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Meet Joe Black
Synopsis
Meet Joe Black tells the story of media tycoon William Parrish, whose charmed life and orderly household are suddenly disrupted by the arrival of an enigmatic young man named Joe Black, , an otherworldly presence who proceeds to fall in love with Parrish's beautiful daughter Susan. For Parrish, Susan and the rest of his family, the consequences of this romance are profound, complicated and bittersweet.
Full Credits
  • Director:
    Martin Brest,
  • Writer:
    Jeff Reno, Ron Osborn, Bo Goldman, Kevin Wade,
  • Producer:
    David J. Wally, Celia D. Costas, David J. Wally, Martin Brest,
  • Cinematographer:
    Emmanuel Lubezki,
  • Editor:
    Joe Hutshing, Michael Tronick,
  • Executive Producer:
    Ronald L. Schwary,
  • Cast:
    Jeffrey Tambor, Anthony Hopkins, Marcia Gay Harden, Brad Pitt, Claire Forlani, Jake Weber,
  • Assistant Editor:
    Amanda Pollack,
  • First Assistant Director:
    Amy Sayres,
  • Second Assistant Director:
    Christopher Surgent,
  • Supervising Sound Editor:
    Scott Hecker,
  • Camera Operator:
    Craig DiBona,
  • Script Supervisor:
    Lisa Katcher,
  • ADR Mixer:
    Dean Drabin,
  • Boom Operator:
    Andrew Schmetterling,
  • Construction Coordinator:
    Chris Fousek, Joseph S. Alfieri,
  • Property Master:
    Tommy Allen,
  • Sound Effects Editor:
    Joe Earle, Kenneth L. Johnson, James P. Lay, Linda Keim, Eric A. Norris,
  • Stunts:
    Troy Brown, Steve M. Davison, Chris Cenatiempo, John Cenatiempo,
  • Costume Design:
    Aude Bronson-Howard, David C. Robinson,
  • ADR Editor:
    Jeff Rosen, Matthew Sawelson, David Melhase, Lauren Palmer, Allen Hartz, Barbara Issak,
  • Screenplay:
    Bo Goldman, Jeff Reno, Ron Osborn, Kevin Wade,
  • Seamstress:
    Dain I. Kalas, Joni M. Huth,
  • Unit Production Manager:
    Celia D. Costas,
  • Unit Publicist:
    Larry Kaplan,
  • Visual Effects Supervisor:
    Michael Owens,
  • Hairstylist:
    Stephen G. Bishop, Jerry DeCarlo,
  • Key Makeup Artist:
    Randy Houston Mercer, Richard Dean,
  • Leadman:
    Ray Fisher,
  • Dolly Grip:
    Dave Lowry,
  • Foley Editor:
    Dan Yale, John Murray, John Benson,
  • Transportation Co-Captain:
    Timothy Shannon, Francis Connolly Jr.,
  • Sound Re-Recording Mixer:
    Ron Bartlett, Chris Jenkins, Mark Smith,
  • Foley Artist:
    Sarah Monat, Robin Harlan,
  • Stunt Coordinator:
    Buddy Joe Hooker,
  • Color Timer:
    Phil Hetos,
  • First Assistant Editor:
    Greg Parsons, Gabriel Wrye,
  • Production Design:
    Dante Ferretti,
  • Projection:
    Edmund Nardone,
  • Casting:
    Ellen Lewis, Juliet Taylor,
  • Makeup Artist:
    Joe Rossi, Tricia Heine, Lynn Campbell,
  • Aerial Director of Photography:
    Phil Pastuhov,
  • Special Effects:
    Robert DeVine,
  • Original Music Composer:
    Thomas Newman,
  • Sound Recordist:
    Mark Narramore, Samuel F. Kaufman,
  • Set Decoration:
    Leslie Bloom,
  • Casting Associate:
    Patricia Kerrigan DiCerto,
  • Wardrobe Supervisor:
    Barbara Hause, Timothy Alberts, Susan J. Wright,
  • Still Photographer:
    Phillip V. Caruso,
  • Foley Mixer:
    Marilyn Graf,
  • ADR Voice Casting:
    Barbara Harris,
  • Rigging Gaffer:
    James Malone,
  • Video Assist Operator:
    Peter A. Mian,
  • Stunt Double:
    Scott Wilder,
  • Dialogue Editor:
    Benjamin Beardwood, Gary Lewis, Ralph Osborn,
  • Gaffer:
    Jay Fortune,
  • Music Editor:
    Bill Bernstein, Angie Rubin,
  • Visual Effects Editor:
    David Tanaka,
  • Dialect Coach:
    Brendan Gunn,
  • Supervising ADR Editor:
    Joe Dorn,
  • Foley Recordist:
    Don Givens,
  • Key Hair Stylist:
    Lyndell Quiyou,
  • Negative Cutter:
    Gary Burritt,
  • Art Direction:
    Robert Guerra,
  • Theatre Play:
    Alberto Casella,
  • Key Grip:
    Richard Guinness Jr.,
  • Hair Department Head:
    Beth Miller,
  • Transportation Coordinator:
    James Patrick Whalen Jr.,

Technical specifications

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