DodgeBall: A True Underdog Story thumbnail
DodgeBall: A True Underdog Story
Synopsis
Peter LaFleur is a charismatic underachiever and proprietor of a rundown gym called Average Joe's. The facility's ecclectic clientele of decidedly less-than-"average Joes" is comprised of: a self-styled pirate; a scrawny nerd who dreams of impressing an unattainable cheerleader; an obsessive aficionado of obscure sports; a dim-witted young man; and a cocky know-it-all who, of course, really knows nothing. Peter's humble gym catches the eye of White Goodman, the power-mullet-sporting, Fu-Manchu-d, egomaniacal owner of Globo Gym, a gleaming monolith of fitness. White intends to take over Average Joe's, and Peter's non-existent bookkeeping is making it all too easy for him. A foreclosing bank has stationed attorney Kate Veatch inside Average Joe's to finalize Globo's takeover of the gym. But Peter's boyish charms win her over and Kate joins his team of social rejects to beat the odds--and their own ineptitude--to try to save Average Joe's. How? A showdown dodgeball competition against Globo Gym.
Full Credits
  • Director:
    Rawson Marshall Thurber,
  • Writer:
    Rawson Marshall Thurber,
  • Producer:
    Stuart Cornfeld, Ben Stiller,
  • Cinematographer:
    Jerzy Zielinski,
  • Editor:
    Alan Baumgarten, Peter Teschner,
  • Executive Producer:
    Mary McLaglen, Rhoades Rader,
  • Cast:
    Christine Taylor, Justin Long, Chris Williams, Vince Vaughn, Ben Stiller, Rip Torn,
  • Associate Producer:
    Todd C. Guzze,
  • Assistant Editor:
    Vince Filippone, Nicholas 'Nikko' Tsiotsias,
  • First Assistant Director:
    George Bamber,
  • Second Assistant Director:
    Seth Edelstein,
  • Second Second Assistant Director:
    Steve Lonano,
  • Supervising Sound Editor:
    George H. Anderson,
  • Camera Operator:
    David L. Parrish,
  • Visual Effects Editor:
    Nina Kawasaki,
  • ADR Mixer:
    Eric Thompson,
  • Assistant Production Coordinator:
    Nicki Johnson,
  • Boom Operator:
    Scott La Rue,
  • Colorist:
    Sean Lawrence,
  • Construction Coordinator:
    Bryan Belair,
  • First Assistant Camera:
    Art Martin,
  • Location Manager:
    Eric Hedayat,
  • Production Coordinator:
    Thomas Longo,
  • Property Master:
    Sean Mannion,
  • Set Dresser:
    Michael Glynn,
  • Sound Effects Editor:
    Jason W. Jennings,
  • Loader:
    James Goldman,
  • Music Editor:
    Stephanie Lowry,
  • Score Engineer:
    Bill Talbott,
  • Foley Mixer:
    Ron Mellegers,
  • Second Assistant Camera:
    Robert Baek,
  • Production Supervisor:
    Monica Levinson,
  • Hairstylist:
    Linda D. Flowers,
  • Scoring Mixer:
    Chris Fogel,
  • Color Timer:
    Dennis McNeill,
  • Assistant Sound Editor:
    Bill Burns,
  • Art Direction:
    Andrew Max Cahn,
  • Choreographer:
    Michelle Boehle, Eartha Robinson,
  • Location Scout:
    Caleb Duffy,
  • Location Assistant:
    Kenny Rummell,
  • Special Effects:
    Ken Tarallo,
  • Sound Recordist:
    Brian Basham,
  • Utility Stunts:
    Greg Anderson,
  • Video Assist Operator:
    Tom Fox,
  • First Assistant Sound Editor:
    Cherie Tamai,
  • Key Grip:
    Paul V. Perkins,
  • Hair Department Head:
    Deborah Ann Piper,
  • Orchestrator:
    Pete Anthony,
  • Transportation Co-Captain:
    Thomas Whelpley,
  • Rigging Gaffer:
    Glenn E. Moran,
