Master and Commander: The Far Side of the World thumbnail
Master and Commander: The Far Side of the World
Synopsis
During the Napoleonic Wars, Lucky Jack Aubrey captains the crew of the H.M.S. Surprise. When the ship is suddenly attacked by a superior enemy, it is badly damaged and much of his crew is injured. In a bold and dangerous move, Aubrey decides to set sail in a high stakes chase across two oceans to intercept and capture their foe. It's a mission that can decide the fate of a nation--or destroy Lucky Jack and his crew.
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Full Credits
  • Director:
    Peter Weir,
  • Writer:
    Peter Weir, John Collee,
  • Producer:
    Duncan Henderson, JR, Peter Weir, Samuel Goldwyn Jr., Duncan Henderson, Samuel Goldwyn,
  • Cinematographer:
    Russell Boyd,
  • Editor:
    Lee Smith,
  • Executive Producer:
    Alan B. Curtiss,
  • Cast:
    Paul Bettany, Lee Ingle, Billy Boyd, Edward Woodall, Chris Larkin, Russell Crowe, James D'Arcy, Robert Pugh, David Threlfall,
  • Assistant Editor:
    Anna Josenhans,
  • First Assistant Director:
    Alan B. Curtiss,
  • Second Assistant Director:
    David M. Bernstein,
  • Second Second Assistant Director:
    Steven F. Beaupre,
  • Co-Producer:
    Todd Arnow, Meyer Gottlieb, Bob Weinstein,
  • Line Producer:
    Bridget Bourke,
  • Camera Operator:
    George Billinger III, Don Reddy, Guillermo Rosas, Matthew J. Siegel, Martha Susana Ramos, Jamie Barber,
  • Script Supervisor:
    Wilma Garscadden-Gahret, Brenda Lopez,
  • ADR Mixer:
    Wendy Czajkowsky,
  • Art Department Coordinator:
    Gerald Lehtola,
  • Assistant Production Coordinator:
    Daniel A. Mondschain,
  • Boom Operator:
    Jeffrey A. Humphreys,
  • Colorist:
    Kent Pritchett,
  • Construction Coordinator:
    Gary Deaton,
  • Construction Foreman:
    James Arrigo,
  • First Assistant Camera:
    Robert Hill,
  • Location Manager:
    Michael John Meehan,
  • Production Coordinator:
    Andy Foster,
  • Production Sound Mixer:
    Art Rochester,
  • Property Master:
    Doug Harlocker,
  • Set Dresser:
    Giovanni Bianchini,
  • Sound Effects Editor:
    Michael W. Mitchell, Hamilton Sterling,
  • Digital Intermediate Colorist:
    Michael Eaves,
  • Art Direction:
    Marco Niro, Bruce Crone, Mark W. Mansbridge, Héctor Romero,
  • Stunts:
    Peter Epstein, Troy Gilbert, Mickey Giacomazzi, Erik Rondell, Joey Anaya, Jeremy Fry, Joey Box, Chris Palermo, Jan Bryant, Mark Norby, Tad Griffith, Chris O'Hara,
  • Layout:
    Dani Morrow,
  • Production Driver:
    David Travis Grieb,
  • Visual Effects Supervisor:
    Stefen Fangmeier, Pablo Helman, Nathan McGuinness, Mitchell S. Drain,
  • Visual Effects Producer:
    Jeff Werner, Helen Elswit, Julia Frey, Stephanie Hornish,
  • Lighting Artist:
    Michael Sean Foley,
  • Compositing Supervisor:
    Jeff Doran,
  • Costume Supervisor:
    Dawn Y. Line,
  • Post Production Supervisor:
    Jeffrey Harlacker,
  • Best Boy Electric:
    Rick Maddux,
  • Second Assistant Accountant:
    Tom Chung,
  • Original Music Composer:
    Christopher Gordon, Iva Davies, Richard Tognetti,
  • Assistant Director:
    Michelene Mundo,
