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Jurassic Park
Synopsis
Universal Pictures will release Steven Spielberg's groundbreaking masterpiece JURASSIC PARK in 3D on April 5, 2013. With his remastering of the epic into a state-of-the-art 3D format, Spielberg introduces the three-time Academy Award®-winning blockbuster to a new generation of moviegoers and allows longtime fans to experience the world he envisioned in a way that was unimaginable during the film's original release.
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Full Credits
  • Director:
    Steven Spielberg,
  • Writer:
    Michael Crichton, Malia Scotch Marmo, David Koepp,
  • Producer:
    Kathleen Kennedy, Gerald R. Molen,
  • Cinematographer:
    Dean Cundey,
  • Editor:
    Michael Kahn,
  • Cast:
    Richard Attenborough, Jeff Goldblum, Bob Peck, Laura Dern, Sam Neill,
  • Associate Producer:
    Colin Wilson, Lata Ryan,
  • Assistant Editor:
    Roberto McGrath,
  • First Assistant Director:
    John T. Kretchmer,
  • Second Assistant Director:
    Michele Panelli-Venetis,
  • Second Second Assistant Director:
    Kenneth Silverstein,
  • Supervising Sound Editor:
    Richard Hymns,
  • Camera Operator:
    Raymond Stella,
  • Script Supervisor:
    Ana Maria Quintana,
  • ADR Mixer:
    Dean Drabin,
  • Art Department Coordinator:
    Caroline Quinn,
  • Assistant Production Coordinator:
    Sherry Marshall,
  • Boom Operator:
    Robert Jackson,
  • Construction Coordinator:
    John Villarino,
  • Construction Foreman:
    John R. Elliott,
  • First Assistant Camera:
    Calmar Roberts,
  • Location Manager:
    Ken Levine,
  • Production Coordinator:
    Mark Lohff,
  • Property Master:
    Jerry Moss,
  • Set Dresser:
    Luigi Mugavero,
  • Sound Effects Editor:
    Ken Fischer, Tim Holland, Teresa Eckton,
  • Swing:
    Scott W. Leslie,
  • Textile Artist:
    Phyllis Thurber-Moffit,
  • Art Direction:
    John Bell, William James Teegarden,
  • Scoring Mixer:
    Shawn Murphy,
  • Gaffer:
    Jack S. Schlosser,
  • Assistant Property Master:
    Ken Peterson,
  • Assistant Location Manager:
    Sam Lee,
  • Set Designer:
    Lauren E. Polizzi, Masako Masuda, John Berger,
  • Visual Effects:
    Phil Tippett, Kim Blanchette,
  • Musician:
    Tom Boyd, Armen Ksajikian,
  • Carpenter:
    Alvin S. Cabrinha Jr.,
  • Production Accountant:
    Pam Kaye,
  • Grip:
    John Coker,
  • Visual Effects Supervisor:
    Dennis Muren, Mark A.Z. Dippé,
  • Concept Artist:
    Mark 'Crash' McCreery,
  • Production Manager:
    Jason Pomerantz,
  • Standby Painter:
    Anthony 'AJ' Leonardi Jr.,
  • Sound Mixer:
    Ron Judkins,
  • Orchestrator:
    Alexander Courage,
  • Visual Effects Producer:
    Janet Healy,
  • Stereoscopic Supervisor:
    Sherin Varghese,
  • Stunts:
    Pat Romano, Gary Epper, Donna Evans, Brian Smrz, Laura Dash, Nathalie B. Bollinger, Gary McLarty, Larry Davis, Les Larson, Rusty Hanson, Norman Howell, R. A. Rondell,
  • Music Editor:
    Kenneth Wannberg,
  • Makeup Supervisor:
    Monty Westmore, Christina Smith,
  • Visual Effects Coordinator:
    Judith Weaver,
  • Foley Artist:
    Marnie Moore, Dennie Thorpe,
  • Second Assistant Camera:
    Jolanda R. Wipfli,
  • Set Decoration:
    Jackie Carr,
  • Driver:
    Tino Caira,
  • Foley Recordist:
    Christopher Boyes,
  • Stunt Coordinator:
    Gary Hymes,
  • Special Effects Supervisor:
    Michael Lantieri,
  • Additional Photography:
    Lloyd Ahern II,
  • Craft Service:
    Tim Gonzales,
  • Leadman:
    Tim Donelan,
  • Pilot:
    J.W. 'Corkey' Fornof,
  • Layout:
    Robert Peluce,
  • Costumer:
    Kelly Porter (costumer), Mitchell Ray Kenney,
  • Assistant Camera:
    John Connell,
  • Production Controller:
    Jane Goe,
