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Deep Impact
Synopsis
First the dinosaurs, now us. In the first and hopefully worst of the year's two Earth-collision movies, America prepares to go underground in case a space mission designed to nuke an oncoming comet fails.
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Full Credits
  • Director:
  • Writer:
    Michael Tolkin, Bruce Joel Rubin,
  • Producer:
    David Brown, Richard D. Zanuck,
  • Cinematographer:
    Dietrich Lohmann,
  • Editor:
    David Rosenbloom, Paul Cichocki,
  • Executive Producer:
    Joan Bradshaw, Steven Spielberg, Walter F. Parkes,
  • Cast:
    Vanessa Redgrave, Téa Leoni, Morgan Freeman, Elijah Wood, Robert Duvall,
  • Associate Producer:
    D. Scott Easton,
  • Assistant Editor:
    Ken Blackwell,
  • First Assistant Director:
    K.C. Colwell, Robert Rooy, Dana J. Kuznetzkoff,
  • Second Assistant Director:
    Alison C. Rosa, Lisa M. Rowe, Glen Trotiner,
  • Second Second Assistant Director:
    Paula Case,
  • Supervising Sound Editor:
    Walter Newman, J. Paul Huntsman,
  • Sound:
    Mark Hopkins McNabb,
  • Camera Operator:
    Scott E. Steele, Guy Norman Bee,
  • Script Supervisor:
    Faith Conroy,
  • Assistant Production Coordinator:
    John Latenser V,
  • Boom Operator:
    Raul A. Bruce,
  • Colorist:
    Michael Healey,
  • Construction Coordinator:
    John Villarino,
  • Construction Foreman:
    Robb W. Ward,
  • First Assistant Camera:
    Andrew Priestley,
  • Location Manager:
    George Herthel,
  • Production Coordinator:
    Eileen Godoy,
  • Property Master:
    Tommy Tomlinson, Scott Nifong, Batia Grafka,
  • Set Dresser:
    Kristina Kilpe, David L. McGuire, Shannon Curfman,
  • Sound Editor:
    Patrick J. Foley,
  • Sound Effects Editor:
    Jayme S. Parker, George Nemzer, Mark L. Mangino, Christopher S. Aud, Timothy A. Cleveland, John Voss Bonds Jr.,
  • Stunt Coordinator:
    Charles Croughwell,
  • Sculptor:
    Cuitlahuac Morales Velazquez, David French,
  • Assistant Accountant:
    Laura Tiz,
  • Assistant Art Director:
    Paul Sonski, Masako Masuda, Eric Rosenberg,
  • Electrician:
    Eric S. Adamson,
  • Chief Lighting Technician:
    Jon R. Tower,
  • Stunts:
    Joni Avery, Debbie Evans, Seth Arnett, Jennifer Lamb, Cinda-Lin James,
  • Conductor:
    James Horner,
  • Best Boy Grip:
    Mike Fay,
  • Still Photographer:
    Myles Aronowitz,
  • Unit Publicist:
    Stuart Fink,
  • Supervising Music Editor:
    Jim Henrikson,
  • Assistant Camera:
    John T. Connor,
  • Modeling:
    Craig Lyn,
  • Foley Artist:
    Ginger Geary,
  • Production Executive:
    Steven R. Molen,
  • Stunt Double:
    Cinda-Lin James, Danny Downey, Leigh Hennessy,
  • Special Effects Coordinator:
    Michael Lantieri,
  • Greensman:
    Frank McEldowney, Jeff Brown,
  • Additional Sound Re-Recording Mixer:
    David Raines,
  • Second Assistant Camera:
    Mindy Bee,
  • Driver:
    Edward Cook,
  • Aerial Director of Photography:
    Phil Pastuhov,
  • Concept Artist:
    Derek Thompson,
  • Costumer:
    Anthony J. Lipin,
  • Second Assistant Sound:
    Jeff Cranford, Todd Harris, Jonathan Phillips, David Werntz,
  • Dialogue Editor:
    Andrew Somers, John F. Reynolds, Mark L. Mangino, Patrick J. Foley,
  • Casting:
    Judith Bouley, Allison Jones,
  • Grip:
    Nico Bally,
  • Makeup Artist:
    Barbara Lacy,
  • Casting Assistant:
    Wendy Washbrook,
  • Set Buyer:
    Carl Catanese,
  • Key Production Assistant:
    Jennifer L. Pearlman,
  • Second Unit First Assistant Director:
    Cara Giallanza, Michele Ziegler,
  • Location Assistant:
    Brian Glazen,
  • Original Music Composer:
    James Horner,
  • Visual Effects Supervisor:
    Kenneth Jones, Scott Farrar,
  • Best Boy Electric:
    Walter Bithell,