  • Assistant Camera:
    John Kairis,
  • Costume Supervisor:
    Marisa Aboitiz,
  • Original Music Composer:
    Theodore Shapiro,
  • Electrician:
    Joel A. Ruiz,
  • Visual Effects Supervisor:
    John Coats,
  • Production Executive:
    Michael Hendrickson,
  • Production Secretary:
    Tim Clark,
  • Publicist:
    Paulette Dauber,
  • Casting:
    Juel Bestrop, Blythe Cappello, Jeanne McCarthy,
  • Second Unit Director:
    Raymond Prado,
  • Driver:
    Michael J. Birnkrant,
  • Assistant Location Manager:
    Ann Murphy,
  • Title Designer:
    Mary C. Snyder,
  • Assistant Art Director:
    Austin Gorg,
  • Foley Artist:
    Stefan Fraticelli,
  • Set Designer:
    Sharon E. Alshams,
  • Stand In:
    Ket Lamb,
  • Transportation Captain:
    Maxwell R. Johnson II,
  • Music Supervisor:
    George Drakoulias,
  • Propmaker:
    Steve Salazar,
  • Musician:
    George Doering,
  • Dialogue Editor:
    David V. Butler,
  • Lighting Technician:
    Scott Sprague,
  • Assistant Costume Designer:
    Lois DeArmond,
  • Payroll Accountant:
    Denyse Rossi,
  • Stunts:
    Joey Box,
  • Negative Cutter:
    Gary Burritt,
  • Supervising Music Editor:
    Andrew Silver,
  • Set Costumer:
    Fran Allgood,
  • Craft Service:
    Phil Scalisi,
  • Second Assistant Accountant:
    Michelle Stevens,
  • Digital Compositors:
    Lori C. Miller,
  • Location Coordinator:
    Salvy Maleki,
  • Storyboard Artist:
    Chris Buchinsky,
  • Costume Design:
    Carol Ramsey,
  • Additional Production Assistant:
    Kevin Roy,
  • ADR Recordist:
    Chris Navarro,
  • Production Assistant:
    Sonja Christoph,
  • Production Design:
    Maher Ahmad,
  • Temp Sound Editor:
    Matthew T. Duncan,
  • Casting Assistant:
    Nicole Abellera,
  • Special Effects Supervisor:
    Werner Hahnlein,
  • Extras Casting:
    Carol Grant,
  • Transportation Coordinator:
    Tommy Tancharoen,
  • Post Production Assistant:
    Jamie Clarke,
  • Foley Editor:
    Bruce Lacey,
  • I/O Manager:
    Ryan Beadle,
  • Leadman:
    George Karnoff,
  • ADR Supervisor:
    Joe Dorn,
  • Graphic Designer:
    Laura Hopkins,
  • Stunt Double:
    Cass Asher,
  • First Assistant Accountant:
    Michael DeSantis,
  • Projection:
    Michael Altman,
  • Carpenter:
    Gregory Diggins,
  • Chef:
    Marijan Zoric,
  • Executive In Charge Of Production:
    Deborah Liebling,
  • Still Photographer:
    Tracy Bennett,
  • Rigging Grip:
    John S. Campbell,
  • Textile Artist:
    Melissa Binder,
  • Principal Costumer:
    Scott R. Hankins,
  • First Assistant Editor:
    Kristine McPherson,
  • Unit Publicist:
    Mary McLaglen,
  • Makeup Artist:
    Douglas Noe,
  • Visual Effects:
    Sean Kennedy,
  • Stunt Coordinator:
    Alex Daniels,
  • Stunt Driver:
    Eddie Braun,
  • Painter:
    Gloria Ciraolo,
  • Grip:
    Rob J. Greenlea,
  • Set Decoration:
    Gene Serdena,
  • Special Effects Coordinator:
    Gary D'Amico,
  • Sound Mixer:
    Steve Cantamessa,
  • Security:
    Stan Purdy,
  • Set Production Assistant:
    Dusty Dukatz,
  • Digital Colorist:
    Joe Finley,
  • Dolly Grip:
    Fred Cooper,
  • Costumer:
    Ellen Falguiere,
  • Best Boy Electrician:
    Mark Sadler,
  • Special Effects Technician:
    Chris Jones,

Technical specifications

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