorowsky, Francis J. McBride,
  • Special Effects Coordinator:
    Thomas L. Fisher,
  • Editorial Production Assistant:
    Marta Alicia Masferrer,
  • Wigmaker:
    Diana Choi,
  • Production Supervisor:
    Bill Sturgeon,
  • Key Makeup Artist:
    Deborah La Mia Denaver,
  • Utility Stunts:
    Alisa Hensley, Jade Quon, Jesse Tipton,
  • Project Manager:
    Rodger Goeckeritz,
  • ADR Editor:
    Stephen Janisz, Denise Horta,
  • Art Department Assistant:
    Pamela Bertini,
  • Dialogue Editor:
    Norm MacLeod, Jeremy Peirson,
  • Casting:
    Ronna Kress,
  • Electrician:
    Bryan Booth,
  • Stunt Coordinator:
    Charles Croughwell,
  • Steadicam Operator:
    Gregory W. Smith,
  • Gaffer:
    Andy Day, Dennis J. Lootens,
  • Lighting Artist:
    Robert Bardy,
  • Greensman:
    Frank McEldowney,
  • Assistant Hairstylist:
    Carolyn Elias,
  • Post Production Supervisor:
  • Story by:
    Robert Gordon,
  • Supervising ADR Editor:
    Juno J. Ellis,
  • Original Music Composer:
    Danny Elfman,
  • CGI Supervisor:
    Mark Lambert, Daniel Eaton,
  • Second Assistant Accountant:
    Jennifer Salada,
  • Playback Singer:
    Tim Davis, Sally Stevens,
  • Associate Editor:
    JC Bond,
  • Digital Color Timer:
    Robb Miller, Anthony Harris,
  • Negative Cutter:
    Mo Henry,
  • First Assistant Sound Editor:
    Bill Orrico,
  • First Assistant Editor:
    William Kruzykowski,
  • Animation Supervisor:
    Tom Bertino,
  • Researcher:
    Thomas Dilligan,
  • Script Coordinator:
    Susan Eileen Stewart,
  • Location Coordinator:
    Jessica Archer,
  • Music Supervisor:
    Pilar McCurry,
  • Special Effects Technician:
    Dan Crawley,
  • Location Assistant:
    Ethan Anderson,
  • Set Costumer:
    Sonya M. Andonov,
  • Administration:
    Scott Brines,
  • Actor's Assistant:
    Dawn Jones, Charles E. Alston,
  • Matchmove Supervisor:
    Samuel Nunez,
  • Key Costumer:
    John M. 'Jack' Wright,
  • Comic Book:
    Lowell Cunningham,
  • Payroll Accountant:
    Cecilia Escobar,
  • Production Office Coordinator:
    Shell Hecht,

Technical specifications

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