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King of Kings
Synopsis
One major film star referred to director Nicholas Ray as a loser, because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as I Was a Teenage Jesus). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the Jesus sightings are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus.~ Hal Erickson, All Movie Guide
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Full Credits
  • Director:
    Nicholas Ray,
  • Writer:
    Philip Yordan,
  • Producer:
    Samuel Bronston, Samuel Bronston,
  • Cinematographer:
    Manuel Berenguer, Franz Planer, Milton Krasner,
  • Editor:
    Harold F. Kress,
  • Cast:
    Jeffrey Hunter, Viveca Lindfors, Hurd Hatfield, Siobhán McKenna, Ron Randell,
  • Associate Producer:
    Jaime Prades, Alan Brown,
  • Property Master:
    Stanley Detlie,
  • Screenplay:
    Philip Yordan,
  • Costume Design:
    Georges Wakhévitch,
  • Hairstylist:
    Anna Cristofani,
  • Second Unit Director:
    Sumner Williams, Noël Howard,
  • Technical Supervisor:
    Carl Gibson,
  • Assistant Director:
    José López Rodero, Carlo Lastricati, José María Ochoa,
  • Special Effects:
    Lee LeBlanc, Alex Weldon,
  • Electrician:
    Norton Kurland,
  • Original Music Composer:
    Miklós Rózsa,
  • Recording Supervision:
    Franklin Milton,
  • Set Designer:
    Georges Wakhévitch,
  • Production Manager:
    Stanley Goldsmith,
  • Makeup Designer:
    Mario Van Riel, Charles E. Parker,
  • Set Decoration:
    Enrique Alarcón,
  • Choreographer:
    Betty Utey,
  • Costume Supervisor:
    Eric Seelig,
  • Sound Recordist:
    Basil Fenton-Smith,
  • Draughtsman:
    Maciek Piotrowski,

Technical specifications

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