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In Time
Synopsis
Welcome to a world where time has become the ultimate currency. You stop aging at 25, but there's a catch: you're genetically-engineered to live only one more year, unless you can buy your way out of it. The rich earn decades at a time (remaining at age 25), becoming essentially immortal, while the rest beg, borrow or steal enough hours to make it through the day. When a man from the wrong side of the tracks is falsely accused of murder, he is forced to go on the run with a beautiful hostage. Living minute to minute, the duo's love becomes a powerful tool in their war against the system.
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Full Credits
  • Director:
    Andrew Niccol,
  • Writer:
    Andrew Niccol,
  • Producer:
    Andrew Niccol, Marc Abraham, Eric Newman,
  • Cinematographer:
    Roger Deakins,
  • Editor:
    Zach Staenberg,
  • Executive Producer:
    Amy Israel, Kristel Laiblin, Hutch Parker, Arnon Milchan, Andrew Z. Davis,
  • Cast:
    Olivia Wilde, Cillian Murphy, Justin Timberlake, Alex Pettyfer, Amanda Seyfried,
  • First Assistant Director:
    Lars P. Winther,
  • Second Assistant Director:
    Greg Hale,
  • Second Second Assistant Director:
    Kristina M. Peterson, Renee Hill-Sweet,
  • Co-Producer:
    Debra James,
  • Supervising Sound Editor:
    Richard King, Michael Babcock,
  • Script Supervisor:
    Wilma Garscadden-Gahret,
  • ADR Mixer:
    Thomas J. O'Connell,
  • Art Department Coordinator:
    Andrea Carter,
  • Boom Operator:
    Knox White,
  • Construction Coordinator:
    Bill Holmquist,
  • Location Manager:
    John Panzarella,
  • Production Coordinator:
    Paul LaZebnik,
  • Production Sound Mixer:
    Ed Novick,
  • Property Master:
    Eugene McCarthy,
  • Set Dresser:
    John Markovich, Anne Marie Hamill, Christopher Williamson, Gregory Byrne, Art Shippee,
  • Sound Effects Editor:
    Jeff Sawyer, Paul Berolzheimer, Roland N. Thai, Odin Benitez,
  • Stunts:
    Billy D. Lucas, Jeremy Fry, Jared S. Eddo, Oakley Lehman, Tad Griffith, Debbie Evans, Zack Duhame, Danny Wynands,
  • Hairstylist:
    Katrina Chevalier, Terry Baliel, Maggie Hayes-Jackson, Candace Neal,
  • Title Designer:
    Ahmet Ahmet,
  • Key Rigging Grip:
    Blake Pike,
  • Costume Supervisor:
    Cheryl Beasley Blackwell,
  • Art Direction:
    Chris Farmer, Vlad Bina, Todd Cherniawsky, Priscilla Elliott,
  • Unit Publicist:
    Guy Adan,
  • Hair Department Head:
    Terry Baliel,
  • Stunt Driver:
    Clay Cullen, Chris Palermo, Allan Padelford,
  • Transportation Captain:
    Rick Davis,
  • Digital Intermediate Editor:
    Martha Pike,
  • Utility Stunts:
    Shauna Galligan, Michelle Rose,
  • Post Production Supervisor:
    Bradley M. Goodman,
  • First Assistant Editor:
    Tony Bacigalupi,
  • Key Grip:
    Ray Garcia,
  • ADR Recordist:
    Rick Canelli,
  • Foley Mixer:
    Mary Jo Lang, David Jobe,
  • Special Effects Supervisor:
    Matt Sweeney,
  • ADR Supervisor:
    Jessica Gallavan,
  • Gaffer:
    Chris Napolitano,
  • Assistant Property Master:
    Ian Kay, John Herrera McElroy,
  • Best Boy Electric:
    Robert B. Dechellis,
  • Picture Car Coordinator:
    Ted Moser,
  • Makeup Artist:
    Tracy Manzo, Debra Coleman, Julie Kristy,
  • Foley Supervisor:
    Christopher Flick, Bruce Tanis,
  • Payroll Accountant:
    Alan Kilmer,
  • First Assistant 'B' Camera:
    Harry Zimmerman,
  • Casting:
    Denise Chamian,
  • Video Assist Operator:
    Jesse Olivares,
  • Music Editor:
    Zigmund Gron,
  • B Camera Operator:
    Bela Trutz,
  • Original Music Composer:
    Craig Armstrong,
  • Casting Associate:
    Ania Kamieniecki-O'Hare,
  • Camera Loader:
    Jessica Ramos,
  • Rigging Gaffer:
    R. Michael De Chellis,
  • Visual Effects Supervisor:
    Dottie Starling, Ellen Somers,
  • First Assistant Sound Editor:
    Linda Yeaney,
  • Utility Sound:
    Christopher Walmer,
  • ADR Voice Casting:
    Barbara Harris,
  • Set Costumer:
    Kanani Wolf, Jay Cheng, Shelli Nishino,
  • Production Design:
    Alex McDowell,
  • Second Unit Director of Photography:
    Paul Hughen,
  • Steadicam Operator:
    Bela Trutz,
  • Craft Service:
    Willie Radcliff,
  • Assistant Sound Editor:
    Andrew Bock,
  • Screenplay:
    Andrew Niccol,
  • Dolby Consultant:
    James Wright,
  • Best Boy Grip:
    Rod Farley,
  • Storyboard Artist:
    Todd Harris,
  • Supervising Art Director:
    Priscilla Elliott,
  • First Assistant 'A' Camera:
    Andy Harris,
  • Sound Re-Recording Mixer:
    David Giammarco, Paul Massey,
  • Assistant Costume Designer:
    Christine L. Cantella,
  • Makeup Department Head:
    Michelle Vittone,
  • Stunt Double:
    Renae Moneymaker, Heidi Moneymaker,
  • Graphic Designer:
    Martin Charles,
  • Set Decoration:
    Karen O'Hara,
  • Dialogue Editor:
    Kira Roessler,
  • Production Accountant:
    Michael DeSantis,
  • Costume Design:
    Colleen Atwood,
  • First Assistant Accountant:
    Michelle Stevens,
  • Foley Artist:
    Alyson Dee Moore, Hilda Hodges, David Lee Fein, John Roesch,
  • Second Assistant 'B' Camera:
    Liza Bambenek,
  • Dolly Grip:
    Bruce Hamme,
  • Second Assistant Accountant:
    David Bojarski,
  • Production Illustrator:
    Igor Knezevic,
  • Second Assistant 'A' Camera:
    Matthew Haskins,
  • Stunt Coordinator:
    David Leitch,
  • Second Unit Director:
    David Leitch,
  • Key Costumer:
    Carrie Arakaki,
  • Transportation Coordinator:
    Ted Moser,
  • Visual Effects Producer:
    Ellen Somers,
  • Set Decorating Coordinator:
    Darlene Salinas,
  • Leadman:
    Joel Prihoda,
  • Key Set Costumer:
    Donna O'Neal,
  • Project Manager:
    Ainslie Thomas,
  • Armorer:
    Ian Kay,
  • Music Consultant:
    Gary Calamar,
  • Unit Production Manager:
    Debra James,
  • Additional Sound Re-Recording Mixer:
    Michael Babcock,
  • Still Photographer:
    Stephen Vaughan,
  • Color Timer:
    George Chavez,
  • Assistant Location Manager:
    S. Dylan Kirkland,

Technical specifications

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