Deep Blue Sea
Synopsis
Dr. Susan McAlester's experiments are on the verge of creating medical history. But to reach her goal, she has violated ethical codes, genetically re-engineering the DNA of mako sharks. One of nature's most lethal killing machines has become more useful to her research, but also more intelligent and powerful in the process. But McAlester has more to worry about than the deadly specimens at the center of her studies. Her questionable methods put a strain on the relationships with her fellow team members, chiefly shark expert Carter Blake. Compounding the tense atmosphere, Aquatica's financiers are skeptical and nervous and have threatened to shut down the off-shore facility on the eve of a round of Dr. McAlester's key tests. Russell Franklin, the leading backer, has been dispatched to Aquatica to deliver an ultimatum - the research must prove conclusive, or funding is revoked. Susan and her team successfully extract brain tissue from the largest of the mako sharks. But a tragic accident during the procedure sets off a chain of events that results in irreparable damage to the research facility. With a tropical storm swirling around the now sinking Aquatica, the scientists and workers find themselves stalked by the new generation sharksfighting against the deadly man-made forces of nature they helped to create.
Full Credits
- Director:Renny Harlin,
- Writer:Talley Griffith, Duncan Kennedy, Donna Powers, Wayne Powers,
- Producer:Don MacBain, Akiva Goldsman, Alan Riche, Tony Ludwig,
- Cinematographer:Stephen F. Windon,
- Editor:Derek Brechin, Frank J. Urioste, Dallas Puett,
- Executive Producer:Bruce Berman, Duncan Henderson, Jonathan Schwartz, Duncan Henderson,
- Cast:Deborah Unger, Saffron Burrows, LL Cool J, Jacqueline McKenzie, Thomas Jane, Michael Rapaport, Samuel L. Jackson,
- Associate Producer:Patrick Lynn, Thomas J. Mack,
- First Assistant Director:Thomas J. Mack,
- Second Assistant Director:David Kelley,
- Second Second Assistant Director:C.C. Barnes,
- Co-Producer:Rebecca Spikings,
- Supervising Sound Editor:Robb Wilson, J. Paul Huntsman,
- Camera Operator:Leo J. Napolitano, Marc Spicer, Gregory J. Schmidt, Phil Pastuhov, Guillermo Rosas,
- Script Supervisor:Portia Tickell, Kelly Moon,
- Visual Effects Editor:Lincoln Kupchak, V. Scott Balcerek, Mark Eggenweiler, Kevin Clark, Steve Shaw,
- ADR Mixer:Troy Porter,
- Art Department Coordinator:Beth Bajuk,
- Boom Operator:Todd Bassman,
- Colorist:Jonathan Malden,
- Construction Coordinator:Gary Deaton,
- Construction Foreman:William Apperson,
- First Assistant Camera:John Kairis, Antonio Riestra, Darrin Keough, Jose Gutierrez, Frank Flick, Constantino Jiménez,
- Location Manager:Michael John Meehan,
- Production Sound Mixer:Tim Cooney,
- Property Master:Jerry Moss, Eric J. Bates,
- Sound Effects Editor:Andrew Somers, Jayme S. Parker, Adam Johnston,
- Key Grip:Gustavo Covarrubias, Mark Ramsey,
- Electrician:Matt Buchan, Michael Glover, John Crimins,
- Production Secretary:David Gorder,
- Set Dressing Artist:Chris Adams,
- Orchestrator:Tom Calderaro,
- Visual Effects Producer:Thomas Boland, Scott Dougherty, Heather Smith, Tiffany Smith, Kristen Branan, Heather Smith, Tiffany Smith,
