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It Could Happen to You
Synopsis

Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.

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Full Credits
  • Director:
    Andrew Bergman,
  • Writer:
    Jane Anderson,
  • Producer:
    Mike Lobell,
  • Cinematographer:
    Caleb Deschanel,
  • Editor:
    Barry Malkin,
  • Executive Producer:
    Joseph Hartwick, Gary Adelson, Craig Baumgarten,
  • Cast:
    Nicolas Cage, Bridget Fonda, Isaac Hayes, Rosie Perez, Wendell Pierce,
  • First Assistant Director:
    Henry J. Bronchtein,
  • Second Assistant Director:
    Michael DeCasper,
  • Second Second Assistant Director:
    Julie A. Bloom,
  • Supervising Sound Editor:
    Michael Kirchberger,
  • Camera Operator:
    Henry Lynk,
  • Script Supervisor:
    Robin Squibb,
  • Art Department Coordinator:
    Maria Nay,
  • Assistant Production Coordinator:
    Betty Chin,
  • Boom Operator:
    Marc-Jon Sullivan,
  • Construction Coordinator:
    Martin Bernstein,
  • First Assistant Camera:
    Scott Rathner,
  • Location Manager:
    Pamela Thur, Douglas Tirola,
  • Production Coordinator:
    Alexis Alexanian,
  • Production Sound Mixer:
    Gary Alper,
  • Property Master:
    Ann Miller,
  • Sound Editor:
    Paul P. Soucek,
  • Aerial Camera:
    Kurt E. Soderling,
  • Stunts:
    John Cenatiempo, Deborah Habberstad, Michael Russo, Alex Stevens, Suzanne Klein, Steven Arvanites, Gary Cerveny, Jeffrey H. Kaufman, Mike Lisenco, Manny Siverio, Peter Bucossi, Jim Lovelett, Norman Douglass, Don Hewitt Sr., Paul Sklar, John Patrick McLaughlin, Jeff Ward, Tim Gallin, Gary Tacon,
  • Assistant Property Master:
    Kathleen Dolan,
  • Production Design:
    Bill Groom,
  • Costumer:
    Timothy Alberts,
  • Assistant Costume Designer:
    Suzanne Schwarzer,
  • Key Grip:
    Mike Miller,
  • Foley Artist:
    Marko Costanzo,
  • Makeup Artist:
    Lizbeth Williamson,
  • Choreographer:
    John Carrafa,
  • Casting Associate:
    Christine Sheaks, David Diamond,
  • Gaffer:
    Richard Quinlan,
  • Foley Editor:
    Frank Kern, Eliza Paley,
  • Music Consultant:
    Jeffrey Pollack,
  • Dialogue Editor:
    Laura Civiello, Bitty O'Sullivan-Smith, Dan Korintus,
  • Actor's Assistant:
    Jeff Levine,
  • Assistant Sound Editor:
    Warren Shaw,
  • Title Designer:
    Nina Saxon,
  • First Assistant Editor:
    Sam Adelman,
  • Stunt Coordinator:
    Jeff Habberstad,
  • Casting:
    John S. Lyons,
  • Extras Casting:
    Todd M. Thaler, Judie Fixler,
  • Best Boy Grip:
    Thomas Jirgal,
  • Special Effects:
    Al Griswold, Bill Traynor,
  • Production Accountant:
    Peter Lombardi,
  • Post Production Accountant:
    Diane L. Langone,
  • Unit Publicist:
    Betsy Sokolow-Sherman,
  • Sound Re-Recording Mixer:
    Lee Dichter,
  • Transportation Captain:
    Thomas Reilly,
  • Still Photographer:
    Myles Aronowitz,
  • Hairstylist:
    Francesca Paris, Alan D'Angerio,
  • Assistant Art Director:
    Nicholas Lundy,
  • Location Scout:
    Robin F. Samson,
  • Music Editor:
    Todd Kasow, Thomas S. Drescher,
  • Assistant Location Manager:
    Drew Dillard,
  • Post Production Supervisor:
    Paul A. Levin,
  • Orchestrator:
    Sonny Kompanek,
  • ADR Editor:
    Tony Martinez, Jane McCulley,
  • Art Department Assistant:
    Laura Lambert,
  • Leadman:
    Gerald DeTitta,
  • Original Music Composer:
    Joe Mulherin, Carter Burwell,
  • Apprentice Sound Editor:
    Michael J. Wechsler, Michael W. Mitchell,
  • Assistant Accountant:
    Mara Hade Connolly,
  • Foley Supervisor:
    Bruce Pross,
  • Music Supervisor:
    Peter Afterman,
  • Screenplay:
    Jane Anderson,
  • Art Direction:
    Dennis Bradford,
  • Sound Mixer:
    Gary Alper,
  • Costume Supervisor:
    Melissa Stanton, Kevin P. Faherty,
  • Storyboard Artist:
    Donald Caruthers,
  • Color Timer:
    David Orr,
  • Dolly Grip:
    Patrick McGrath,
  • Unit Production Manager:
    Joseph Hartwick,
  • Steadicam Operator:
    Ted Churchill,
  • Chief Lighting Technician:
    Richard Quinlan,
  • Second Assistant Camera:
    James R. Belletier,
  • Costume Design:
    Julie Weiss,
  • Best Boy Electric:
    Greg Quinlan,
  • Set Decoration:
    George DeTitta Jr.,
  • Sound Recordist:
    Michael Schmidt,

Technical specifications

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