Good Night, and Good Luck. thumbnail
Good Night, and Good Luck.
Synopsis
In the mid-1950's Edward R. Murrow and his producer, Fred Friendly, help bring an end to the tyranny of the blacklist and the House Un-American Activities Committee's anti-Communist hearings. With the platform provided by his CBS News program "See It Now," Murrow challenges Joseph McCarthy on his claims that hundreds of avowed Communists are working covertly as Soviet spies in the U.S. government, among other allegations, and that they have the power to destroy lives and careers.
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Full Credits
  • Director:
    George Clooney,
  • Writer:
    Grant Heslov, George Clooney,
  • Producer:
    Steven Soderbergh, Grant Heslov, George Clooney,
  • Cinematographer:
  • Editor:
    Stephen Mirrione,
  • Executive Producer:
    Ben Cosgrove, Chris Salvaterra, Todd Wagner, Jennifer Fox, Mark Cuban, Marc Butan, Jeff Skoll, Steven Soderbergh,
  • Cast:
    George Clooney, Dianne Reeves, Rose Abdoo, David Strathairn, Robert Downey Jr., Alex Borstein, Patricia Clarkson, Jeff Daniels,
  • First Assistant Director:
    David Webb,
  • Second Assistant Director:
    Melissa V. Barnes,
  • Co-Producer:
    Simon Franks, Barbara A. Hall, Kiyotaka Ninomiya, Zygi Kamasa,
  • Co-Executive Producer:
    Victor Hadida, Samuel Hadida,
  • Supervising Sound Editor:
    Curt Schulkey, Aaron Glascock,
  • Camera Operator:
    Colin Anderson,
  • Script Supervisor:
    Diane H. Newman,
  • Art Department Coordinator:
    Charlotte Raybourn,
  • Boom Operator:
    Randall L. Johnson,
  • Construction Coordinator:
    Karen Higgins,
  • Production Sound Mixer:
    Edward Tise,
  • Property Master:
    Tony Bonaventura,
  • Sound Effects Editor:
    John Joseph Thomas,
  • Assistant Sound Editor:
    Oscar Mitt,
  • Set Designer:
    Gae S. Buckley,
  • Foley Artist:
    Alyson Dee Moore, John Roesch, Pamela Kahn,
  • Set Decoration:
    Jan Pascale,
  • Chief Lighting Technician:
  • Production Design:
    James D. Bissell,
  • Foley Recordist:
    Scott Morgan,
  • Art Direction:
    Christa Munro,
  • Leadman:
    Louise Del Araujo,
  • ADR Voice Casting:
    Lynne Redding,
  • Best Boy Grip:
    John Morris,
  • Sound Re-Recording Mixer:
    Lance Brown, Aaron Glascock, Curt Schulkey,
  • Costume Supervisor:
    Lynda Foote,
  • Utility Sound:
    Rocky Quiroz,
  • Key Costumer:
    Lucinda Campbell,
  • Rigging Gaffer:
    J. A. Byerly,
  • Assistant Chief Lighting Technician:
    Simone Perusse,
  • Key Hair Stylist:
    Joy Zapata,
  • Craft Service:
    Jeff Winn,
  • Camera Production Assistant:
    Ryan Piers Williams,
  • Key Makeup Artist:
    Ron Berkeley,
  • Costume Design:
    Louise Frogley,
  • Key Grip:
    Michael Kenner,
  • First Assistant Editor:
    Douglas Crise,
  • Makeup Department Head:
    Waldo Sanchez,
  • Dolly Grip:
    Jeff Kunkle,
  • Foley Mixer:
    Mary Jo Lang,
  • Hairstylist:
    Carolyn Elias, Violet Ortiz,
  • Unit Production Manager:
    Barbara A. Hall,
  • Key Rigging Grip:
    Hank Sheppherd,
  • Still Photographer:
  • Second Assistant 'A' Camera:
    Larissa Supplitt,
  • Screenplay:
    Grant Heslov, George Clooney,
  • Hair Department Head:
    Waldo Sanchez,
  • Transportation Coordinator:
    Dusty Saunders,
  • First Assistant 'A' Camera:
    Barry Idoine,
  • Digital Intermediate Producer:
    Gregg Schaublin,
  • First Assistant 'B' Camera:
    John T. Connor,
  • Assistant Property Master:
    Ellis J. Barbacoff,
  • Dialogue Editor:
    Susan Dudeck,
  • Video Assist Operator:
    David D. Scott,
  • Casting Associate:
    Rachel Tenner,
  • Casting:
    Ellen Chenoweth,
  • Production Accountant:
    Tad Driscoll,

Technical specifications

Good Night, and Good Luck. logo