  • Production Executive:
    Kimberly Cooper,
  • Makeup Effects:
    Gabriel De Cunto,
  • Casting:
    Fiona Weir, Mary Selway,
  • Set Production Assistant:
    Heather Anderson,
  • Hair Department Head:
    Yolanda Toussieng,
  • Unit Manager:
    Rafael Cuervo,
  • Scoring Mixer:
    Robert Fernandez,
  • Conductor:
    Christopher Gordon,
  • Translator:
    Quincy Perkins,
  • Leadman:
    Christopher Neely,
  • Music Editor:
    Simon Leadley,
  • Visual Effects Editor:
    Kosta Saric, Tom Barrett,
  • Rigging Grip:
    Oscar Gomez,
  • Digital Effects Supervisor:
    David Ebner,
  • Musician:
    Iva Davies,
  • CG Animator:
    Yuichiro Yamashita, Matthew Hackett,
  • Novel:
    Patrick O'Brian,
  • Loader:
    Sal Alvarez,
  • Studio Teachers:
    Maxine Arbarbara, Judith M. Brown,
  • Costumer:
    Anthony Almaraz,
  • Assistant Camera:
    Mike Cahoon,
  • First Assistant Accountant:
    Lucy Amador,
  • Assistant Accountant:
    Christopher Ciketic,
  • Sequence Supervisor:
    Jay Cooper,
  • Still Photographer:
    Stephen Vaughan,
  • Key Makeup Artist:
    Kate Biscoe,
  • Digital Color Timer:
    Tommy Hooper,
  • Propmaker:
    Bobby Mara,
  • Rotoscoping Artist:
    Daniel Becerra,
  • Special Effects Coordinator:
    Daniel Sudick,
  • Armorer:
    Steve Auvenshine,
  • Second Unit Director:
    David R. Ellis,
  • Production Illustrator:
    Daren Dochterman,
  • Post-Production Manager:
    Patrick Esposito,
  • Visual Effects Assistant Editor:
    Paul Vega,
  • Additional Sound Re-Recording Mixer:
    James Bolt,
  • Matte Painter:
    Shannan Burkley,
  • Dialect Coach:
    Judy Dickerson,
  • Stunt Coordinator:
    Doug Coleman, Daniel W. Barringer,
  • ADR Editor:
    Laura Graham, Susan Dawes,
  • Dolly Grip:
    James D. Wickman, Brian Rosso,
  • Unit Production Manager:
    Todd Arnow,
  • Key Grip:
    Chris Centrella,
  • Quality Control Supervisor:
    Timothy Michael Cairns,
  • First Assistant Editor:
    John Lee,
  • Makeup Artist:
    Robin Beauchesne, Erin Henriques,
  • Lead Animator:
    Michael Hemschoot,
  • Production Design:
    William Sandell,
  • Assistant Art Director:
    Kevin Ishioka,
  • Best Boy Grip:
    Michael James Fahey,
  • Set Decoration:
    Robert Gould,
  • Unit Publicist:
    Sandy O'Neill,
  • Special Effects Technician:
    Robert Alidon,
  • Screenplay:
    John Collee, Peter Weir,
  • Stand In:
    David Oliver,
  • Foley Artist:
    Gary A. Hecker,
  • Additional Second Assistant Camera:
    Michaele Shapiro,
  • 3D Supervisor:
    Christopher Bonnstetter,
  • Assistant Chief Lighting Technician:
    Chris Culliton,
  • Sound Recordist:
    Tim Gomillion,
  • ADR Engineer:
    Derek Casari,
  • Transportation Captain:
    Wayne Stone,
  • Camera Trainee:
    Sergio Berry,
  • Marine Coordinator:
    Rick Hicks,
  • Supervising ADR Editor:
    R.J. Kizer, John A. Larsen,
  • Construction Buyer:
    Gabriel Pérez,
  • Visual Effects Coordinator:
    Kimberly Adams,
  • Color Timer:
    Jim Passon,
  • Executive Visual Effects Producer:
    Blondel Aidoo,
  • Projection:
    Larry Hoki,
  • Accounting Clerk Assistant:
    Matthew Humphreys,
