History of the World: Part I thumbnail
History of the World: Part I
Synopsis
Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- The Dawn of Man, The Stone Age, The Spanish Inquisition, The Bible, and The Future. Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a stand-up philosopher at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of History of the World, Part II that features a rousing Star Wars parody (anticipating Space Balls) called Jews in Space that includes a jaunty theme song.~ Paul Brenner, All Movie Guide
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Full Credits
  • Director:
    Mel Brooks,
  • Writer:
    Mel Brooks,
  • Producer:
    Alan Johnson, Mel Brooks, Joel Chernoff, Alan Johnson, Stuart Cornfeld,
  • Cinematographer:
    Woody Omens,
  • Editor:
    John C. Howard,
  • Cast:
    Harvey Korman, Dom DeLuise, Mel Brooks, Madeline Kahn, Cloris Leachman,
  • Assistant Editor:
    George A. Martin, Carol Ann DiGiuseppe, Stephen Lovejoy,
  • Second Assistant Director:
    Mitchell Bock, Ken Tuohy,
  • Supervising Sound Editor:
    Robert R. Rutledge,
  • Sound:
    Steve Cantamessa,
  • Boom Operator:
    Raul A. Bruce,
  • Production Sound Mixer:
    Gene S. Cantamessa,
  • Sound Editor:
    Scott Hecker,
  • Sound Effects Editor:
    Samuel C. Crutcher,
  • Production Manager:
    Ralph S. Singleton, Alexander De Grunwald,
  • Assistant Director:
    Jerry Ziesmer, Michael Stevenson, Brian W. Cook,
  • Hairdresser:
    Vera Mitchell, Paula Gillespie,
  • Visual Effects:
    Edward Chiodo, Albert Whitlock, Stephen Chiodo, Bill Hedge, Charles Chiodo,
  • Sound Re-Recording Mixer:
    Tex Rudloff, Arthur Piantadosi, Les Fresholtz,
  • Stunts:
    Gilbert B. Combs, William Hobbs, Desiree Ayres, Cha Cha Sandoval-McMahon, George Lane Cooper, Sandi Gross, Dick Durock, Philip Romano, Phil Adams, Gary Combs, James M. Halty, Ray Bickel, Jack Tyree, Ted White,
  • Sound Mixer:
    Michael Sale,
  • Art Direction:
    Norman Newberry,
  • Screenplay:
    Mel Brooks,
  • Casting:
    Mike Fenton, Jane Feinberg,
  • Original Music Composer:
    John Morris,
  • Additional Editor:
    Danford B. Greene,
  • Stunt Coordinator:
    William Hobbs, Gary Combs,
  • Makeup Artist:
    Gustaf Norin, Robert Norin, Eric Allwright, Jill Carpenter,
  • Special Effects:
    Phil Cory, Richard L. Hill,
  • Sound Designer:
    Sandy Berman,
  • Foley Artist:
    Gary A. Hecker,
  • Hairstylist:
    Vivian McAteer,
  • Production Design:
    Harold Michelson,
  • Costume Design:
    Patricia Norris,
  • Set Decoration:
    Antony Mondello,

Technical specifications

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