  • Sound Recordist:
    Philip Rogers,
  • Lighting Technician:
    James Frederick,
  • Art Direction:
    Dennis Bradford, Andrew Neskoromny, Gary Kosko, Thomas Valentine,
  • Projection:
    Timothy Greenwood,
  • Second Assistant Accountant:
    Jan Cosby,
  • Compositing Supervisor:
    Jeff Heusser,
  • Set Designer:
    Josh Lusby, Dean Wolcott, Richard F. Mays, Suzan Torres,
  • Additional Second Assistant Director:
    Wainani Young-Tomich,
  • Production Secretary:
    Bob Merrick,
  • Post Production Supervisor:
    Bradley M. Goodman,
  • Travel Coordinator:
    Kurt Zelnak,
  • Second Unit Director:
    Mark Vargo, E. J. Foerster,
  • Sound Assistant:
    Robb Wilson,
  • Stunt Driver:
    Debbie Evans, Michael Alexander Collins,
  • Key Grip:
    Tim Ryan,
  • Camera Loader:
    Cheli Clayton,
  • Negative Cutter:
    Doug Jones,
  • Music Editor:
    Joe E. Rand,
  • Payroll Accountant:
    Lori Ikeda,
  • Additional Camera:
    Don Burgess,
  • Art Department Production Assistant:
    Heather Kelton,
  • Digital Effects Supervisor:
    David Sosalla,
  • Hair Department Head:
    Waldo Sanchez,
  • Leadman:
    Mark Sakamoto,
  • Rigging Grip:
    Jerry Kim,
  • Extras Casting:
    Kimberly Skyrme,
  • Foley Supervisor:
    Jeff Rosen,
  • Props:
    Gary Tuers,
  • Digital Compositor:
    Danny Mudgett, Gregory Oehler,
  • Assistant Property Master:
    Michael D. Harrell, Kris Peck, César Díez Álava,
  • Visual Effects Art Director:
    Alex Jaeger,
  • Technical Advisor:
    Bert Maatta,
  • ADR Editor:
    Kimberly Ellen Lowe, Andrew Somers,
  • Visual Effects Producer:
    Denise Ream,
  • Animation:
    Steve Nichols, Philip Edward Alexy, Jason Ivimey,
  • Camera Technician:
    Steven J. Winslow,
  • Unit Production Manager:
    D. Scott Easton,
  • Costume Design:
    Ruth Myers,
  • Technical Supervisor:
    Patrick Phillips,
  • Set Costumer:
    Bob Moore Jr., Marsha Bozeman,
  • Production Accountant:
    Pam Kaye,
  • Storyboard Artist:
    Raymond Prado, Philip Keller, Richard K. Buoen, Michael Anthony Jackson, David Lowery,
  • Screenplay:
    Michael Tolkin, Bruce Joel Rubin,
  • Visual Effects Coordinator:
    Janet Lewin, Adrienne Anderson,
  • Script Coordinator:
    Larry Leahy,
  • Special Effects Assistant:
    Douglas Retzler,
  • Video Assist Operator:
    Roger Donegan,
  • Title Designer:
    Phill Norman,
  • Prosthetics:
    Gary Archer,
  • Systems Administrators & Support:
    Toby Gallo,
  • Assistant Location Manager:
    Patrick Burn,
  • Production Assistant:
    Todd Carroll,
  • CG Supervisor:
    Michael Bauer,
  • Sound Designer:
    John P. Fasal,
  • Costume Supervisor:
    Michelle Kurpaska,
  • Production Design:
    Leslie Dilley,
  • In Memory Of:
    Dietrich Lohmann,
  • Propmaker:
    Randy L. Childs,
  • Thanks:
    Alex Humphrey,
  • Makeup Department Head:
    John M. Elliott Jr.,
  • ADR Supervisor:
    Joe Dorn,
  • Visual Effects Editor:
    Timothy Eaton,
  • Transportation Captain:
    Maylon Houston,
  • Transportation Coordinator:
    Robert Neilson,
  • Special Effects Technician:
    Thomas Brown,
  • Music Producer:
    Simon Rhodes,
  • Digital Compositors:
    Suzanne Mitus-Uribe,
  • Dolly Grip:
    Steve Robertson,
  • Gaffer:
    Jack Coffen,
  • Production Driver:
    Shaun Ryan,
  • Production Supervisor:
    Peter M. Tobyansen,
  • Color Timer:
    Jim Passon,
  • Foley Mixer:
    Eric Gotthelf,
  • Visual Effects Production Assistant:
    Paula Nederman,
  • First Assistant Editor:
    Scott Janush,
  • Location Scout:
    Kathleen Beall,
  • Set Decoration:
    Peg Cummings,
  • Utility Stunts:
    Scott Sproule,
  • Steadicam Operator:
    Guy Norman Bee,

Technical specifications

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