Lucky Number Slevin thumbnail
Lucky Number Slevin
Synopsis
A case of mistaken identity lands Slevin in the middle of a war being plotted by two of New York's most rival crime bosses: The Rabbi and the Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat, and he finds himself having to hatch his own ingenious plot to get them… before they get him.
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Full Credits
  • Director:
    Paul McGuigan, Paul McGuigan,
  • Writer:
    Jason Smilovic,
  • Producer:
    Robert Kravis, Christopher Eberts, Christopher Eberts, Kia Jam, Andreas Grosch, Anthony Rhulen, Tyler Mitchell, Robert Kravis, Christopher Roberts,
  • Cinematographer:
    Peter Sova,
  • Editor:
    Andrew Hulme,
  • Executive Producer:
    Eli Klein, A.J. Dix, Andreas Schmid, Don Carmody, Jane Barclay, William Shively, Sharon Harel,
  • Cast:
    Josh Hartnett, Bruce Willis, Mykelti Williamson, Morgan Freeman, Lucy Liu, Ben Kingsley,
  • Assistant Editor:
  • First Assistant Director:
    Buck Deachman,
  • Second Assistant Director:
    Bethan Mowat,
  • Second Second Assistant Director:
    Kali R. Harrison,
  • Third Assistant Director:
    Jesabelle Boileau,
  • Co-Producer:
    Charles Jude Feuer,
  • Co-Executive Producer:
    Hannah Leader,
  • Supervising Sound Editor:
    Paula Fairfield,
  • Script Supervisor:
    Nadia Guglieri,
  • ADR Mixer:
    Bill Higley,
  • Accountant:
    John 'JR' Craigmile,
  • Art Department Coordinator:
    Cecile Braemer,
  • Assistant Production Coordinator:
    Jillian Ordowich,
  • Boom Operator:
    Francis Péloquin,
  • Construction Coordinator:
    Ross Fraser,
  • Location Manager:
    Michèle St-Arnaud,
  • Production Coordinator:
    Marie-Elaine Bailly,
  • Property Master:
    Lise Pharand,
  • Set Dresser:
    Martin Weinryb,
  • Sound Effects Editor:
    Nathan Robitaille,
  • Key Makeup Artist:
    Colleen Quinton,
  • Hairstylist:
    Gerald Quist,
  • Special Effects Coordinator:
    Jacques Langlois,
  • Continuity:
    Lorette Leblanc,
  • Best Boy Electric:
    Bernard April,
  • Systems Administrators & Support:
    James Bunk,
  • Picture Car Coordinator:
    Réal Hamel,
  • First Assistant Picture Editor:
    J. Enrique H. Careaga,
  • Foley Artist:
    Steve Baine,
  • Costume Design:
    Odette Gadoury,
  • Finance:
    Josef Brandmaier,
  • Music Editor:
    Kevin Banks,
  • Transportation Coordinator:
    Daniel Ross,
  • Scoring Mixer:
    Michael Farrow,
  • Head Greensman:
    Dylan La Frenière,
  • Gaffer:
    Sylvain Bernier,
  • Special Effects Assistant:
    Adam Charbonneau,
  • 3D Animator:
    Bill Bridges,
  • Post Production Coordinator:
    Lorraine Samuel,
  • Unit Production Manager:
    Jacky Lavoie,
  • Sound Mixer:
    Louis Marion,
  • Construction Buyer:
    Frederic Mainville,
  • Second Assistant Accountant:
    Jocelyne Gagné,
  • Head Carpenter:
    Claude Desmarais,
  • Key Hair Stylist:
    Angel De Angelis,
  • Stunt Driver:
    Chris Barnes,
  • Digital Intermediate Producer:
    Scott Reed,
  • Title Designer:
    Greg Kupiec,
  • Security:
    Matt Davis,
  • Sound Effects Designer:
    Carla Murray,
  • Foley Mixer:
    Peter Persaud,
  • Digital Compositor:
    Noel Hooper,
  • Dresser:
    Florence April-Borgeat,
  • Screenplay:
    Jason Smilovic,
  • Additional Production Assistant:
    Jesse Fox Chaney,
  • A Camera Operator:
    Francois Archambault,
  • Hairdresser:
    Dominique Dupras,
  • Assistant Makeup Artist:
    Kelly Kavanagh,
  • Original Music Composer:
    J. Ralph,
  • Visual Effects Production Manager:
    Mike Borrett,
  • Seamstress:
    Josée Comeau,
  • Prosthetic Makeup Artist:
    C.J. Goldman,
  • Wardrobe Supervisor:
    Susan J. Wright,
  • Best Boy Grip:
    David Dinel,
  • Assistant Unit Manager:
    Geneviève Lussier,
  • Post Production Accountant:
    Catherine Currie,
  • Utility Sound:
    Jerry Yuen,
  • Music Score Producer:
    J. Ralph,
  • Carpenter:
    Jean-François Delorme,
