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Freaky Friday
Synopsis
Dr. Tess Coleman and her fifteen-year-old daughter, Anna, are not getting along. They don't see eye-to-eye on clothes, hair, music and certainly not in each other's taste in men. One Thursday evening, their disagreements reach a fever pitch--Anna is incensed that her mother doesn't support her musical aspirations and Tess, a widow about to remarry, can't see why Anna won't give her fiance a break. Everything soon changes when two identical Chinese fortune cookies cause a little mystic mayhem. On the next morning, their Friday gets freaky when Tess and Anna find themselves inside the other's body. As they literally walk a mile in each other's shoes, they gain a little newfound respect for each other's point of view. But with Tess' wedding coming on Saturday, the two have to find a way to switch back (and fast).
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Full Credits
  • Director:
    Mark S. Waters, Mark Waters,
  • Writer:
    Leslie Dixon, Heather Hach, Mary Rodgers,
  • Producer:
    Andrew Gunn, Andrew Gunn,
  • Cinematographer:
    Oliver Wood,
  • Editor:
    Bruce Green,
  • Executive Producer:
    Mario Iscovich,
  • Cast:
    Harold Gould, Janet Choi, Chad Murray, Jamie Lee Curtis, Haley Hudson, Mark Harmon, Lindsay Lohan, Chad Michael Murray,
  • First Assistant Director:
    Benjamin Rosenberg,
  • Second Assistant Director:
    Eric A. Pot,
  • Second Second Assistant Director:
    Paula Janos,
  • Co-Producer:
    Ann Marie Sanderlin,
  • Supervising Sound Editor:
    Todd Toon,
  • Camera Operator:
    William D. Barber,
  • Script Supervisor:
    Pamela Alch,
  • ADR Mixer:
    Doc Kane,
  • Assistant Production Coordinator:
    Erin Kaufman,
  • Boom Operator:
    Randall L. Johnson,
  • Construction Coordinator:
    Gary A. Krakoff,
  • Construction Foreman:
    Marco A. Campos,
  • First Assistant Camera:
    Paul V. Ferrazzi, Maricella Ramirez,
  • Location Manager:
    Jody Hummer,
  • Production Coordinator:
    Ellen Wolff,
  • Property Master:
    Rick Young,
  • Sound Editor:
    John Kwiatkowski, Donald J. Malouf, Charles W. Ritter,
  • Screenplay:
    Leslie Dixon, Heather Hach,
  • ADR Recordist:
    Brian Gallagher, Jeanette Browning,
  • Original Music Composer:
    Rolfe Kent,
  • Stunts:
    Eliza Coleman, Dick Ziker, Rick Sawaya, Doug Coleman, J. Mark Donaldson, David Barrett, Olivia Chang, Matthew Taylor, Donna Keegan, Michael Gaines, Laura Albert, Jeannie Epper, Larry Nicholas, Richard E. Butler, Vladimir Tevlovski, Charlie Romano, P.J. Wagner, John Hateley, Arnold Chon, J.P. Romano, Chris Palermo, Jill Stokesberry, Stanton Barrett,
  • Set Costumer:
    Brooke C. Thatawat, Tami Stover, Leslie Brown,
  • Costume Supervisor:
    Heidi Higginbotham,
  • Leadman:
    Paul Arthur Hartman, Josh Hadley,
  • Music Editor:
    Andrew Silver, Nick South,
  • Stunt Coordinator:
    Jimmy Romano,
  • Driver:
    Gary Schorr, Jason Rider, Dennis M. Steere, Jeff Lira, Dean Macklem, Bud Main, Tina Peterson, Tim Fennel, Don Iwanaga, Joe 'Stinky' Killian, Marc Labeaune, Michael Cain, Michael Coady, Reed Cohan, Robert Defonte, Ray Appel, John Brennan, Joseph Auger, Gary Kincaid, Steve Sorkin,
  • Unit Production Manager:
    Paul Moen,
  • Conductor:
    Stephen Coleman,
  • Steadicam Operator:
    Joe Chess,
  • Electrician:
    David Dunbar, Jay Galbo, Jerry Enright, George Lozano Jr., Eric Hibbard, Aaron Richards, Kieran Waugh, Gomidas Semerjian, David H. Neale, Tony Hibbard,
  • Assistant Location Manager:
    Marie Healy, Laura Brown, Kim Crabb,
  • Sound Re-Recording Mixer:
    Dean A. Zupancic, Terry Porter,
  • Music Coordinator:
    Amanda Sobeck,
  • Production Secretary:
    Charline St. Charles,
  • Special Effects:
    Thomas Rasada,
  • Hair Supervisor:
    Barbara Lorenz,
  • Supervising ADR Editor:
    G.W. Brown,
  • First Assistant Accountant:
    Seve Spracklen,
  • Grip:
    Michael Salvato, Mark Wright, Jeffrey Wright, Joe Macaluso, Joe Kelly, Eli Golub, Jack Kohtala, W.F. Peterson, Ronald A. Miller,
  • B Camera Operator:
    Joe Chess,
  • Foley Mixer:
    James Ashwill,
  • Best Boy Electric:
    Michael J. Bailey,
  • Key Hair Stylist:
    Tara Smith,
  • Second Unit Director:
    Paul Moen,
  • Set Medic:
    Jean Quay,
  • Dolly Grip:
    Thomas J. Ruffner, Brian Rosso,
  • Costumer:
    Robin Borman,
  • Production Design:
    Cary White,
  • Visual Effects Supervisor:
    Peter Donen,
  • Production Accountant:
    Barbara Gutman,
  • Visual Effects Producer:
    Darin McCormick-Millett,
  • Unit Publicist:
    Toni Atterbury,
  • Second Assistant Camera:
    Renee Treyball, Kevin Goff,
  • Best Boy Grip:
    Michael T. Travers,
  • Set Designer:
    Catherine Smith,
  • First Assistant Sound Editor:
    Mark A. Tracy,
  • Key Grip:
    Bob Munoz,
  • Art Direction:
    Maria Baker,
  • Key Makeup Artist:
    Clinton Wayne,
  • Camera Loader:
    Patrick Bensimmon,
  • Costume Design:
    Genevieve Tyrrell,
  • Set Decoration:
    Barbara Haberecht,
  • Key Costumer:
    Elizabeth A. Donovan,
  • Rigging Gaffer:
    Kevin J. Lang,
  • Foley Artist:
    John T. Cucci, Dan O'Connell,
  • Chief Lighting Technician:
    Gary Tandrow,
  • Book:
    Mary Rodgers,
  • Sound Mixer:
    Paul Ledford,
  • Transportation Coordinator:
    Tom Rebber,
  • Music Supervisor:
    Lisa Brown,
  • Casting:
    Marci Liroff,
  • Negative Cutter:
    Mary Beth Smith,
  • ADR Engineer:
    David Boulton,
  • Makeup Supervisor:
    Christina Smith,
  • Casting Associate:
    Jamie Sparer Roberts,
  • Extras Casting:
    Maryellen Aviano,
  • First Assistant Editor:
    Stephanie M. Casey,
  • Assistant Accountant:
    Karen Faust-Crossley, Nancy S. Rand,
  • Transportation Captain:
    Lee Willis,
  • Color Timer:
    Lee Wimer,
  • Payroll Accountant:
    Amy Denning Winfrey,
  • Supervising Music Editor:
    Jay B. Richardson,
  • Still Photographer:
    Ronald Batzdorff,
  • Special Effects Coordinator:
    Al Broussard,
  • Orchestrator:
    Tony Blondal,

Technical specifications

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