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Desperate Measures
Synopsis
Although he enjoyed great critical success with crime dramas and slice-of-life pictures, director Barbet Schroeder continued dabbling in the thriller genre with this action-oriented film. Andy Garcia stars as Frank Conner, a widowed San Francisco police officer whose young son Matt (Joseph Cross) is suffering from leukemia. Without a bone marrow transplant, Matt will die, but Frank isn't a donor. In fact, the only potential match is prison inmate Peter McCabe (Michael Keaton), a psychotic but charming serial killer. At first, McCabe refused to participate despite Conner's pleas, but eventually, the convict relents and agrees to the procedure. It is all a ruse, however, as McCabe has discovered a clever way to escape the confines of the operating room where Matt's oncologist, Dr. Hawkins (Marcia Gay Harden) is scheduled to perform the transplant. Faced with the dual nightmare of his son's deteriorating condition and a mass murderer on the loose in a major metropolitan hospital, the frantic Conner finds himself bending and even breaking the law to bring McCabe down and save Matt's life.~ Karl Williams, All Movie Guide
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Full Credits
  • Director:
    Barbet Schroeder,
  • Writer:
    David Klass,
  • Producer:
    Gary Foster, Barbet Schroeder, Susan Hoffman, Lee Rich,
  • Cinematographer:
    Luciano Tovoli,
  • Editor:
    Lee Percy,
  • Executive Producer:
    Jeffrey Chernov,
  • Cast:
    Michael Keaton, Marcia Gay Harden, Brian Cox, Andy García, Erik King,
  • First Assistant Director:
    Geoffrey Hansen,
  • Second Assistant Director:
    David Hallinan,
  • Co-Producer:
    Josie Rosen,
  • Supervising Sound Editor:
    Ron Bochar,
  • Camera Operator:
    Leo J. Napolitano, Ian Fox, Monty Rowan,
  • Script Supervisor:
    Susan Malerstein,
  • Boom Operator:
    Tom Hartig,
  • Construction Coordinator:
    Walt Hadfield,
  • First Assistant Camera:
    Bob Hall, Clyde E. Bryan, Bob Hall,
  • Property Master:
    C.J. Maguire,
  • Sound Effects Editor:
    Lewis Goldstein,
  • Wardrobe Supervisor:
    Bruce Ericksen, Cheryl Beasley Blackwell,
  • Sound Re-Recording Mixer:
    Tom Fleischman,
  • Screenplay:
    David Klass,
  • Foley Editor:
    Frank Kern, Kam Chan, Benjamin Cheah, Steven Visscher,
  • Studio Teacher:
    Barbara Bass,
  • Costume Design:
    Gary Jones, Gary Jones,
  • Assistant Sound Editor:
    Chris Fielder, Nicholas Renbeck,
  • Set Decoration:
    Jennifer Williams, Jennifer Williams,
  • Unit Publicist:
    Spooky Stevens,
  • Key Hair Stylist:
    K.G. Ramsey,
  • Stunts:
    Troy Robinson, Steve Vandeman, Danny Epper, Brian Imada, Darrin Prescott, Annie Ellis,
  • Chief Lighting Technician:
    Norman Glasser,
  • Foley Supervisor:
    Bruce Pross,
  • Set Designer:
    Kelly Hannafin, Bo Johnson, Rando Schmook,
  • First Assistant Editor:
    Rebecca Nicolaou,
  • Rigging Gaffer:
    Greg Cantrell,
  • Second Unit Director:
    David R. Ellis,
  • Dialogue Editor:
    Gina Alfano,
  • Assistant Chief Lighting Technician:
    George Dunagan,
  • Art Direction:
    Sandy Getzler,
  • Unit Production Manager:
    Ross T. Fanger,
  • Makeup Artist:
    Bob Mills, Rick Sharp, Larry Abbott,
  • Hairstylist:
    Marlene D. Williams, Violet Ortiz,
  • Casting:
    Howard Feuer,
  • Dolly Grip:
    Arthur Blum, Jesse Chavez,
  • Second Unit Director of Photography:
    Gary Capo,
  • Still Photographer:
    Merrick Morton,
  • Post Production Supervisor:
    Chantal Feghali, Jasmine Kosovic,
  • Music Editor:
    Suzana Peric,
  • Special Effects Supervisor:
    Paul J. Lombardi,
  • Best Boy Electric:
    Gihan 'Sandy' Seneviratne, Earl C. Williman,
  • ADR Editor:
    Deborah Wallach,
  • Production Design:
    Geoffrey Kirkland,
  • Stunt Coordinator:
    Jeffrey J. Dashnaw,
  • Original Music Composer:
    Trevor Jones,
  • Special Effects Coordinator:
    Kelly Kerby,
  • Second Assistant Camera:
    Philip Shanahan,
  • Sound Mixer:
  • Steadicam Operator:
    Bob Gorelick,
  • Best Boy Grip:
    Arnaud Peiny,
  • Foley Artist:
    Marko Costanzo,

Technical specifications

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