  • Production Office Coordinator:
    Angela Heald,
  • Key Rigging Grip:
    Bud Heller,
  • Helicopter Camera:
    David B. Nowell,
  • Music Arranger:
    Chris Boardman,
  • Hair Supervisor:
    Lynda Gurasich, Fríða Aradóttir,
  • Negative Cutter:
    Gary Burritt, Louis Rivera,
  • Sound Re-Recording Mixer:
    Gary Summers, Gary Rydstrom, Shawn Murphy,
  • Executive In Charge Of Production:
    Patricia Blau,
  • Costume Supervisor:
    Eric H. Sandberg, Sue Moore,
  • Casting Assistant:
    Susanna Griffith,
  • Production Assistant:
    Kimberly Verros,
  • ADR Editor:
    Laurel Ladevich,
  • Production Illustrator:
    Tom Cranham,
  • Casting:
    Janet Hirshenson, Jane Jenkins,
  • Unit Production Manager:
    Paul Deason,
  • Location Scout:
    Rory Enke,
  • Chief Lighting Technician:
    Mark Walthour,
  • ADR Recordist:
    Ann Hadsell,
  • Dialogue Editor:
    Sara Bolder, Michael Silvers,
  • Second Unit First Assistant Director:
    Carla McCloskey,
  • Payroll Accountant:
    Kristen J. Nye,
  • Assistant Art Director:
    Lauren Cory, Paul Sonski, Martin A. Kline,
  • Foley Editor:
    Mary Helen Leasman, Sandina Bailo-Lape,
  • Projection:
    Timothy Greenwood,
  • Unit Publicist:
    Marsha Robertson,
  • Greensman:
    Jeff Brown,
  • Rigging Gaffer:
    Patrick Marshall,
  • Stunt Double:
    Patricia Tallman,
  • Casting Associate:
    Michael Hirshenson,
  • Mechanical Designer:
    Evan Brainard,
  • Visual Effects Editor:
    Michael Gleason, Chris O'Connell,
  • Sound Recordist:
    Ron Judkins,
  • CG Animator:
    Steve 'Spaz' Williams, Geoff Campbell,
  • Assistant Chief Lighting Technician:
    Steve Chandler,
  • Dolly Grip:
    Dave Wachtman,
  • Stand In:
    Cynthia Madvig, Don Feldstein,
  • Compositors:
    Brian N. Bentley,
  • Stereoscopic Technical Director:
    Brian Hawkins,
  • Novel:
    Michael Crichton,
  • Security:
    Mark Travis,
  • Senior Animator:
    Randal M. Dutra,
  • Transportation Captain:
    Hal Lary,
  • Assistant Sound Designer:
    Christopher Boyes,
  • Production Secretary:
    Lynne Cannizzaro,
  • Lighting Technician:
    Henry Charleston,
  • Still Photographer:
    Murray Close,
  • Set Painter:
    Maureen Kropf,
  • Assistant Accountant:
    Elena Holden Tuens,
  • Screenplay:
    Michael Crichton, David Koepp,
  • Key Grip:
    Ron Cardarelli,
  • Stereoscopic Editor:
    Derek N. Prusak,
  • Sculptor:
    Yarek Alfer,
  • Sound Designer:
    Gary Rydstrom,
  • Visual Effects Production Assistant:
    Meredith Garrison,
  • Propmaker:
    Victor Anderson,
  • Production Supervisor:
    Jules Roman,
  • Second Unit Director:
    Gary Hymes,
  • Production Design:
    Rick Carter,
  • Visual Effects Camera:
    Terry Chostner,
  • Software Engineer:
    Bruce Lamond,
  • Color Timer:
    Dale Caldwell,
  • Post Production Assistant:
    Robert West,
  • Dolby Consultant:
    Douglas Greenfield,
  • Digital Compositors:
    Ryan Keely,
  • Systems Administrators & Support:
    William F. Hamilton,
  • Rotoscoping Artist:
    Erick Aragon,
  • Camera Loader:
    Stephen Sfetku,
  • Visual Effects Art Director:
    TyRuben Ellingson,
  • Editorial Coordinator:
    David Tanaka,
  • General Manager:
    Jim Morris,
  • I/O Supervisor:
    Rachel Decker,
  • Best Boy Grip:
    Sid Lucero,
  • Original Music Composer:
    John Williams,
  • Special Effects Technician:
    Thomas R. Homsher,
  • Assistant Dialogue Editor:
    Donna Jaffe,
  • Special Effects:
    Stan Winston,
  • Electrician:
    Roger Thompson,
  • Transportation Coordinator:
    Denny Caira,
  • Aerial Coordinator:
    Robert 'Bobby Z' Zajonc,
  • Head Greensman:
    Dan Ondrejko,

Technical specifications

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