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Erin Brockovich
Synopsis
In a world where heroes are often in short supply, the story of Erin Brockovich is an inspirational reminder of the power of the human spirit. Her passion, tenacity and steadfast desire to fight for the rights of the underdog defied the odds, her victory made even more sweet by the fact that while helping others, she in turn helped herself. Erin Brockovich is a stirring, funny and unconventional drama based on true events, starring two-time Academy Award* nominee Julia Roberts as the twice-divorced mother of three young children who sees an injustice, takes on the bad guy and wins. With no money, no job and no prospects on the horizon, Erin Brockovich is a woman in a tight spot. Following a car accident in which Erin is not at fault, she finds herself even worse off when her attorney fails to land her any kind of settlement. With nowhere else to turn, Erin pleads with her attorney Ed Masry to hire her at his law firm. It is there, while working, that Erin stumbles upon some medical records placed in real estate files. Confused, she begins to question the connection. She convinces Ed to allow her to investigate, where she discovers a cover-up involving contaminated water in a local community which is causing devastating illnesses among its residents. Although the local citizens are initially leery of becoming involved, Erin's persistence and the personal interest she takes in their lives makes them listen. A kindred spirit, Erin is one of them, and her ability to connect with them on their level makes them comfortable, ultimately earning their trust. Helping her out is her next door neighbor George, a Harley Davidson biker whose friendship and support allows her the time to pursue the case. Going door to door, she signs up over 600 plaintiffs, and Erin and Ed, with the help of a major law firm, go on to receive the largest settlement ever paid in a direct-action lawsuit in U.S. history, $333 million. By triumphing over insurmountable odds, she is able to prove herself, and reinvent her life.
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Full Credits
  • Director:
    Steven Soderbergh,
  • Writer:
    Susannah Grant, Richard LaGravanese,
  • Producer:
    Danny De Vito, Michael Shamberg, Danny DeVito, Stacey Sher,
  • Cinematographer:
    Edward Lachman,
  • Editor:
    Anne V. Coates,
  • Executive Producer:
    Carla Santos Shamberg, John Hardy,
  • Cast:
    Aaron Eckhart, Cherry Jones, Albert Finney, Julia Roberts, Scotty Leavenworth, Marg Helgenberger,
  • Assistant Editor:
    John Axelrad,
  • Second Second Assistant Director:
    Michael Risoli,
  • Co-Producer:
    Gail Lyon,
  • Supervising Sound Editor:
    Larry Blake,
  • Camera Operator:
    Chris Lombardi,
  • Script Supervisor:
    Annie Welles,
  • ADR Mixer:
    Ron Bedrosian,
  • Art Department Coordinator:
    Blair Huizingh,
  • Assistant Production Coordinator:
    Karen Jarnecke,
  • Boom Operator:
    Joseph F. Brennan,
  • Construction Coordinator:
    Chris Snyder,
  • First Assistant Camera:
    Barry Idoine,
  • Location Manager:
    Ken Lavet,
  • Production Coordinator:
    Robin Le Chanu,
  • Production Sound Mixer:
    Thomas Causey,
  • Property Master:
    Peter Bankins,
  • Set Dresser:
    Mike Malone,
  • ADR Recordist:
    Brian Basham,
  • Scoring Mixer:
    Dennis S. Sands,
  • Assistant Art Director:
  • Foley:
    Alicia Stevenson, Dawn Lunsford,
  • Hairstylist:
    Anthony Wilson, Bernard Gough, Michelle Weiss,
  • Grip:
    Thomas A. Curran, Charles John Bukey,
  • Utility Sound:
    Richard Kite,
  • Digital Compositors:
    Mark Tait Lewis,
  • Transportation Co-Captain:
    Rich Bennetti,
  • Set Painter:
    Thomas Moffitt,
  • Negative Cutter:
    Gary Burritt,