- Stunt Double:Kathy Jarvis, Robin Lynn Bonaccorsi, Keli Murphy,
- Stunt Coordinator:Ronnie Rondell Jr., R. A. Rondell,
- Post Production Supervisor:Ilyse A. Reutlinger,
- ADR Editor:Cindy Marty, Karyn Foster,
- Transportation Coordinator:Russell McEntyre,
- Casting:Christine Sheaks,
- Set Decoration:Debra Echard,
- Assistant Camera:Eric K. Jones,
- Production Design:Joseph Bennett, Joseph Bennett, William Sandell,
- CG Animator:Jason MacLeod, Daniel Klem,
- Driver:Rick Kelleher,
- Hairstylist:Reka Wessely Tihanyi, Robert L. Stevenson, Silvia Hernandez,
- Production Office Assistant:Jason McGatlin,
- Sculptor:Jim McPherson,
- Production Supervisor:Anna Roth,
- Costumer:Philip Maldonado,
- Assistant Costume Designer:Karla Stevens Flanigan,
- Foley Supervisor:David L. Horton Jr.,
- Animation:Constance Bracewell, Julie Nelson, Bruce Pearson, Michaela Zabranska, Steve Nichols, Rick O'Connor, Andrew Tamandl,
- Second Unit Director:David R. Ellis,
- Video Assist Operator:Jeff Burrage, Kevin Hawks,
- Special Effects Makeup Artist:Michael Shawn McCracken,
- Second Assistant Camera:Scott Ronnow, Tom Jordan, Matt Toll, Luis David Sansans, Jerry Patton, Cash Cockerill, Fernando Díaz Torres, Jian Cong,
- Assistant Art Director:David Sandefur, Nick Navarro, Ligia Ornelas, Jonathan McKinstry,
- Assistant Chief Lighting Technician:Gary Hill, Joe Hanes, Enrique Sánchez,
- Compositing Supervisor:Tim Alexander,
- Foley Mixer:Eric Gotthelf,
- Projection:Tom Ajar,
- Digital Effects Supervisor:Simon Giles,
- Unit Manager:Rafael Cuervo,
- Location Assistant:Horacio Rodríguez,
- CG Supervisor:Douglas R. MacMillan, John E. Sasaki,
- Color Timer:Dale E. Grahn,
- Digital Compositor:Tami Carter,
- Visual Effects Supervisor:John Knoll, Jeffrey A. Okun, Jamie Dixon, William Mesa, Craig A. Mumma, Jerry Pooler, Rebecca Marie,
- Visual Effects Compositor:Ted Andre, Christina Drahos, Dan Walker, Dan Walker, Jeffrey Arnold,
- Unit Production Manager:Todd Arnow,
- Music Editor:Will Kaplan, Dick Bernstein,
- First Assistant Accountant:Lucy Amador,
- Production Assistant:Iram Collantes,
- Foley Artist:Catherine Harper, Kevin Bartnof,
- Stunts:Lesley Aletter, Cinda-Lin James, Patricia M. Peters, Troy Gilbert, Erik Rondell,
- Visual Effects Editor:Lincoln Kupchak, Steve Shaw, Kevin Clark, Mark Eggenweiler, V. Scott Balcerek,
- Construction Buyer:Gabriel Pérez, Gabriel Pérez,
- Underwater Gaffer:Patrick Murray, Patrick Murray,
- Set Designer:Bill Taliaferro, Javier Nava, Karl J. Martin,
- Animal Wrangler:Adolfo Lara,
- Dialogue Editor:John F. Reynolds, Patrick J. Foley,
- Leadman:Russell R. Anderson,
- Visual Effects Coordinator:Jack Geist, LeiLa Ratti,
- Systems Administrators & Support:Justin Burdine,
- Rigging Gaffer:Ismael 'Izzy' Gonzalez,
- Mechanical Designer:David Knight, Tom Hsiu, Robert Fuhrmann, Peter Fletter, Larry Cheng, Tony Lawson, David Knight, Tony Lawson,
- Casting Assistant:John Barba,
- Sound Recordist:Rick Hromadka,
- Conductor:Gordon Goodwin,
- Key Hair Stylist:Peter Tothpal,
- Assistant Sound Editor:Catherine Calleson,
- Rotoscoping Artist:Erin M. Cullen, Lisa Garner, Sean Prusak, Etienne Andlau,