  • Key Grip:
    John Dolan,
  • Transportation Captain:
    Claude Bélanger,
  • Production Assistant:
    David Beauchemin,
  • Stunt Coordinator:
    Steve Lucescu,
  • Armorer:
    Paul Barette,
  • Rigging Gaffer:
    Pierre Rancourt,
  • Assistant Accountant:
    Phaedra Charlton,
  • Digital Colorist:
    Trent Johnson,
  • CG Artist:
    Mahmoud Rahnama,
  • Assistant Art Director:
    Donal MacCormack,
  • Set Designer:
    Caroline Alder,
  • Loader:
    Ben Dailey,
  • Set Production Assistant:
    Raymond J. Duff,
  • Location Production Assistant:
    David Franklin,
  • Key Hairdresser:
    Pina Rizzi,
  • Production Controller:
    Joanne Jackson,
  • Graphic Designer:
    Denis Caspar,
  • ADR Voice Casting:
    David H. Kramer,
  • Assistant Sound Editor:
    Trent Richmond,
  • Makeup Artist:
    Emilie Gauthier,
  • Dolly Grip:
    Patrice Lapointe,
  • Assistant Property Master:
    Ki Nam,
  • Storyboard Artist:
    Marie-Agnés Reeves,
  • Sound Re-Recording Mixer:
    Todd Beckett,
  • Unit Publicist:
    Michael Umble,
  • Extras Dresser:
    Sophie Godard,
  • Post Production Supervisor:
    Gregor Hutchison,
  • Assistant Picture Car Coordinator:
    Maude Beaunoyer,
  • Production Supervisor:
    Arie Bohrer,
  • Payroll Accountant:
    Valérie Dejoie,
  • Special Effects Supervisor:
    Louis Craig,
  • Casting:
    Deborah Aquila, Tricia Wood,
  • Set Medic:
    Robert Harrison,
  • Steadicam Operator:
    Francois Archambault,
  • Production Accountant:
    Veronica Miller,
  • Set Decoration:
    Normand Robitaille, Suzanne Cloutier,
  • First Assistant 'B' Camera:
    Michel Bernier,
  • Casting Assistant:
    Melissa Nepton,
  • Dolby Consultant:
    Steve F.B. Smith,
  • Second Assistant 'A' Camera:
    Alain Rousseau, Matt Balzarini,
  • Painter:
    Robert Bourdeau,
  • Truck Supervisor:
    Debbie Williams,
  • Stunt Double:
    Ian Mclaughlin,
  • Location Scout:
    Lauren Fritz,
  • Key Set Production Assistant:
    Jason Fesel,
  • Cableman:
    Josée Bernard,
  • Digital Effects Supervisor:
    Kyle Menzies,
  • Grip:
    Paul Duchesne,
  • Craft Service:
    Sylvain Chaput,
  • Assistant Costume Designer:
    Rosalie Clermont-Bilodeau,
  • On Set Dresser:
    Colin Adams,
  • Visual Effects Supervisor:
    Eric J. Robertson,
  • Second Assistant 'B' Camera:
    Laurent Alexis Guertin,
  • Assistant Craft Service:
    Etienne Poulin St-Laurent,
  • Casting Director:
    Robin D. Cook,
  • Extras Casting:
    Julie Breton,
  • Production Manager:
    Kerstin Dyroff,
  • Supervising Dialogue Editor:
    Jill Purdy,
  • Still Photographer:
    Attila Dory,
  • First Assistant Accountant:
    Gilles Montreuil,
  • Key Rigging Grip:
    Keith Kerr,
  • Electrician:
    Jason Ball,
  • Art Direction:
    Pierre Perrault, Colombe Raby,
  • Casting Associate:
    Jennifer L. Smith,
  • Second Unit Director:
    Andrew Hulme,
  • Rigging Grip:
    Jocelyn Bertrand,
  • Assistant Location Manager:
    Suzanne Laverdure,
  • Clapper Loader:
    Soupharak Keoborakoth,
  • Special Effects Technician:
    Yvon Charbonneau,
  • Props:
    Katia Kim Depatie,
  • Visual Effects Coordinator:
    Tara Tucker-Matheson,
  • Set Costumer:
    Rachel Leek,
  • Production Secretary:
    Josianne Mailloux,
  • Location Assistant:
    Linda Torino Tondreau,
  • Production Executive:
    Sheila Kerrigan,
  • Utility Stunts:
    David Rigby,
  • Unit Manager:
    Gilles Perreault,
  • Sound Designer:
    Paula Fairfield,
  • ADR Recordist:
    James Doser,
  • Construction Manager:
    Martin Chalifoux,
  • Driver:
    Michel Bilodeau,
  • Executive Visual Effects Producer:
    Samara Melanson,
  • Sound Re-Recording Assistant:
    Chris Dustin,
  • Production Design:
    François Séguin,
  • Wigmaker:
    Christine Larocque,
  • Costume Supervisor:
    Georgina Yarhi,
  • Additional Third Assistant Director:
    Martin Doepner,

Technical specifications

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