  • Rigging Gaffer:
    Richard Hartley,
  • Stunt Driver:
    Steve Kelso, Rick Avery,
  • Foley Mixer:
    David Betancourt,
  • Dolby Consultant:
    Mark Kenna,
  • Hair Designer:
    Bonnie Clevering,
  • Set Designer:
    Masako Masuda, Patricia Klawonn,
  • Set Medic:
    Harold Fowler,
  • Projection:
    Thomas S. Dickson,
  • Dolly Grip:
    Paul Threlkeld,
  • Costume Design:
    Jeffrey Kurland,
  • Unit Production Manager:
    Frederic W. Brost,
  • Dialogue Editor:
    Aaron Glascock,
  • Electrician:
    Gary M. Lang, John Owens,
  • Assistant Location Manager:
    Caleb Duffy,
  • Craft Service:
    Charles Drake,
  • Set Costumer:
    Shoshana Rubin, Corey Bronson, Fran Vega-Buck, Emily Wyss,
  • Key Costumer:
    Janis Mekaelian,
  • Chef:
    Antoine Mascaro,
  • Propmaker:
    John Bullard,
  • Best Boy Grip:
    Rodney Veto,
  • Stand In:
    Marc C. Geschwind,
  • Stunts:
    Joni Avery,
  • Foley Artist:
    Dawn Lunsford,
  • Post Production Assistant:
    Monica de Armond,
  • Second Assistant Camera:
    Isaac Friedman,
  • Special Effects:
    Kevin Hannigan,
  • Greensman:
    Richard Boris,
  • Set Dressing Artist:
    Dale E. Anderson,
  • Production Design:
    Philip Messina,
  • Casting:
    Margery Simkin,
  • Unit Publicist:
    Spooky Stevens,
  • Visual Effects Producer:
    Carole Cowley,
  • Camera Loader:
    Stacy De La Motte,
  • Hair Department Head:
    Deborah Mills-Whitlock,
  • Transportation Captain:
    Shane Greedy,
  • Art Department Assistant:
    Sarah Bullion,
  • Textile Artist:
    Niamh Murphy,
  • Special Effects Assistant:
    Werner Hahnlein,
  • Sound Re-Recording Mixer:
    Larry Blake, Michael Keller,
  • Post Production Supervisor:
    Caitlin Maloney,
  • Original Music Composer:
    Thomas Newman,
  • Casting Assistant:
    Brumby Broussard,
  • Orchestrator:
    Thomas Pasatieri,
  • Driver:
    Loren Bess,
  • Makeup Artist:
    Richard Dean,
  • Tattoo Designer:
    Ken Diaz,
  • Music Editor:
    Bill Bernstein,
  • Costume Supervisor:
    Elaine Ramires,
  • Assistant Camera:
    James W. Apted,
  • Music Consultant:
    Buck Damon,
  • Dialect Coach:
    Carla Meyer,
  • Color Timer:
    Dana Ross,
  • Visual Effects Supervisor:
    Thomas J. Smith,
  • Set Decoration:
    Kristen Toscano Messina,
  • Production Supervisor:
    James C. Taylor,
  • Leadman:
    Jason Bedig,
  • Transportation Coordinator:
    Jon Carpenter,
  • Stunt Double:
    Roydon Clark, Tabby Hanson,
  • Swing:
    Erin Boyd,
  • Foley Recordist:
    Jon Vogl,
  • Prosthetics:
    Gary Archer,
  • Painter:
    Scott Shordon,
  • Rigging Grip:
    Randy Berrett,
  • Casting Associate:
    Carmen Cuba,
  • Production Accountant:
    Ricki L. Stein,
  • Best Boy Electric:
    Frank Endewardt,
  • Production Secretary:
    J. Larsen Jay,
  • Still Photographer:
    Bob Marshak,
  • Set Production Assistant:
    Keri Bruno,
  • Production Intern:
    Taina Mirach,
  • Assistant Property Master:
    Alberto Christiano Lombardo,
  • Gaffer:
    Russ Caldwell,
  • Standby Painter:
    Francis N. 'Lucky' Costello,
  • Payroll Accountant:
    Jim Swidarski,
  • Assistant Accountant:
    Gavin J. Behrman,
  • First Assistant Editor:
    Robb Sullivan,
  • Extras Casting:
    Rich King,
  • Assistant Sound Editor:
    James Morioka,
  • First Assistant Accountant:
    Cheri Hall,
  • Security:
    Joseph Keideth,
  • Sound Recordist:
    Eric Flickinger,
  • Art Direction:
    Christa Munro,
  • Stunt Coordinator:
    John Robotham,
  • Studio Teachers:
    Thomas John McGowan,
  • Assistant Director:
    Gregory Jacobs,
  • Music Supervisor:
    Amanda Scheer-Demme,
  • Production Assistant:
    Brett Brown,
  • Additional Second Assistant Director:
    Nicholas Wolfert,
  • Carpenter:
    Steven Kissick,