- Special Effects Technician:Darrell Burgess, José Ignacio Álvarez, Craig Tex Barnett,
- Visual Effects Technical Director:Brian Shows,
- Supervising Art Director:Mark W. Mansbridge, Bruce Crone,
- Transportation Captain:Hugo Chew,
- Costume Design:Mark Bridges,
- Visual Effects Designer:Clark Schaffer,
- Original Concept:David L. Snyder, David L. Snyder,
- Production Manager:Anthony Franco,
- First Assistant 'A' Camera:Brad Peterman, Gregory Irwin,
- Utility Stunts:Joey Box,
- Second Unit Director of Photography:Gary Capo,
- Production Accountant:Armando Amador,
- Prosthetic Makeup Artist:Matthew W. Mungle, Clinton Wayne, Chad Atkinson,
- Additional Camera:Frederick Iannone,
- Storyboard Artist:Gary Damian Thomas, Lee Wilson, Lee Wilson,
- Music Consultant:Shakim Compere,
- Aerial Coordinator:David Paris,
- Roto Supervisor:Karen Klein,
- Assistant Accountant:Gavin J. Behrman,
- Animation Supervisor:Ken Stranahan,
- Additional Music:Michael Jay,
- Negative Cutter:Mo Henry,
- Costume Supervisor:Joe McCloskey, James W. Tyson,
- Additional Editing:Kevin Stitt,
- Steadicam Operator:Mark Emery Moore,
- Production Office Coordinator:Francis Meade Warner,
- 2D Sequence Supervisor:Marcel Martinez, Craig Mathieson, Mark Tait Lewis, Sean O'Connor, Kevin Lingenfelser,
- Executive Assistant:Kate Neumann,
- Visual Effects Production Manager:Penny A. Mesa,
- Casting Associate:Cassandra Kulukundis,
- Sound Re-Recording Mixer:John T. Reitz,
- CGI Supervisor:Serge Sretschinsky,
- Special Effects Supervisor:John Richardson, John Richardson,
- Executive In Charge Of Production:Mark Scoon,
- Special Effects Coordinator:Sergio Jara,
- Art Direction:Héctor Romero, Andrew Rothschild,
- Set Production Assistant:Jose Jimenez,
- Digital Effects Producer:Rebecca Farhall, Richard J. Cook, Alan Church,
- Key Rigging Grip:Jonas Juhanson,
- Digital Compositors:John Rauh,
- Visual Effects Production Assistant:Gino Freselli,
- Textile Artist:Niamh Murphy, Niamh Murphy,
- Unit Publicist:Peter J. Silbermann,
- Foley Editor:Willy Allen,
- Effects Supervisor:Walt Conti,
- Standby Painter:Anthony Gaudio,
- Best Boy Electric:R. Gern Trowbridge,
- Best Boy Grip:Frank Montoya,
- Underwater Director of Photography:Pete Romano,
- Makeup Artist:Steve LaPorte, Raúl Sarmiento, Jim Kail, Allan A. Apone,
- Screenplay:Duncan Kennedy, Donna Powers,
- Compositing Artist:Travis Baumann,
- Lighting Technician:Bruce Sharp,
- Set Medic:Sarah Catizone,
- Gaffer:Mick Morris,
- Makeup Department Head:Jeff Dawn,
- Assistant Makeup Artist:Patricia Romero,
- Set Costumer:Carrie Bauer,
- 3D Modeller:Mathew C. Judd,
- Production Illustrator:Harald Belker,
- Grip:R. Dana Harlow, Marcelino Luna,
- Assistant Property Master:Martin Gutierrez,
- Still Photographer:Merie Weismiller Wallace,
- Visual Effects:Joshua I. Kolden,
- Extras Casting:Tina Kerr,
- ADR Supervisor:Hugh Waddell,
- Production Executive:Randy Starr, Randy Starr,
- Original Music Composer:Trevor Rabin,
Technical specifications
- Rating:R
- Country:United States, Australia
- Language:English
- Release:July 28, 1999
- Duration:100 min
- Genres:Action/Adventure, Horror, SciFi/Fantasy, Suspense/Thriller