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Dead Man Walking
Synopsis
Tim Robbins' second directorial effort (after the political satire Bob Roberts) was this drama based on a true story, which explores the issue of capital punishment. Sister Helen Prejean (Susan Sarandon) is a nun and teacher living in rural Louisiana. One day, she receives a letter from Matthew Poncelet (Sean Penn), who is scheduled to be executed soon for the rape and murder of two teenagers. After meeting Matthew, Sister Helen agrees to serve as spiritual counselor and see what she can do to stay the execution. However, Matthew's claims of innocence seem shaky at best, and it's clear he's a reprehensible, amoral racist. When it becomes obvious that Matthew's sentence will be carried out, Sister Helen offers what comfort she can to Matthew, but also tries to guide him to an open admission of the extent of his crimes and an acceptance of divine forgiveness, telling him I want the last face you see to be the face of love. Susan Sarandon won an Oscar for her performance as Sister Prejean, and Sean Penn was similarly nominated for Best Actor as Matthew.~ Mark Deming, All Movie Guide
Full Credits
  • Director:
    Tim Robbins,
  • Writer:
    Helen Prejean, Tim Robbins,
  • Producer:
    Tim Robbins, Jon Kilik, Rudd Simmons,
  • Cinematographer:
    Roger Deakins,
  • Editor:
    Lisa Zeno Churgin, Ray Hubley,
  • Executive Producer:
    Tim Bevan, Eric Fellner,
  • Cast:
    R. Lee Ermey, Susan Sarandon, Sean Penn, Robert Prosky, Raymond J. Barry,
  • Associate Producer:
    R.A. White, Mark Seldis, Allan F. Nicholls,
  • Assistant Editor:
    Kristen M. Johnson,
  • Second Assistant Director:
    Sam Hoffman,
  • Second Second Assistant Director:
    Ann C. Salzer,
  • Supervising Sound Editor:
    Dan Sable,
  • Camera Operator:
    Robin Brown, Robin Brown,
  • Script Supervisor:
    Eva Z. Cabrera,
  • ADR Mixer:
    Charleen Richards,
  • Art Department Coordinator:
    Christie Alexander,
  • Assistant Production Coordinator:
    Sallie Jones Arata,
  • Boom Operator:
    T.J. O'Mara,
  • Construction Coordinator:
    Martin Bernstein,
  • Construction Foreman:
    Michael Curry Sr.,
  • First Assistant Camera:
    Andy Harris, Andy Harris,
  • Location Manager:
    Barbara Heller,
  • Production Coordinator:
    Michele Giordano,
  • Property Master:
    Thomas Wright,
  • Sound Editor:
    Lynn Sable,
  • Casting:
    Douglas Aibel,
  • Location Coordinator:
    Lys Hopper,
  • Original Music Composer:
    David Robbins, David Robbins,
  • Dolly Grip:
    Bruce Hamme,
  • Orchestrator:
    David Campbell, David Campbell,
  • Color Timer:
    Tom Salvatore,
  • Production Intern:
    Barry Gastelu,
  • Key Construction Grip:
    Arne Olsen, Arne Olsen,
  • Additional Wardrobe Assistant:
    Bonney Langfitt,
  • Best Boy Electric:
    William Moore,
  • Post Production Assistant:
    Allison R. Hebble,
  • Key Hair Stylist:
    Aaron F. Quarles,
  • Thanks:
    Nusrat Fateh Ali Khan, Barry Levine, Bruce Springsteen, Malcolm Ritchie, Jack Snyder, Simon Abkarian, Suzanne Weinert, Julia Roberts, Sharon Boyle, Eddie Vedder, Peter Gabriel, Clancy Brown,
  • Painter:
    Patrick K. Coppinger,
  • Makeup Artist:
    Michal Bigger,
  • Makeup Designer:
    Ma Kalaadevi Ananda,
  • Rigging Grip:
    Jonathan Graham, Jonathan Graham,
  • Set Dressing Production Assistant:
    Morgan Miller, Morgan Miller,
  • Craft Service:
    Kayla Chaillot,
  • First Assistant Editor:
    Clare Larson,
  • Still Photographer:
    Demmie Todd,
  • Chef:
    Brad 'Mo' Gremillion,
  • ADR Editor:
    Hal Levinsohn,
  • Additional Music:
    David Spinozza,
  • Music Editor:
    Patrick Mullins,
  • Assistant Chef:
    Marcus Barben,
  • Head of Production:
    Jane Frazer,
  • Production Design:
    Richard Hoover,
  • Dialect Coach:
    Tim Monich,
  • Hairstylist:
    Michael Kriston,
  • Playback Singer:
    Nusrat Fateh Ali Khan,
  • Assistant Director:
    Allan F. Nicholls,
  • Assistant Art Director:
    David Stein,
  • Unit Production Manager:
    Rudd Simmons,
  • Leadman:
    Patrick McGuire,
  • Music Supervisor:
    David Robbins, David Robbins,
  • Assistant Makeup Artist:
    Allison Gordin,
  • Location Production Assistant:
    Cynthia Carriere,
  • Costume Design:
    Renee Ehrlich Kalfus,
  • Finance:
    Rashid Chinchanwala,
  • Rigging Gaffer:
    Richie Ford,
  • Apprentice Sound Editor:
    Daniel Pagan,
  • Sound Mixer:
    Tod A. Maitland,
  • Assistant Property Master:
    Travis Wright, Travis Wright,
  • Electrician:
    Greg Addison, Lance Shepherd,
  • Screenplay:
    Helen Prejean, Tim Robbins,
  • Wardrobe Supervisor:
    Hartsell Taylor,
  • Art Department Production Assistant:
    Shawna Starkman,
  • Dialogue Editor:
    Anthony J. Ciccolini III,
  • Music Producer:
    Ry Cooder,
  • Title Designer:
    Gerry Hawkins,
  • Second Assistant Camera:
    Sal Camacho,
  • Art Direction:
    Tom Warren,
  • Security:
    Greg Cattano,
  • Transportation Coordinator:
    Jerry Everett,
  • ADR Voice Casting:
    David H. Kramer,
  • Carpenter:
    Chuck Stringer,
  • Telecine Colorist:
    John Dowdell,
  • Assistant Sound Editor:
    Yvette Nabel,
  • Scenic Artist:
    Lucian Baran,
  • Grip:
    Tony Arnaud,
  • Foley Mixer:
    George A. Lara,
  • Assistant Location Manager:
    Dana A. Hanby,
  • Mixing Engineer:
    Gary Chester,
  • Second Assistant Sound:
    James Murray, James Murray,
  • Dolby Consultant:
    Bradford L. Hohle,
  • Construction Grip:
    Glen Engels,
  • Key Set Production Assistant:
    Chris Gilmer,
  • Sound Recordist:
    Scott Dior,
  • Production Secretary:
    Bonnie Friedman, Bonnie Friedman,
  • Music Consultant:
    Alison Miner,
  • Set Medic:
    Susie Blanchard,
  • Production Accountant:
    Mindy Sheldon,
  • Book:
    Helen Prejean,
  • Best Boy Grip:
    Charlie Marroquin,
  • Casting Assistant:
    Jordan Beswick,
  • Set Dressing Artist:
    Lawrence Amanuel,
  • Assistant Costume Designer:
    Kim Marie Druce,
  • Set Production Assistant:
    Scott August,
  • Camera Trainee:
    Kris Enos,
  • Key Grip:
    Mitchell Andrew Lillian,
  • Driver:
    Pete Aquino,
  • Production Supervisor:
    Nancy Kriegel,
  • Post Production Supervisor:
    Graham Stumpf,
  • Gaffer:
    Bill O'Leary,

Technical specifications

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