  • Foley Supervisor:
    Christopher Flick,
  • CG Artist:
    Robert Bourgeault,
  • Set Designer:
    Mark Hitchler, Nick Navarro, William Hiney, Carlos Benassini, Manuel Martínez,
  • Gaffer:
    David Lee,
  • Production Consultant:
    Anna Roth,
  • Textile Artist:
    Sandra O'Toole,
  • Special Effects Assistant:
    Martha Susana Ramos,
  • Dialogue Editor:
    Hugo Weng,
  • Negative Cutter:
    Gary Burritt,
  • Technical Supervisor:
    Brian Gee,
  • Set Medic:
    Jeffrey D. Stevens,
  • Extras Casting Assistant:
    Claudio Bautista,
  • Driver:
    Tom Gilhooley,
  • Stunt Double:
    Stuart Clark,
  • Tailor:
    Rosa Isela Atondo,
  • Digital Colorist:
    Jack Lewars,
  • Digital Compositors:
    Kathleen Beeler,
  • Video Assist Operator:
    Adam Barth,
  • Set Dressing Supervisor:
    Jennifer Lewicki,
  • Electrician:
    Willie E. Dawkins,
  • Set Costumer:
    Javier Arrieta,
  • ADR Voice Casting:
    Louis Elman,
  • Makeup Department Head:
    Edouard F. Henriques,
  • Sound Designer:
    Richard King,
  • Matchmove Supervisor:
    Talmage Watson,
  • Production Office Coordinator:
    Derek Jan Vermaas,
  • Production Accountant:
    Jen Hutchinson,
  • Graphic Designer:
    Jane Fitts,
  • Seamstress:
    Marcelina Barraza,
  • Key Costumer:
    Mary C. Lane,
  • Storyboard Artist:
    David Russell,
  • Post Production Assistant:
    Sassica Francis-Bruce,
  • Post Production Coordinator:
    Marisa Clayton,
  • Standby Painter:
    Anthony Gaudio,
  • Thanks:
    Chris Terrill,
  • Sound Re-Recording Mixer:
    Doug Hemphill, Paul Massey,
  • Assistant Property Master:
    Richard F. Anderson,
  • Lighting Technician:
    Derick Pritchard,
  • Key Rigging Grip:
    Jeff Kluttz,
  • Pilot:
    Ivor Shier,
  • Production Assistant:
    Jessica Teach,
  • ADR Recordist:
    Robbie Ashhurst,
  • Researcher:
    Mimi Munson, Brice Criswell,
  • Craft Service:
    Orlando Chongo,
  • Aerial Director of Photography:
    Phil Pastuhov,
  • Digital Intermediate Producer:
    Hilda Saffari,
  • Costume Design:
    Wendy Stites,
  • Property Buyer:
    Liza Rudolph,
  • Foley:
    Nancy Parker,
  • Second Assistant Camera:
    Paul Gonsoulin,
  • I/O Supervisor:
    Brian Cuscino,
  • Local Casting:
    Kazimierz Suwala,
  • Transportation Coordinator:
    Russell McEntyre,
  • Casting Associate:
    Nicole Hilliard-Forde,
  • Telecine Colorist:
    Eric Putz,
  • Utility Stunts:
    Mitch Toles,
  • Second Unit:
    Joaquin Cervera,
  • Animal Wrangler:
    Jesus Chavez,
  • Dolby Consultant:
    Andy Potvin,
  • Digital Intermediate Editor:
    Martha Pike,
  • Hairstylist:
    Edith I. Amezcua,
  • Rigging Gaffer:
    Stephen Johnstone,
  • Visual Effects Designer:
    Robert Stromberg,
  • Additional Casting:
    Judith Bouley,
  • Grip:
    Raúl Cortés,
  • Visual Effects Production Assistant:
    Jessica O'Keefe,
  • Steadicam Operator:
    Harry K. Garvin,
  • Assistant Sound Editor:
    Andrew Bock,
  • First Assistant Sound Editor:
    Linda Yeaney,
  • Ager/Dyer:
    Julia Gombert,
  • Focus Puller:
    Andrew Stroud,

Technical specifications

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